Composed by John Leavitt. Brookfield Choral Series. Sacred. Octavo. 8 pages. Published by Brookfield Press

Choral (3-Part Mixed choir)

SKU: HL.35020303

Composed by Thomas Weelkes. Arranged by Patrick M. Liebergen. Shawnee Press. Concert, Contest, Female Voices, Festival, Madrigal, Secular. Octavo. 12 pages. Shawnee Press #D0611. Published by Shawnee Press (HL.35020303).

UPC: 747510059325. 6.75x10.5 inches.

An excellent chorus from the Vivaldi opera, La Fida Nim, this 3-part arrangement of “Sing Out This Day!” is a great opening number for concert, contest, or festival. Optional flute and hand drum parts are provided. The optional solo and keyboard parts are drawn from Vivaldi's original score. A wonderful introduction to Baroque music.

Choral (3-Part Mixed choir)

SKU: HL.8621826

From Memphis. Composed by David Bryan. Arranged by Roger Emerson. Broadway Choral. Broadway, Musicals. Octavo. 12 pages. Published by Hal Leonard (HL.8621826).

UPC: 884088633677. 6.75x10.5 inches.

The exhilarating musical Memphis, about the 1950s birth of rock and roll on the radio, has produced this irresistible production number that will absolutely electrify your stage! From the fist pounding piano introduction to the final raise-the-roof vocals, this powerful selection will be a fantastic closer or concert theme. Available separately: SATB, 3-Part Mixed, SSA, ShowTrax CD. Combo parts (tpt 1-2, tsx, tbn, syn, gtr, b, dm) available as a digital download. Duration: ca. 2:45.

Choral (3-Part Mixed choir)

SKU: HL.268085

Discovery Level 2. Composed by James Pierpont. Arranged by Cristi Cary Miller. Discovery Choral. Christmas. Octavo. 16 pages. Published by Hal Leonard (HL.268085).

UPC: 888680735661. 6.75x10.5 inches.

This spirited take on Jingle Bells is loaded with fun. Jingle bell parts for everyone, chord symbols provided, and nothing but surprises in the music. A wonderful--and noisy--concert closer.

SAB choir, cantor, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, guitar, flute - Beginning

SKU: GI.G-6402

Easter Gospel Acclamation. Composed by Carol Browning. Eastertide, Easter Sunday, Ascension, Pentecost, Easter 2 A, Easter 2 B, Easter 2 C, Easter 3 A, Easter 3 B, Easter 3 C, Easter 4 A, Easter 4 B, Easter 4 C, Easter 5 A, Easter 5 B, Easter 5 C, Easter 6 A, Easter 6 B, Easter 6 C, Easter 7 A, Easter 7 B, Ea. Ritual Prayer. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6402. Published by GIA Publications (GI.G-6402).

UPC: 785147640202. English.

The flute and trumpet parts are optional.

Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

SAB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, tuba, timpani, 3, 4, or 5 octaves handbells, 3, 4, or 5 octaves handchimes - Early intermediate

SKU: GI.G-9188

Concertato on THAXTED. Composed by Gustav Holst. Arranged by Richard Proulx. Thanksgiving Day, Christ the King, OT 18 A, Pentecost. Choral. Tune Name: Thaxted. Sacred. Octavo. 12 pages. GIA Publications #9188. Published by GIA Publications (GI.G-9188).

UPC: 785147918806. English. Text Source: Text I: Michael Perry, 1942-1996, Text II: Delores Dufner, OSB. Text by Michael Perry.

The instrument parts are optional. The trombone I part is a substitue for horn in F.

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.43288

By 5 Seconds of Summer. By Ashton Irwin, John Feldman, Calum Hood, and Nicholas Ras Furlong. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Love; Pop; Secular. Choral Octavo. 12 pages. Alfred Music #00-43288. Published by Alfred Music (AP.43288).

UPC: 038081488301. English.

The Australian boy band 5 Seconds of Summer burst onto the U.S. scene with a number one CD, including this hit single. Equal parts apology and love song, this arrangement's natural repetition and sensible voice-leading make it quick to learn and easy to sing.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SAB choir, assembly, keyboard accompaniment, tenor saxophone, trumpet in B-flat, trombone, guitar, flute - Early intermediate

SKU: GI.G-9598

Composed by Rory Cooney. Easter 5 A, Pentecost. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9598. Published by GIA Publications (GI.G-9598).

UPC: 785147959809. English. Text by Rory Cooney. Scripture: Peter 2:5.

Your choir and assembly will be energized by the syncopation and exciting ending of this up-tempo piece, written for the dedication of a new home for the church. Parts are available for flute, tenor sax, trumpet, trombone, and guitar.

SAB choir, cantor, assembly, keyboard accompaniment, clarinet in B-flat - Early intermediate

SKU: GI.G-9622

Composed by Ephrem Feeley. Ordinary Time 5 C, Ordinary Time 17 C, Ordinary Time 21 A. Choral. Sacred. Octavo. 12 pages. GIA Publications #9622. Published by GIA Publications (GI.G-9622).

UPC: 785147962205. English. Text Source: Psalm 138:1–3, 7c–8, alt. Scripture: Psalm 138:1–3, 7c–8.

This gentle piece is a paraphrase of Psalm 138, a psalm that unites us with the angels in praise of God’s goodness and greatness. The choral parts in verses 2 and 3 are optional, they work just as well with a single voice. There are many occasions, inside and outside of liturgical worship settings, when this piece would be appropriate.

(aus: Symphoniae Sacrae III). Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSA choir, 2 violins, contrabass, organ. Dorisch (Dorian). Stuttgart Urtext Edition. German title: O Herr, hilf 3. German Psalms, Advent, Whitsun, Prayer, Praise and thanks, Psalms. Set of parts. Language: German/English. Composed 1650. SWV 402 (Op. 12, No. 5). 6 pages. Duration 3 minutes. Published by Carus Verlag

3-part choir a cappella

SKU: GI.G-009605

Composed by Keith S Kalemba. Arranged by Keith S. Kalemba. Advent, OT 7 Year B, easter 5 Year C, OT 21 Year C, OT 26 Year A, OT 28 Year B, easter 3 Year A, easter 2 Year B. Tune Name: Veni, Creator Spiritus / Chant, Mode Viii. Sacred. Octavo. 8 pages. GIA Publications #009605. Published by GIA Publications (GI.G-009605).

Latin, english.

For the Pueri Cantores choral series, Keith Kalemba has crafted this fine choral arrangement of the timeless and beautiful chant Veni, Creator Spiritus. It was originally commissioned as a three-part piece for men's choir, but is presented here in Latin and English for any three-part choir, whether youth, women or men's voices. The ancient poetic images are skillfully evoked as the chant melody weaves effortlessly through the vocal parts.

Choral (SSA Choir)

SKU: HL.8621827

From Memphis. Composed by David Bryan. Arranged by Roger Emerson. Broadway Choral. Broadway, Musicals. Octavo. 12 pages. Published by Hal Leonard (HL.8621827).

UPC: 884088633684. 6.75x10.5 inches.

The exhilarating musical Memphis, about the 1950s birth of rock and roll on the radio, has produced this irresistible production number that will absolutely electrify your stage! From the fist pounding piano introduction to the final raise-the-roof vocals, this powerful selection will be a fantastic closer or concert theme. Available separately: SATB, 3-Part Mixed, SSA, ShowTrax CD. Combo parts (tpt 1-2, tsx, tbn, syn, gtr, b, dm) available as a digital download. Duration: ca. 2:45.

SSA choir and piano (Upper Voices - 3 parts or more) - easy

SKU: OU.9780193413009

Composed by Sarah Quartel. Secular Choral - Upp. Voices. Songbird. Vocal score. 12 pages. Duration 2.5'. Oxford University Press #9780193413009. Published by Oxford University Press (OU.9780193413009).

ISBN 9780193413009. 10 x 7 inches.

For SSA and piano This atmospheric setting of words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked to perform with 'a bit of frost and a knowing smile'. Blow, blow, thou winter wind was originally published in the collection Hark, hark, the lark.

Choral (3-part Mixed)

SKU: HL.35002699

Composed by James Eliot. Shawnee Press. Concert, Festival. Octavo. 12 pages. Shawnee Press #D0641. Published by Shawnee Press (HL.35002699).

UPC: 747510063322. 7x10.5 inches.

James Eliot has created a smart and excellent choral for developing singers. Only the first and best-known parts of the Latin text are used, with the remaining text being English. Cantate Domino is simple in form, yet dynamic in function with a fully supportive piano accompaniment.

Choral (SSA Choir)

SKU: HL.8750088

(from American Landscapes). Choral. American, Choir & Orchestra, Concert, Festival, Tone Poem. Octavo. 8 pages. Published by Hal Leonard (HL.8750088).

UPC: 884088365325. 6.75x10.5 inches.

The mystery and majesty of Yellowstone is perfectly portrayed in this choral tone poem that celebrates the beauty of this American treasure. An ideal concert and festival work, it may be performed by voices and piano or with the optional orchestration. Available separately: SATB, SAB, SSA, ChoirTrax CD. Chamber Orchestra score and parts available digitally (fl1, fl2, ob, bn, tpt, hn, tbn, bar, timp, vn1, vn2, va, vc, db). Duration: ca. 3:20.

Choral (SAB Choir)

SKU: HL.8202778

By Bon Jovi. By Jon Bon Jovi and Richie Sambora. Arranged by Kirby Shaw. Pop Choral Series. Graduation, Pop, Rock, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.8202778).

UPC: 884088544089. 6.75x10.5 inches.

From the Bon Jovi album The Circle, this 2009 single evokes themes of working people “picking themselves up by their bootstraps in hard times.” This uplifting message and full voiced choral arrangement will be an outstanding choice for graduation or as a concert closer. Available separately: SATB, SAB, SSA, ShowTrax CD. Combo parts (tpt 1-2, tsx, tbn, gtr, b, dm) available as a digital download. Duration: ca. 3:20.

Choral (3-Part Treble)

SKU: HL.299780

Arranged by Ruth Morris Gray. Shawnee Press. Concert. Octavo. 12 pages. Published by Shawnee Press (HL.299780).

ISBN 9781540061119. UPC: 888680958657. 6.75x10.5 inches.

Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melody, use of repetition and the use of both English and Swahili. A perfect beginning a cappella work for young singers and developing choirs. Percussion parts are available for download on the Closer Look page.

SAB choir, SATB choir, cantor, assembly, piano accompaniment, C instrument - Beginning

SKU: GI.G-8248

Composed by Carol Browning. Lent 3 A, Lent 4 A, Lent 5 A. Ritual Prayer. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8248. Published by GIA Publications (GI.G-8248).

UPC: 785147824800. English. Text source: Scrutinies from Rite of Christian Initiation of Adults.

The Scrutinies occur on the 3rd, 4th and 5th Sundays of Lent, when the Elect are called before the community for exorcism and prayer. The simple Kyrie (with a spoken Confiteor) could be used as the Penitential Rite for the entire Lenten season, whether or not the Intercessions are used. The melody is the same for the Kyrie-Christe- Kyrie, but the accompaniment is varied and the choral parts unfold from unison to two-part mixed to SAB.

SAB choir & piano

SKU: OU.9780193544666

Composed by Alan, Alan Bullard, Ralph, and Ralph Vaughan Williams. 12 pages. Duration 3.5'. Oxford University Press #9780193544666. Published by Oxford University Press (OU.9780193544666).

ISBN 9780193544666. 10 x 7 inches.

This well-known song by Vaughan Williams is arranged here for mixed voices, with additional lower voice parts by Alan Bullard. The pastoral imagery in the lyrics is beautifully brought to life by the trademark folk-inspired melodies, fluid harmonies, and a lively piano accompaniment.

Choral (SSA Choir)

SKU: HL.8703420

From Petite Mass. Composed by John Leavitt. Festival Choral. Choir & Orchestra, Concert, Festival, Latin, Mass, Sacred. Octavo. 16 pages. Published by Hal Leonard (HL.8703420).

UPC: 884088632410. 6.75x10.5 inches.

Alternating between a dance-like 6/8 and a more tranquil 2/2 meter, this buoyant setting of the Gloria of the Latin mass is a fresh and contemporary work that will absolutely delight your audience! Whether you perform it with piano or with the sparkling chamber orchestration, this will become a welcome addition to the choral repertoire! Available separately: SATB, SSA, ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (fl 1-2, ob, cl 1-2, bn, perc 1-2-3, hp, vn 1-2, va, vc, db). Duration: ca. 4:00.

Choral (SSA Choir)

SKU: HL.8203036

By Enya. By Enya and Nicky Ryan. Arranged by Kirby Shaw. Pop Choral Series. New Age, Nineties, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.8203036).

UPC: 884088633219. 6.75x10.5 inches.

The Irish artist Enya captures the ebb and flow of the Caribbean wind and waters in this lilting song from her second album. The layered vocals and finger style accompaniment for guitar or keyboard will create a mesmerizing atmosphere in performance. Available separately: SATB, SAB, SSA, ShowTrax CD. Rhythm section parts available as a digital download (syn, gtr, b, dm). Duration: ca. 3:10.

SSA choir and piano (Upper Voices - 3 parts or more) - Easy to Moderately Difficult

SKU: OU.9780193522978

Composed by Alan Bullard. Secular Choral - Upp. Voices. Songbird. Vocal score. 20 pages. Duration 5'. Oxford University Press #9780193522978. Published by Oxford University Press (OU.9780193522978).

ISBN 9780193522978. 10 x 7 inches.

For SSA and piano This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three contrasting movements are contemporary yet accessible in style, with catchy melodies and jazz-inspired harmonies.

About Songbird

S ongbird presents new and exciting original material for upper voices. Showcasing the work of today's most innovative names in choral writing, the series includes songs in a variety of scorings, from SA voices with piano to SSAA and percussion. With a range of distinctive musical styles - and warmth, flair, and character in abundance - this is upper-voice choral music at its very best.

Choral (SAB Choir)

SKU: HL.118931

Arranged by Mark A. Brymer. Sacred Christmas Choral. Carol, Christmas, Christmas Sacred. Octavo. 16 pages. Published by Hal Leonard (HL.118931).

UPC: 884088903756. 6.75x10.5 inches.

Welcome the season with joy and celebration in this fresh upbeat setting that is ideal for school, church and community concerts. Includes: Sing We Now of Christmas, The First Noel. Available separately: SATB, ChoirTrax CD. Score and parts (fl, cl, tpt 1-2, tbn 1-2, perc, timp, ac gtr, b, dm, kybrd str) available as a digital download. Duration: ca. 3:20.

Choral (SAB Choir)

SKU: HL.118404

Composed by Michel Legrand. Arranged by Mark A. Brymer. Jazz Chorals. Bossa Nova, Standard, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard (HL.118404).

UPC: 884088898601. 6.75x10.5 inches.

The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard, recorded by dozens of artists. You'll love the charming chromatic melodic theme of “watch what happens” when you keep yourself open to finding love. Choirs of all levels will enjoy experiencing this interesting song along with developing style and skill. Available separately: SATB, SAB, SSA, ShowTrax CD. Rhythm parts available digitally (gtr, b, dm). Duration: ca. 2:30.

Choral (SAB Choir)

SKU: HL.35015742

Composed by Giovanni Battista Pergolesi. Arranged by Patrick M. Liebergen. Shawnee Press. Classical, Concert, Sacred. Octavo. 16 pages. Shawnee Press #D0567. Published by Shawnee Press (HL.35015742).

UPC: 747510049876. 6.75x10.5 inches.

Based on “Ritorni al nostro cor la bella pace” from Salustia by Giovanni Battista Pergolesi (1710-1736), “O Sing This Festive Day!” is a majestic opening number for school programs or church services. Incorporating optional hand drum and trumpet (parts are included in the choral), it is also a good supplement for music history studies. “O Sing This Festive Day!” gives singers an excellent taste of Baroque music without being difficult to learn.

Choral (SSA Choir)

SKU: HL.1443536

Composed by Eliot Kennedy and Gary Barlow. Arranged by Roger Emerson. Broadway Choral. Octavo. 12 pages. Published by Hal Leonard (HL.1443536).

UPC: 196288205746. 6.75x10.5 inches.

Sparkling with the spirit of Broadway magic, â??Something About This Nightâ? (from Finding Neverland) comes alive in this showstopping choral arrangement by Roger Emerson. Stellar vocal parts offer energetic harmonies and several opportunities for solo vocalists to shine. Easy to learn, yet instantly impressive.

Choral (SSA Choir)

SKU: HL.301213

Arranged by John Leavitt. Sacred Choral. Christmas, Easter, Sacred. Octavo. 12 pages. Published by Hal Leonard (HL.301213).

UPC: 888680964214. 6.75x10.5 inches.

A historically significant sacred text often sung at Christmas is actually usable throughout the year. Springing from a traditional Dutch carol, the arrangement captures the elegance of the lyrics and a supportive accompaniment makes quick study of the learning. Moments of choral division build shimmering towers of luscious sound. A cathedral-worthy ending! Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.