Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Star Child Chorale 3 parties SAB, Piano Sacred Music Press
Composed by Victoria Davison. Arranged by Rudy Lupinski. Choral. Sacred Anthem...(+)
Composed by Victoria
Davison.
Arranged by Rudy
Lupinski.
Choral. Sacred Anthem,
Christmas. Octavo. Sacred
Music Press #10/5440S.
Published by Sacred Music
Press
Composed by
Ted Hutchinson. Arranged
by Thomas Fettke.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Sacred. Choral
Octavo. 16 pages. Alfred
Music #00-47736.
Published by Alfred Music
(AP.47736).
UPC:
038081544298.
English.
Made
popular by American Idol
star David Archuleta and
the Mormon Tabernacle
Choir on their Glad
Christmas Tidings album,
this original carol tells
the Christmas story from
the perspective of two
animals in the stable.
And the night skies rang
as the angels sang, when
love came down to the
earth. Appropriate for
both school and
church.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
The Tree of Life Chorale 3 parties SAB, Piano - Facile GIA Publications
SAB choir, piano accompaniment, oboe - Early intermediate SKU: GI.G-9687 ...(+)
SAB choir, piano
accompaniment, oboe -
Early intermediate
SKU: GI.G-9687
Arranged by James Biery.
Lent, Lent 2 A, Good
Friday. Choral. Tune
Name: Wexford Carol.
Sacred. Octavo. 16 pages.
GIA Publications #9687.
Published by GIA
Publications (GI.G-9687).
UPC: 785147968702.
English. Text by Stephen
Starke. Scripture:
Genesis 2:9, Genesis
3:1–7, 15,
Revelation
22:2.
James Biery
has created a setting of
the WEXFORD CAROL set to
Stephen Starke’s
text based on the Fall in
the garden as recounted
in the Book of Genesis.
The piece has multiple
uses throughout the year,
notably for Good Friday.
For choirs that present a
service of Lessons and
Carols, this piece would
be a welcome addition to
the repertoire that
follows the traditional
first reading. The oboe
part is optional. Â
Listen to the music and
follow the score in this
preview video.
For Him All Stars Chorale 3 parties SSA [Vocal Score] Oxford University Press
For Him all Stars. (15 Carols for Upper Voices). For Upper voices (SSA) accompan...(+)
For Him all Stars. (15
Carols for Upper Voices).
For Upper voices (SSA)
accompanied and a
cappella (Ring the bells:
2 flutes, oboe
(optional), 2 clarinets,
bassoon (optional), 2
horns, trumpet, 2
trombones (optional),
glockenspiel (optional),
harp/piano (optional),
strings; Love came down
at Christmas: Strings
Scots Nativity (brass): 2
trumpets, horn, t). Upper
Voices. Christmas, Choral
Collection. Vocal score.
88 pages. Published by
Oxford University Press
(from
“Scroogeâ€). Composed by Leslie
Bricusse. Arranged by
Mark Hayes. Shawnee
Press. Christmas,
Holiday, Movies. Octavo.
Duration 180 seconds.
Published by Shawnee
Press (HL.1145658).
ISBN 9781705185261.
UPC: 196288117346.
6.75x10.5x0.036
inches.
From the
1970 movie Scrooge, this
beloved song has been
covered by many artists
ever since: from gospel
greats to contemporary
stars. The arrangement
captures the beauty,
strength and scope of the
original and may be
accompanied by either
piano or additional
chamber instruments. What
a glorious moment for any
holiday concert!
Star of Wonder Chorale 3 parties SSA A Cappella - Facile Schirmer
Composed by Terre Roche. Advent Candlelighting, Christmas-Sacred, Christmas- S...(+)
Composed by Terre Roche.
Advent Candlelighting,
Christmas-Sacred,
Christmas-
Secular/Holiday, Hanging
of
the Green, Lessons and
Carols.
E.C. Schirmer Publishing
#9208. Published by E.C.
Schirmer Publishing
Star Carol Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
Composed by Cathryne E. Parks, music by Gary E. Parks. Choir Sacred. 3-Part ...(+)
Composed by Cathryne E.
Parks, music by Gary E.
Parks. Choir Sacred.
3-Part
Mixed Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Sacred;
Winter.
12 pages. Published by
Alfred Music
(The Christmas Story Through Timeless Carols). By Larry Shackley. For SAB choir ...(+)
(The Christmas Story
Through Timeless Carols).
By Larry Shackley. For
SAB choir and piano (with
optional instrumental
accompaniment). Cantatas.
Christmas. Published by
Lorenz Publishing Company
(Easy-to-Prepare Christmas Anthems for SAB Choirs). By Larry Pugh. For SAB choir...(+)
(Easy-to-Prepare
Christmas Anthems for SAB
Choirs). By Larry Pugh.
For SAB choir and piano.
Advent, Christmas,
Epiphany, Sacred. Sacred
Choral Collection
(A Collection Motets,
Madrigals, Chansons,
Carols, Ayres, Ballets,
etc.) Edited by Henry
Clough-leighter.
Collection for mixed
choir (A Cappella). With
introductory text and
piano rehearsal part.
Series: Secular. 171
pages. Published by E.C.
Schirmer Publishing.
(Go, Tell It on the
Mountain). Composed
by Sally K. Albrecht.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Sacred;
Spiritual. Choral Octavo.
12 pages. Alfred Music
#00-46335. Published by
Alfred Music (AP.46335).
UPC: 038081527147.
English.
Here's an
original Christmas
spiritual inspired by
(and including a verse
of) the gospel carol Go,
Tell It on the Mountain.
Sally's rousing refrain
grabs your attention
right at the start, and a
riff-like descant really
raises the roof at the
end. Add choreography
(from the When We Sing!
DVD) for an extra
flourish!
By Sally K. Albrecht, Jay Althouse. For Choir. (SAB). Choral Octavo. Choral Des...(+)
By Sally K. Albrecht, Jay
Althouse. For Choir.
(SAB). Choral Octavo.
Choral Designs.
Christmas. Choral Octavo.
12 pages. Published by
Alfred Publishing.
Behold That Star Chorale 3 parties SSA, Piano Heritage Music Press
SSA choir, piano SKU: LO.15-4045H Composed by Mark Hayes. Heritage Music ...(+)
SSA choir, piano
SKU:
LO.15-4045H
Composed
by Mark Hayes. Heritage
Music Press #15/4045H.
Published by Heritage
Music Press
(LO.15-4045H).
ISBN
9780787779283.
Your
choir will love digging
into this brilliantly
scored medley of three
traditional Christmas
spirituals: Behold That
Star, Rise Up, Shepherd,
and Follow, and Go, Tell
It on the Mountain from
Markâ??s extended work,
International Carol
Suites. Perform with
piano or the thrilling
orchestration.
