All Will Be Well Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, assembly, keyboard accompaniment, C instrument, cello, bassoo...(+)
SAB choir, cantor,
assembly, keyboard
accompaniment, C
instrument, cello,
bassoon, guitar - Early
intermediate
SKU:
GI.G-10468
Composed
by John T. Kyler.
Arranged by Zack
Stachowski. Celebration
Series. Sacred. Octavo.
With guitar chord names.
12 pages. GIA
Publications #10468.
Published by GIA
Publications
(GI.G-10468).
UPC:
785147046813. English.
Text Source: Based on
Psalm 91 and Julian of
Norwich, 1342-1416. Text
by Julian of Norwich.
Scripture: Psalm
91.
“All Will
Be Well†is, above
all, a song of hope.
While it is easy to
become discouraged by the
systems of injustice that
pervade our world,
Julian’s text
reminds us that life and
love always prevail. Care
should be taken to sing
each refrain with this
conviction and confidence
while still respecting
the suggested dynamic
markings, as too much
power can jeopardize the
gentle folk-style of the
piece. The verses should
start with room to grow
dynamically, building
throughout, leading to
strength and conviction
in the refrain.
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
Choral SSA choir, piano SKU: CF.CM9773 Composed by Brady Weldon. Duration...(+)
Choral SSA choir, piano
SKU: CF.CM9773
Composed by Brady Weldon.
Duration 2 minutes, 49
seconds. Carl Fischer
Music #CM9773. Published
by Carl Fischer Music
(CF.CM9773).
ISBN
9781491164440. UPC:
680160923342. Key: C#
minor. English. Christina
Rossetti.
In the
bleak midwinter, frosty
wind made moan, Â
    Â
    Â
    Â
    Â
    Â
 Earth stood hard as
iron, water like a
stone;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
   Snow had
fallen, snow on snow,
snow on snow, Â
    Â
    Â
    Â
    Â
    Â
    In the
bleak midwinter, long
ago.What can I give Him,
poor as I am? Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
  If I were a
shepherd, I would bring a
lamb;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
   If I were a
Wise Man, I would do my
part;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
  Yet what I can
I give Him: give my
heart.The text from this
beloved poem of Christina
Rossetti
(1830–1894) was
originally published in
an 1872 issue of
Scribner’s
Monthly, under the title
A Christmas Carol. In the
first of its five
stanzas, the speaker
describes in great detail
a bitingly cold winter
scene, void of both
warmth and light. By the
final stanza, the
speaker's thoughts turn
inward, asking what gift
they may offer the infant
Jesus, meek though they
believe themselves to
be.The poem was later set
by English composer
Gustav Holst
(1874–1934) as a
contribution to the
English Hymnal in 1906
and remains the most
popular setting
today.London-born
Rossetti came to be
regarded not only as one
of the greatest female
poets of her time, but as
an outspoken advocate on
several societal issues,
including slavery and
cruelty towards
animals.In this setting,
word painting is of the
utmost importance.
Careful attention to word
stress throughout the
course of the piece will
make the performance all
the more captivating.
Descriptive lines such as
“frosty wind made
moan†should be
conveyed with swelling
crescendos, like frigid
gusts of frozen air.While
this piece features an
original tune, the
beloved Holst melody is
also featured briefly,
beginning in m. 28. Take
care to bring this
out.There are plenty of
other allusions to wintry
scenes scattered
throughout the choral
parts as well as the
accompaniment. I
encourage you to put your
sleuthing
“hats†on and
find them all. It will
make the learning
experience much more
memorable and fun.
Sing We and Chant It Chorale 3 parties SAB A Cappella [Octavo] - Intermédiaire Alfred Publishing
By Thomas Morley. Arranged by Russell L. Robinson. For Choir. (3-Part Mixed, a ...(+)
By Thomas Morley.
Arranged by Russell L.
Robinson. For Choir.
(3-Part Mixed, a
cappella). Choral Octavo.
Choral Designs. Madrigal;
Masterwork. Choral
Octavo. 8 pages.
Published by Alfred
Publishing. Level:
Level 3 (grade L3).
By Linda Ronstadt. By Marvin Tarplin, Warren Moore, and Smokey Robinson. Arran...(+)
By Linda Ronstadt. By
Marvin
Tarplin, Warren Moore,
and
Smokey Robinson. Arranged
by
Kirby Shaw. Shawnee
Press.
Pop. Octavo. 12 pages.
Published by Shawnee
Press
Two Folksongs of Love and Loss. Composed by American Folk Song Irish Folk So...(+)
Two Folksongs of Love and
Loss. Composed by
American
Folk Song Irish Folk
Song.
Arranged by Greg Gilpin.
Fold. Octavo. 8 pages.
Duration 1 minute, 40
seconds. Carl Fischer
Music
#CM9646. Published by
Carl
Fischer Music
SAB choir and piano SKU: LO.45-1646L Choral collection. Singable Solution...(+)
SAB choir and piano
SKU: LO.45-1646L
Choral collection.
Singable Solutions.
Sacred Choral, Advent,
Christmas, Thanksgiving.
Lorenz Publishing Company
#45/1646L. Published by
Lorenz Publishing Company
(LO.45-1646L).
ISBN
9780787790011.
Have
you ever shopped for new
music, discovered an
anthem you really
enjoyed, and then
realized, â??This piece
is just too big for my
choir?â? For those of
you who responded with an
emphatic â??Yes!â?
and helped make Vol. 1
(45/1639L) a bestseller,
weâ??re excited to bring
you Vol. 2 of Sunday
Solutions for SAB Choirs.
This set features nine
anthems particularly
appropriate for the Fall
season, including
arrangements of favorite
hymns and carols as well
as original works by
Lloyd Larson, Brad Nix,
Ruth Elaine Schram, and
many more of your
favorites. A recorded
accompaniment is
available, and many of
the pieces feature the
optional inclusion of
instrumentalistsâ??from
a flute soloist to a
small group of handbell
ringers to a brass and
percussion ensemble.
Several also offer the
option to stretch to SATB
parts or shrink to
Two-part Mixed,
maximizing the
practicality of this
must-have resource.
Choral (SAB Choir) SKU: HL.293968 By Linda Ronstadt. By Marvin Tarplin, S...(+)
Choral (SAB Choir)
SKU: HL.293968
By
Linda Ronstadt. By Marvin
Tarplin, Smokey Robinson,
and Warren Moore.
Arranged by Kirby Shaw.
Shawnee Press. Pop.
Octavo. 12 pages.
Published by Shawnee
Press (HL.293968).
ISBN 9781540052544.
UPC: 888680940607.
6.75x10.5
inches.
Smokey
Robinson and the Miracles
first introduced this
pop-hit in 1965 and Linda
Ronstadt had a huge hit
with it in 1975 followed
by numerous singers
thereafter. It's a
soulful, laid-back
arrangement that works
well for mixed choirs and
women's groups, too.
Pater noster Chorale 3 parties SSA [Conducteur] Crescendo Music Publications
SSA choir SKU: C4.9790902257114 Composed by George Henschel. Classical. S...(+)
SSA choir
SKU:
C4.9790902257114
Composed by George
Henschel. Classical.
Score. Crescendo Music
Publications
#9790902257114. Published
by Crescendo Music
Publications
(C4.9790902257114).
ISBN 9790902257114.
8.27 x 11.7
inches.
Sir George
Henschel's setting of the
Pater noster (Our
Father), was first
published in 1913. The
dedicatee, Sophie Weisse
(1852-1945), was founder
of Northlands, an
all-girls school in
Surrey, England. As well
as George Henschel,
Weisse counted many
people of note among her
circle of friends,
including violinist
Joseph Joachim, flautist
Louis Fleury, and
'cellist Pablo Casals.
She was the first to
observe Donald Tovey's
aptitude for music and
took it upon herself to
manage his education, all
the way to Balliol
College, Oxford.
A
Quick Break / Die House /
Don't Deal with the Devil
/ Inkwell Isle Two.
Composed by Kristofer
Maddigan. Arranged by
Alan Billingsley.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Secular;
Video Game. Choral
Octavo. 16 pages. Alfred
Music #00-48519.
Published by Alfred Music
(AP.48519).
UPC:
038081553429.
English.
Calling
all gamers! The popular
video game Cuphead is
famous not only for its
quirky cartoon animation,
but also for its
retro-style soundtrack.
This clever mini-medley
takes a 3-minute tour
through numerous musical
styles, from barbershop
to swingin' jazz to a
mischievous march, all
while relating the tale
of game characters
Cuphead and Mugman.
Optional accompaniment
for the barbershop
sections is included on
the CD and in the
octavo.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.