Discovery Level 2.
Arranged by Emily
Crocker. Discovery
Choral. Concert,
Festival, Folk, French.
Octavo. 16 pages.
Duration 160 seconds.
Published by Hal Leonard
(HL.1147630).
UPC:
196288118022.
6.75x10.5x0.036
inches.
“J'ai
vu le loup†is a
French folk song that
dates to the medieval
era. Many versions of the
song exist, but they all
feature animals imitating
humans by dancing,
laughing, and singing.
This arrangement includes
a version of the song
along with additional
music and lyrics created
by the arranger.
Composed by Mykola D. Leontovich / Peter J. Wilhousky. Arranged by Steve Kupfers...(+)
Composed by Mykola D.
Leontovich / Peter J.
Wilhousky. Arranged by
Steve Kupferschmid. Peter
J. Wilhousky. Octavo.
Duration 1 minute, 50
seconds. BriLee Music
#BL953. Published by
BriLee Music (CF.BL953).
By J. Paul Williams and Michael Barrett. For Choral. Shawnee Press. Choral, Bass...(+)
By J. Paul Williams and
Michael Barrett. For
Choral. Shawnee Press.
Choral, Bass/Percussion,
Tracks, Christmas,
Epiphany, Youth Choirs
and Sacred. 8 pages.
Shawnee Press #D5477.
Published by Shawnee
Press
By James Pierpont. Arranged by Jeff Funk. For Choir. (TBB). Choral Octavo. Nove...(+)
By James Pierpont.
Arranged by Jeff Funk.
For Choir. (TBB). Choral
Octavo. Novelty; Secular,
Christmas. Level:
Moderate (grade 3).
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
(Ocho Kandelikas). By Flory Jagoda. Arranged by J.A. Kawarsky. (SSA). TRANSCONT...(+)
(Ocho Kandelikas). By
Flory Jagoda. Arranged by
J.A. Kawarsky. (SSA).
TRANSCONTINENTAL MUSIC
CHORAL. Jewish. 20 pages.
Published by
Transcontinental Music
Publications.
From Star Wars: The Force Awakens. Composed by J.J. Abrams and Lin-Manuel...(+)
From Star Wars: The
Force Awakens.
Composed by J.J. Abrams
and Lin-Manuel Miranda
(1980-). Arranged by
Roger Emerson. Disney
Choral. Octavo. 12 pages.
Published by Hal Leonard
(HL.192500).
STB choir, viola or cello, and organ - Early Intermediate Composed by J. Chris...(+)
STB choir, viola or
cello,
and organ - Early
Intermediate
Composed by J.
Christopher
Pardini. All Saints/All
Souls, Funeral, 21st
Century.
Score and instrument
part.
MorningStar Music
Publishers
#50-7085. Published by
MorningStar Music
Publishers
Who Are the Brave Chorale 3 parties TTB/TBB [Octavo] Alfred Publishing
Lyrics by J. Paul Williams, music by Joseph M. Martin. Octavo for TTB choir and ...(+)
Lyrics by J. Paul
Williams, music by Joseph
M. Martin. Octavo for TTB
choir and piano
accompaniment. Series:
New Directions Choral
Series, Choral Octavo. 8
pages. Published by
Alfred Publishing.
Composed by Mykola D. Leontovich / Peter J. Wilhousky. Arranged by Steve Kupfers...(+)
Composed by Mykola D.
Leontovich / Peter J.
Wilhousky. Arranged by
Steve Kupferschmid.
Octavo. 8 pages. Duration
1 minute, 50 seconds.
BriLee Music #BL00928.
Published by BriLee Music
(CF.BL928).
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
The Star-Spangled Banner Chorale 3 parties 3 parties Mixtes [Octavo] - Intermédiaire Alfred Publishing
By Francis Scott Key, music by John Stafford Smith. Arranged by Russell L. Robin...(+)
By Francis Scott Key,
music by John Stafford
Smith. Arranged by
Russell L. Robinson. For
Choir. (3-Part Mixed, a
cappella). Choral Octavo.
Patriotic, Americana.
Level: Moderate (grade
III). Choral Octavo. 8
pages. Published by
Alfred Publishing.
By Shania Twain And R.J. Lange. Arranged by Teena Chinn. For Choir. (SAB (3-par...(+)
By Shania Twain And R.J.
Lange. Arranged by Teena
Chinn. For Choir. (SAB
(3-part Mixed)). Choral
Octavo. Pop Choral
Series. Level: Moderate
(grade 3). Choral Octavo.
20 pages. Published by
Alfred Publishing.
Composed by Paul M.
French. Eastertide,
Easter 4 A. Sacred.
Octavo. With guitar chord
names. 12 pages. GIA
Publications #008336.
Published by GIA
Publications
(GI.G-008336).
UPC:
641151083360. English.
Text by Alan J.
Hommerding.
By Haven Gillespie, music by J. Fred Coots. Arranged by Russell L. Robinson. For...(+)
By Haven Gillespie, music
by J. Fred Coots.
Arranged by Russell L.
Robinson. For Choir.
(3-Part Mixed). Choral
Octavo. Secular,
Christmas. Level:
Moderate (grade III).
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
Choral (3-Part Mixed choir) SKU: HL.35028776 Composed by J. de Lau Lusign...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.35028776
Composed
by J. de Lau Lusignan and
Paul Lacome. Arranged by
Jill Gallina. Choral.
Christmas, Concert,
French, Holiday. Octavo.
12 pages. Published by
Shawnee Press
(HL.35028776).
ISBN
9781480308954. UPC:
884088875626. 6.75x10.5
inches.
This bright
and joyful French tune is
a favorite for many a
choir and is newly
arranged for mixed voices
in all levels as well as
for women's voices. The
lyrics are in French and
English, making it a
fresh and stand-out
choice for your holiday
concert.