Choral (TTB Choir) SKU: HL.35031348 Composed by Gerry Rafferty and Joe Eg...(+)
Choral (TTB Choir)
SKU: HL.35031348
Composed by Gerry
Rafferty and Joe Egan.
Arranged by Greg Gilpin.
Shawnee Press. Pop.
Octavo. 8 pages.
Published by Shawnee
Press (HL.35031348).
ISBN 9781495079696.
UPC: 888680653392.
6.75x10.25
inches.
Written by
Gerry Rafferty and Joe
Egan for their band
Stealers Wheel, this was
a surprise hit for them
in 1973. Since then, it
has been covered by
numerous singers and most
recently as the theme
song for “Grace and
Frankie” a Netflix
original comedy. This
arrangement keeps that
light folk feel with a
more contemporary
accompaniment and will be
a sure-fire hit with
mixed voices as well as
women's and men's
groups.
(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSS and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481620. Published by
Boosey and Hawkes
(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSA and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481590. Published by
Boosey and Hawkes
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Choral (SAB Choir) SKU: HL.371969 By The Backstreet Boys. By Andreas Carl...(+)
Choral (SAB Choir)
SKU: HL.371969
By
The Backstreet Boys. By
Andreas Carlsson and Max
Martin. Arranged by
Nathan Howe. Shawnee
Press. Pop. Octavo. 16
pages. Duration 135
seconds. Published by
Shawnee Press
(HL.371969).
ISBN
9781705148563. UPC:
196288014638.
6.75x10.5x0.036
inches.
In 2012,
Jimmy Fallon started a
recurring segment on
“The Tonight
Show†in which The
Roots use classroom
instruments to play pop
songs with celebrity
guests. These skilled
musicians pull off
engaging performances
using instruments many
people don't take
seriously beyond the
elementary music room.
Nathan Howe has continued
his musical genius in a
cappella writing with
this pop tune sung a
cappella with classroom
percussion. It's amazing
and fun and suitable for
all ages with the variety
of voicings available.
The choral also includes
notes on different ways
to teach, learn, and
perform the piece and all
the percussion parts are
included as a free
download.
Choral (TTB Choir) SKU: HL.371971 By The Backstreet Boys. By Andreas Carl...(+)
Choral (TTB Choir)
SKU: HL.371971
By
The Backstreet Boys. By
Andreas Carlsson and Max
Martin. Arranged by
Nathan Howe. Shawnee
Press. Pop. Octavo.
Duration 135 seconds.
Published by Shawnee
Press (HL.371971).
ISBN 9781705148587.
UPC: 196288014652.
6.75x10.5x0.036
inches.
In 2012,
Jimmy Fallon started a
recurring segment on
“The Tonight
Show†in which The
Roots use classroom
instruments to play pop
songs with celebrity
guests. These skilled
musicians pull off
engaging performances
using instruments many
people don't take
seriously beyond the
elementary music room.
Nathan Howe has continued
his musical genius in a
cappella writing with
this pop tune sung a
cappella with classroom
percussion. It's amazing
and fun and suitable for
all ages with the variety
of voicings available.
The choral also includes
notes on different ways
to teach, learn, and
perform the piece and all
the percussion parts are
included as a free
download.
Composed
by Jill Gallina. Choral.
12 pages. Published by
Shawnee Press
(HL.35029369).
ISBN
9781480361577. UPC:
884088956561. 6.75x10.5
inches.
In this
celebratory choral, each
part sings its own melody
which later combine in
partner-style form. It's
an excellent choice for
smaller choirs and
younger singers learning
to harmonize as well as
to sing independently and
in unison. The lyric uses
English and easy Latin
phrases to make learning
quick while giving the
opportunity for musical
development.
Composed by Ken Medema. Arranged by Mary McDonald. For SAB choir. Father's love,...(+)
Composed by Ken Medema.
Arranged by Mary
McDonald. For SAB choir.
Father's love, Grace of
Jesus, Spirit's power,
General. Octavo.
Published by Hope
Publishing Company
By Whitney
Houston. Arranged by
Roger Emerson. Pop Choral
Series. Oldies, Pop, Show
Choir. Octavo. Duration
240 seconds. Published by
Hal Leonard (HL.155573).
UPC: 888680600815.
6.75x10.5x0.029
inches.
The Whitney
Houston song from 1987 is
recast as a powerful
ballad with a theatrical
feel and jazz stylistic
elements that give the
song a contemporary
flair. This selection
will be especially strong
as a closer in pop,
Broadway and spring
programming for ensembles
of all ages and voice
types.
Arranged by Alexander L'Estrange and Joanna Forbes L'Estrange. Choir Secular...(+)
Arranged by Alexander
L'Estrange and Joanna
Forbes
L'Estrange. Choir
Secular. For
Piano & Opt. Flute
(Women's
Choir). Choral Octavo.
Faber
Edition: Choral Signature
Series. Published by
Faber
Music
(Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular. For ...(+)
(Songs from South
Africa). Arranged by
Alexander L'Estrange.
Choir Secular. For with
Piano (3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Faber
Edition: Choral Basics.
Multicultural; World.
Published by Faber Music
Discovery Level 2.
Composed by James Oliver
Young. Arranged by Rosana
Eckert. Discovery Choral.
Concert, Festival, Jazz.
Octavo. 16 pages.
Published by Hal Leonard
(HL.152218).
UPC:
888680093174. 6.75x10.5
inches.
Here is a
song written in the big
band era, first sung by
jazz vocalist, Ella
Fitzgerald, in 1939 and
ideal for introducing
beginning and developing
groups to swing style. In
the Discovery Series,
it's perfect for building
jazz diction and rhythmic
skills.
Choral (SSA Choir) SKU: HL.287163 By Starship. By Bernie Taupin, Dennis L...(+)
Choral (SSA Choir)
SKU: HL.287163
By
Starship. By Bernie
Taupin, Dennis Lambert,
Martin Page, and Peter
Wolf. Arranged by Kirby
Shaw. Pop Choral Series.
Concert, Eighties, Pop,
Rock, Show Choir. Octavo.
Duration 210 seconds.
Published by Hal Leonard
(HL.287163).
UPC:
888680902254.
6.75x10.5x0.024
inches.
Classic
rock and roll is here
merged with Kirby Shaw
harmonies and style.
There is a history lesson
in this song as there are
many references to major
musical cities across
America that will be fun
to discover. The song was
released by the band
Starship and there is
much rock history to be
uncovered about the band
and the time.
Choral (SAB Choir) SKU: HL.287162 By Starship. By Bernie Taupin, Dennis L...(+)
Choral (SAB Choir)
SKU: HL.287162
By
Starship. By Bernie
Taupin, Dennis Lambert,
Martin Page, and Peter
Wolf. Arranged by Kirby
Shaw. Pop Choral Series.
Concert, Eighties, Pop,
Rock, Show Choir. Octavo.
12 pages. Duration 210
seconds. Published by Hal
Leonard (HL.287162).
UPC: 888680902247.
6.75x10.5x0.029
inches.
Classic
rock and roll is here
merged with Kirby Shaw
harmonies and style.
There is a history lesson
in this song as there are
many references to major
musical cities across
America that will be fun
to discover. The song was
released by the band
Starship and there is
much rock history to be
uncovered about the band
and the time.
(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). ...(+)
(SSA Chorus, Harp or
Piano). By Benjamin
Britten (1913-1976). For
Choral (SSA). Boosey and
Hawkes Sacred Choral. 12
pages. Boosey and Hawkes
#M051481644. Published by
Boosey and Hawkes
Choral (SAB Choir) SKU: HL.1167164 Composed by Eric Tsavdar. Choral Explo...(+)
Choral (SAB Choir)
SKU: HL.1167164
Composed by Eric Tsavdar.
Choral Exploration.
Concert, Winter. Octavo.
Published by Hal Leonard
(HL.1167164).
ISBN
9781705188606. UPC:
196288123651.
6.75x10.5x0.036
inches.
Although
any piece with abundant
references to snow and
cold would easily be
placed in the
ââ¬Åwinterâ
¬Â category,
ââ¬ÅWatch it
Snowââ¬Â is a
song that can be sung at
any time of year. The
falling snow can serve as
an expressive metaphor:
just as we must wait for
the storm to pass before
we begin shoveling our
driveways, we must rest
and reflect in the
moments of calm between
the many challenges of
life.
Jingle Bells (SAB) Chorale 3 parties SAB, Piano [Octavo] Faber Music Limited
Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). ...(+)
Arranged by Alexander
L'Estrange. Choir
Secular.
For with Piano (SAB).
Choral
Octavo. Faber Choral
Singles. Christmas;
Secular;
Winter. Published by
Faber
Music
Choral (SAB Choir) SKU: HL.265090 By Twisted Sister. By Daniel Dee Snider...(+)
Choral (SAB Choir)
SKU: HL.265090
By
Twisted Sister. By Daniel
Dee Snider. Arranged by
Alan Billingsley. Pop
Choral Series. Classic
Rock, Eighties, Hard
Rock, Pop, Rock, Show
Choir. Octavo. 12 pages.
Published by Hal Leonard
(HL.265090).
UPC:
888680731595. 6.75x10.5
inches.
Expressing
the same feelings that
almost every adolescent
feels, this song by
Twisted Sister is one
that your students will
easily relate to. The
guitar driven score is
very singable and the
chorus lends itself to
choral singing.