Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

Composed by George Gershwin and Ira Gershwin. Arranged by Mac Huff. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Jazz Choir; Secular; Swing. 20 pages. Published by Alfred Music

By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arranged by John Leavitt. Daybreak Choral Series. Christmas, Communion, General Worship, Sacred. Octavo. 12 pages. Published by Daybreak Music

By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arranged by John Leavitt. Daybreak Choral Series. Christmas, Communion, General Worship, Sacred. Octavo. 12 pages. Published by Daybreak Music

By Marsha Norman, music by Lucy Simon. Arranged by John Leavitt. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Broadway; Winter. 12 pages. Published by Alfred Music Publishing

The Gospel Train (A Gospel Medley and Classic Spiritual). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Gospel. Published by Faber Music

T'ain't What 'Cha Do (It's the Way How 'Cha Do It) arranged by Kirby Shaw. For SAB Choir (SAB). Shawnee Press. Choral. 12 pages. Shawnee Press #D0705. Published by Shawnee Press

(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481620. Published by Boosey and Hawkes

(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481590. Published by Boosey and Hawkes

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.50140

Composed by Penny Rodriguez. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-50140. Published by Alfred Music (AP.50140).

UPC: 038081573106. English. Words by Emily Dickinson.

This charming setting of the famous Emily Dickinson poem reminds us that hope never stops at all. A memorable melody is first sung in unison before layering into a buoyant two-part canon. From the brisk opening piano motive to the exuberant full-voiced ending, it's a stellar selection overflowing with joy. Careful and conservative part writing ensures success for developing choirs.

By Frank Sinatra. By Sammy Cahn and James Van Heusen. Arranged by Kirby Shaw. Jazz Chorals. Concert, Jazz, Pop, Standards, Swing, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard

Choral (3-Part Mixed choir)

SKU: HL.152218

Discovery Level 2. Composed by James Oliver Young. Arranged by Rosana Eckert. Discovery Choral. Concert, Festival, Jazz. Octavo. 16 pages. Published by Hal Leonard (HL.152218).

UPC: 888680093174. 6.75x10.5 inches.

Here is a song written in the big band era, first sung by jazz vocalist, Ella Fitzgerald, in 1939 and ideal for introducing beginning and developing groups to swing style. In the Discovery Series, it's perfect for building jazz diction and rhythmic skills.

(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481644. Published by Boosey and Hawkes

By Joel Raney. For SAB choir and piano with optional rhythm section. Octavo. Published by Hope Publishing Company

Choral (SAB Choir)

SKU: HL.1312736

Composed by Irving Berlin. Arranged by Mark Hayes. Shawnee Press. Concert, Festival, Oldies, Swing. Octavo. 16 pages. Duration 210 seconds. Published by Shawnee Press (HL.1312736).

ISBN 9798350109535. UPC: 196288177678. 6.75x10.5x0.036 inches.

Two of Irving Berlin's most lively songs are married perfectly here in this fun swing, perfect for mixed voices of many ages as well as men's choirs and ensembles. What fun to add simple choreography and some costume flair to your performance pulling inspiration from the many generations of artists that have performed and recorded these songs for radio, television, and movies. A wonderfully classy performance piece your singers and audience will love!

Choral (TTB Choir)

SKU: HL.1312737

Composed by Irving Berlin. Arranged by Mark Hayes. Shawnee Press. Concert, Festival, Oldies, Swing. Octavo. 16 pages. Duration 210 seconds. Published by Shawnee Press (HL.1312737).

ISBN 9798350109542. UPC: 196288177685. 6.75x10.5x0.036 inches.

Two of Irving Berlin's most lively songs are married perfectly here in this fun swing, perfect for mixed voices of many ages as well as men's choirs and ensembles. What fun to add simple choreography and some costume flair to your performance pulling inspiration from the many generations of artists that have performed and recorded these songs for radio, television, and movies. A wonderfully classy performance piece your singers and audience will love!

SAB choir, cantor, assembly, keyboard accompaniment, C instrument, cello, guitar - Beginning

SKU: GI.G-9500

The Adoration of the Holy Cross. Composed by Chris De Silva. Palm Sunday, Good Friday, Exaltation of the Cross. Ritual Prayer. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9500. Published by GIA Publications (GI.G-9500).

UPC: 785147950004. English. Text Source: 'Ecce lignum Crucis,' tr. The Roman Missal, 2010, 'Crux fidelis,' hymn for Good Friday, tr. The Roman Missal, 2010.

Many congregations hold Good Friday as a sacred day of gathering in prayer, focusing on the cross in anticipation of the Resurrection. Chris de Silva’s “Faithful Cross” is a setting of a lengthy, ancient hymn (“Crux fidelis”) that celebrates the cross with rich symbolism and poetry. Two refrains are included for the assembly, and a simple chant for The Showing of the Holy Cross (“Behold the wood of the Cross...”) is also provided. “Faithful Cross” does not have to be restricted to use only on Good Friday, it can be part of the Palm Sunday liturgy and for feast days such as the Exaltation of the Holy Cross (September 14).

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Secular. Published by Faber Music

Choral (SSA Choir)

SKU: HL.266475

Arranged by Greg Jasperse. Jazz Chorals. Jazz, Standards, Swing, Vocal Jazz. Octavo. 20 pages. Duration 320 seconds. Published by Hal Leonard (HL.266475).

UPC: 888680733049. 6.75x10.5x0.039 inches.

This classic swing tune was arranged for the Michigan All-State Vocal Jazz Ensemble. Beginning with the rubato intro just right for a soloist to stylize in their own way, it launches into a sweet swinging ensemble arrangement that is hip and contemporary and just right for an advanced vocal jazz choir.

Arranged by Jack Schrader. For SAB choir. Christmas, Jazz/SwingStyle, Spiritual. Octavo. 12 pages. Published by Hope Publishing Company

Choral (SSA Choir)

SKU: HL.142331

By Marlene Dietrich. By Frederick Hollander. Arranged by Audrey Snyder. Jazz Chorals. Jazz, Standards. Octavo. 12 pages. Published by Hal Leonard (HL.142331).

UPC: 888680048198. 6.75x10.5 inches.

This classic song recorded in the 30s by Marlene Dietrich gets an update with this accessible setting which opens in a straight-forward 3/4 meter, then moves into a fun 4/4 swing.

ScorePlay - click to view score with recording.

By Sam Coslow. Arranged by Ed Lojeski. (SAB). Jazz Chorals. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

Choral (SAB Choir)

SKU: HL.275230

From La La Land. Arranged by Roger Emerson. Pop Choral Series. Ballad, Movies, Pop, Show Choir, Swing, Vocal Jazz. Octavo. Duration 155 seconds. Published by Hal Leonard (HL.275230).

UPC: 888680743444. 6.75x10.5x0.019 inches.

Winner of “Best Original Song” at both the Golden Globe and Academy Awards, this beautiful ballad is timeless. The love duet sings of love for the city and for each other and is a perfect vehicle to discuss metaphor with your students. The ranges are moderate and perfect for the developing choir.

By Mark Hayes. For SAB Choir. Choral, Traditional and Contemporary Spirituals, Contest/Festival Music, Montages, Medleys and More and Sacred. Sheet Music. Published by Shawnee Press.

Arranged by Gwyn Arch. For SSA Choir with piano accompaniment. Choral Programme Series. Published by Faber Music Ltd.

From La La Land. Arranged by Roger Emerson. Pop Choral Series. Ballad, Movies, Pop, Show Choir, Swing, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard