By Giovanni Battista Pergolesi. Edited by Richard Proulx. Arranged by Richard: Realization Proulx. For Voices: SAB. Instruments: Basso continuo (cello, bassoon, double bass); 2 trumpets in B or C (instruments optional). Ars Antiqua Choralis Series Sacred. 6 pages. Published by GIA Publications.
Level: easy.

SAB choir, SATB choir, SSA adult, bass, cello, harpsichord, double bass, organ

SKU: GH.CG-6221S

Composed by Heinrich Schutz. Basso continuo parts. With Language: Swedish. Gehrmans Musikforlag #CG 6221S. Published by Gehrmans Musikforlag (GH.CG-6221S).

ISBN 9790070039819.

For Three-Part Mixed Voices with Keyboard. By Traditional. Arranged by Eliazbeth Campbell. Mixed choir. For Treble Voice I, Treble Voice II, Bass Voice, Keyboard. Choral. Piano/Vocal Score. 8 pages. Published by Carl Fischer.

By Johnny Cymbal and Sha Na Na. Arranged by Roger Emerson. For Choral, Tenor Saxophone (3-Part Mixed). Pop Choral Series. 16 pages. Published by Hal Leonard

By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Emerson. For Choral (SAB and Solo). Pop Choral Series. 20 pages. Published by Hal Leonard

By Susan Bentall Boersma, music by David Lantz III. Choir Secular. For Opt. Guitar/Mandolin, Bass, and Violin (3-Part Mixed Choir (SAB)). Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing

By Larry Shackley. For SSA choir and piano (with optional Solo, small percussion, electric bass). Advent, Christmas, Sacred. Sacred Anthem

Composed by Susan Bentall Boersma, music by David Lantz III. Choir Secular. For Opt. Guitar/Mandolin, Bass, and Violin (Women's Choir). Choral Octavo. Choral Designs. Secular. 12 pages. Published by Alfred Music

By George Gershwin (1898-1937) and Ira Gershwin. Arranged by Larry Shackley. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. 20th Century. Choral Octavo. 16 pages

By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Emerson. For Choral (SOP. I/II / ALTO / SOLO). Pop Choral Series. 20 pages. Published by Hal Leonard

Composed by Gary E. Parks. For SAB choir, optional electric bass, optional percussion. Octavo. 12 pages. Duration 2 minutes, 2 seconds. Published by Carl Fischer

By Larry Shackley. For SAB choir and piano (with optional Solo, electric bass, small percussion). Advent, Christmas, Sacred. Sacred Anthem

By Carl Perkins. Arranged by Kirby Shaw. (SAB). Pop Choral Series. 12 pages. Published by Hal Leonard.

By Gabriel Faure; Desmond Ratcliffe (Editor). For SSA, Piano or Organ Accompaniment. Romantic, Sacred. Sheet Music. 42 pages. Published by Novello and Co Ltd.

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Focke. For solo soprano/solo alto/solo tenor/solo bass/female choir: SmezA/2 oboes/2 horns/2 clarions/timpani/2 violins/basso continuo (violoncello/contrabass/b assoon/organ). Sta

By Joseph M. Martin. For SAB choir and piano with optional orchestration and rhythm. The Joseph M. Martin Choral Series. General Worship, Praise and Worship, Thanksgiving and Gratitude, Sacred. Octavo. 12 pages. Published by Hope Publishing Company

By Irv Rothenberg. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Novelty; Secular, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About  Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

SAB chorus and piano

SKU: HP.C6264

Composed by Gloria Gaither, Phil McHugh, and Sandi Patty. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Palm Sunday, General Worship. Octavo. 12 pages. Hope Publishing Company #C6264. Published by Hope Publishing Company (HP.C6264).

UPC: 763628162641.

Popul ar praise song by Gloria Gaither, Phil McHugh & Sandi Patty Ideal for Palm Sunday, this popular praise song sets the tone as it tells the story of Jesus, the man from Galilee, entering Jerusalem. The familiar refrain brings it all together: there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!

Orchestratio ns: Conductor's Score, Flute, Oboe(or Soprano Sax or Clarinet), Clarinet, Horn (or Alto Sax or Clarinet), 2 Trumpets (or Alto Sax), 2 Trombones (or Tenor Sax or Baritone T. C. ), Percussion, Piano, Acoustic Guitar (w/separate Capo Guitar Pt. ), Electric Bass, Drums, Violins 1 & 2, Viola (or Clarinet), Cello/Bassoon (or Bass Clarinet).

Choral SAB chorus and piano

SKU: HP.C6289

Composed by Joel Raney. Piano Accompaniment with Optional Orchestra. Thanksgiving, General Worship, God - Faithfulness, Praise of God. Octavo. 12 pages. Hope Publishing Company #C6289. Published by Hope Publishing Company (HP.C6289).

UPC: 763628162894.

Origi nal hymn tune Thomas Chisholm's beloved hymn text is given a new melody and dynamic choral treatment by Joel Raney, complete with a powerful orchestral accompaniment, now also available for medium-high voice vocal soloists. . The familiar words of this classic hymn come to life afresh in this compelling new treatment. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion 1 and 2, harp, 2 violins, viola, cello, and double bass.

By Bob Chilcott. For SSA choir, piano, optional bass and drum kit. Double Bass. Pieces and Studies. Bass and drum kit part. 12 pages. Duration 16'. Published by Oxford University Press

By Lois Brownsey and Marti Lunn Lantz. For 3-part mixed choir, percussion (3-Part Mixed). Shawnee Press. African Christmas Greeting. Choral. 12 pages