Choral (3-Part Mixed choir) SKU: HL.435031 By Rascal Flatts. Arranged by ...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.435031
By Rascal
Flatts. Arranged by Roger
Emerson. Pop Choral
Series. Country,
Graduation,
Inspirational, Pop, Show
Choir. Octavo. 12 pages.
Duration 225 seconds.
Published by Hal Leonard
(HL.435031).
UPC:
196288064879.
6.75x10.5x0.029
inches.
Rascal
Flatt's hit song dives
deep into the nostalgia
well: How will you be
remembered? What did you
do with your time when it
was given to you? This
song is a blast to
sing!
Discovery Level 2.
By Bob Dylan. By Bob
Dylan. Arranged by Audrey
Snyder. Discovery Choral.
Oldies, Pop. Octavo.
Duration 150 seconds.
Published by Hal Leonard
(HL.1718427).
UPC:
196288267478. 6.75x10.5
inches.
Nobel Prize
winner, Bob Dylan wrote
this legendary, classic
folk ballad in 1963. Some
would say the song is
prophetic even today.
Skillfully arranged to be
very accessible for young
singers, this arrangement
may be accompanied by
either piano or acoustic
guitar.
Choral (SSA Choir) SKU: HL.1334481 By The Carpenters. By Burt Bacharach. ...(+)
Choral (SSA Choir)
SKU: HL.1334481
By
The Carpenters. By Burt
Bacharach. Arranged by
Mac Huff. Pop Choral
Series. Light Rock, Pop,
Seventies. Octavo. 8
pages. Duration 195
seconds. Published by Hal
Leonard (HL.1334481).
By Ira Gershwin, George Gershwin. Arranged by Mark Hayes. For Choir. (SAB). Cho...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Mark Hayes. For Choir.
(SAB). Choral Octavo. Pop
Choral. Choral Octavo. 12
pages. Published by
Alfred Publishing.
Choral (SSA Choir) SKU: HL.266475 Arranged by Greg Jasperse. Jazz Chorals...(+)
Choral (SSA Choir)
SKU: HL.266475
Arranged by Greg
Jasperse. Jazz Chorals.
Jazz, Standards, Swing,
Vocal Jazz. Octavo. 20
pages. Duration 320
seconds. Published by Hal
Leonard (HL.266475).
UPC: 888680733049.
6.75x10.5x0.039
inches.
This
classic swing tune was
arranged for the Michigan
All-State Vocal Jazz
Ensemble. Beginning with
the rubato intro just
right for a soloist to
stylize in their own way,
it launches into a sweet
swinging ensemble
arrangement that is hip
and contemporary and just
right for an advanced
vocal jazz choir.
Arranged by Kirby Shaw. Original words and music by Kirby Shaw. For Choir. (SSA...(+)
Arranged by Kirby Shaw.
Original words and music
by Kirby Shaw. For Choir.
(SSA). Choral Octavo.
Pop Choral Series.
Broadway. Level:
Moderately Difficult
(grade IV). Choral
Octavo. Published by
Alfred Publishing.
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Le...(+)
Arranged by Teena Chinn.
For Choir. (3-part
Mixed). Choral Octavo.
Broadway. Level: Moderate
(grade 3). Choral Octavo.
108 pages. Published by
Alfred Publishing.
Consider the Lilies Chorale 3 parties SSA [Octavo] - Intermédiaire Jackman Music Corporation
By Roger Hoffman. Arranged by A. Laurence Lyon. Text: Roger Hoffman. For SSA Cho...(+)
By Roger Hoffman.
Arranged by A. Laurence
Lyon. Text: Roger
Hoffman. For SSA Choir.
Level: Medium /
Medium-Difficult
(accompaniment). Duration
3:30. Published by
Jackman Music
Corporation.
By Irv Rothenberg. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. No...(+)
By Irv Rothenberg. For
Choir. (3-Part Mixed).
Choral Octavo. Choral
Designs. Novelty;
Secular, Christmas.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
Discovery Level 2.
Arranged by Audrey
Snyder. Discovery Choral.
Concert. Octavo. 20
pages. Duration 145
seconds. Published by Hal
Leonard (HL.389775).
ISBN 9781705156506.
UPC: 196288026570.
6.75x10.5x0.053
inches.
Have fun
practicing solfège
with this lighthearted
spoof of Mozart's famous
Piano Sonata #16.
Excellent as a concert
closer or encore, this
piece will make your
audience chuckle as they
learn a little music
trivia about Mozart and
melody!
Arranged by Russell L. Robinson. For Choir. (3-part Mixed). Choral Octavo. Belw...(+)
Arranged by Russell L.
Robinson. For Choir.
(3-part Mixed). Choral
Octavo. Belwin Festival
Series. Sacred. Level:
Moderate (grade 3).
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
Discovery Level 2.
Arranged by Emily
Crocker. Discovery
Choral. Concert,
Festival, Folk, French.
Octavo. 16 pages.
Duration 160 seconds.
Published by Hal Leonard
(HL.1147630).
UPC:
196288118022.
6.75x10.5x0.036
inches.
“J'ai
vu le loup†is a
French folk song that
dates to the medieval
era. Many versions of the
song exist, but they all
feature animals imitating
humans by dancing,
laughing, and singing.
This arrangement includes
a version of the song
along with additional
music and lyrics created
by the arranger.
Discovery Level 2.
Arranged by Cristi Cary
Miller. Discovery Choral.
Concert, Festival, Folk,
Young Voices. Octavo. 12
pages. Published by Hal
Leonard (HL.116806).
UPC: 884088883072.
6.75x10.5
inches.
The folk
melodies and modal
harmonies of this
traditional favorite
dance as they echo back
one to another. A clever
and well-crafted
arrangement for young
singers! Discovery level
2. Available separately:
3-Part Mixed, 2-Part,
VoiceTrax CD. Duration:
ca. 2:30.
Discovery Level 2.
Composed by Cristi Cary
Miller. Discovery Choral.
Concert, Festival, Light
Concert. Octavo. 12
pages. Duration 225
seconds. Published by Hal
Leonard (HL.397425).
ISBN 9781705158814.
UPC: 196288049906.
6.75x10.5x0.029
inches.
Here's a
heartfelt piece that
speaks to the power of
music. With words written
during the beginning of
the pandemic, it
expresses what many
musicians felt as they
began the frightening
journey into a world
without singing. This
selection will offer a
powerful outlet for
expression to once again
join together to make
music!
Discovery Level 1.
Composed by Cristi Cary
Miller. Discovery Choral.
Concert, Light Concert.
Octavo. 16 pages.
Duration 165 seconds.
Published by Hal Leonard
(HL.392843).
ISBN
9781705157190. UPC:
196288031161.
6.75x10.5x0.034
inches.
Light-heart
ed lyrics and a cheerful
tune will put a smile on
the faces of both singers
and listeners as they
celebrate the wonder of
music. Consider using the
song's title as a concert
theme to encourage and
build a sense of
community. A great piece
for any time of year!
Composed by Ruth Morris Gray. For 3-part mixed choir (a cappella) (with optional...(+)
Composed by Ruth Morris
Gray. For 3-part mixed
choir (a cappella) (with
optional piano).
Christmas. Octavo.
Heritage Music Press
#15/3223H. Published by
Heritage Music Press
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Itsuki Lullaby Chorale 3 parties 3 parties aigues Hal Leonard
Choral (3 Part Treble choir) SKU: HL.153263 (Japanese Lullaby). Ar...(+)
Choral (3 Part Treble
choir)
SKU:
HL.153263
(Japanese
Lullaby). Arranged by
Sheila Feay-Shaw. Henry
Leck Creating Artistry.
Concert, Festival,
Japanese. Octavo. 12
pages. Published by Hal
Leonard (HL.153263).
UPC: 888680095666.
6.75x10.5
inches.
This
Japanese lullaby is a
traditional song sung by
girls far away from home
as they worked as nannies
in upper class
households. The gentle
sounds of flute and wind
chimes support the
plaintive quality of the
melody, presented in
canon and simple
harmonization over the
arpeggios in the piano or
optional marimba
accompaniment.