The Gospel Train (A Gospel Medley and Classic Spiritual). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Gospel. Published by Faber Music

Arranged by Mark A. Brymer. (SAB score). Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Mark A. Brymer. (Sab Singer). Choral. Size 6.75x10.5 inches. 54 pages. Published by Hal Leonard.

Choral (SSA Choir)

SKU: HL.142331

By Marlene Dietrich. By Frederick Hollander. Arranged by Audrey Snyder. Jazz Chorals. Jazz, Standards. Octavo. 12 pages. Published by Hal Leonard (HL.142331).

UPC: 888680048198. 6.75x10.5 inches.

This classic song recorded in the 30s by Marlene Dietrich gets an update with this accessible setting which opens in a straight-forward 3/4 meter, then moves into a fun 4/4 swing.

ScorePlay - click to view score with recording.

By Irving Berlin. Arranged by Ed Lojeski. SSA. Jazz Chorals. 8 pages. Published by Hal Leonard

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

By Stevie Wonder. By Stevie Wonder. Arranged by Ed Lojeski. Pop Choral Series. Pop, Show Choir, Shuffle, Soul, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard

By Russell L. Robinson. For Choir. (SAB). Choral Octavo. Choral Octavo. 12 pages. Published by Alfred Publishing.

I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * I'll Build a Stairway to Paradise * Love Is Here to Stay * Embraceable You * Fascinating Rhythm. Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Adam Podd and Matt Podd. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Great American Songbook; Secular. Choral Octavo. Alfred Music #00-47666. Published by Alfred Music

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.48862

Composed by David Waggoner. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-48862. Published by Alfred Music (AP.48862).

UPC: 038081561868. English.

After a year with limited music making, there could be nothing better. Imagine throwing open the shutters to sing with your neighbors as this beautiful piece unfolds. It's consistently lyrical and legato, with peaks and valleys built into the dynamics to heighten emotions and capture joy. We love this expressive piano part, especially the delicate music box-inspired introduction. Don't miss the dramatic modulation before the pinnacle refrain crescendos to a big finish.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SAB choir, cantor, assembly, keyboard accompaniment, C instrument, cello, bassoon, guitar - Early intermediate

SKU: GI.G-10468

Composed by John T. Kyler. Arranged by Zack Stachowski. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #10468. Published by GIA Publications (GI.G-10468).

UPC: 785147046813. English. Text Source: Based on Psalm 91 and Julian of Norwich, 1342-1416. Text by Julian of Norwich. Scripture: Psalm 91.

“All Will Be Well” is, above all, a song of hope. While it is easy to become discouraged by the systems of injustice that pervade our world, Julian’s text reminds us that life and love always prevail. Care should be taken to sing each refrain with this conviction and confidence while still respecting the suggested dynamic markings, as too much power can jeopardize the gentle folk-style of the piece. The verses should start with room to grow dynamically, building throughout, leading to strength and conviction in the refrain.