Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
(A Dramatic Musical Experience for Holy Week). By Ruth Elaine Schram. For SAB ch...(+)
(A Dramatic Musical
Experience for Holy
Week). By Ruth Elaine
Schram. For SAB choir,
piano and narrator (with
optional orchestra
(instrument parts)). Holy
Week, Sacred. Cantata
Sit Down, Servant Chorale 3 parties SSA, Piano [Octavo] Lorenz Publishing Company
By Larry Shackley. For SSA choir, Solo, piano 4-hands. Sacred Anthem, All Saints...(+)
By Larry Shackley. For
SSA choir, Solo, piano
4-hands. Sacred Anthem,
All Saints' Day,
Ascension, Christ the
King, General. Octavo.
Published by Lorenz
Publishing Company
(With America, the Beautiful ). Composed by Samuel F. Smith, music and a...(+)
(With America, the
Beautiful ). Composed
by Samuel F. Smith, music
and additional words by
Ruth Morris Gray. Choral
Octavo. Alfred Choral
Designs. 4th of July;
Patriotic; Secular;
Summer. 12 pages.
Published by Alfred Music
(AP.45450).
Arranged by Mark Hayes.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Novelty;
Secular. Choral Octavo.
20 pages. Alfred Music
#00-48928. Published by
Alfred Music (AP.48928).
UPC: 038081562520.
English. Words by Deborah
Craig-Claar; music from
March of the Toys by
Victor
Herbert.
Presenting
Victor Herbert's
instantly recognizable
March of the Toys with
all-new hilarious lyrics!
This festive feature
reads like a wacky to-do
list of holiday
preparations with
non-stop punchlines from
the choir and a couple
cameo soloists. Your
fullest sounds, brightest
faces, and biggest
personalities are on full
display with this
theatrical celebration of
the season. Get ready to
giggle when handheld
percussion instruments
and sound effects (played
by choristers) introduce
a parade of unwanted
out-of-town guests. It's
a crazy cast of
characters and Christmas
chaos straight out of a
comedic holiday movie.
Mark Hayes provides a
showy piano reduction and
a grand orchestration (on
the SoundTrax or
SoundPax) from fanfare to
finish. Visit to download
free staging suggestions:
alfred.com/countdownstagi
ng.
About
Alfred Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Arranged by Philip Kern. For Choir. (SAB). Choral Octavo. Choral Designs. Gospe...(+)
Arranged by Philip Kern.
For Choir. (SAB). Choral
Octavo. Choral Designs.
Gospel; Spiritual,
Christmas. Choral Octavo.
16 pages. Published by
Alfred Publishing.
By Jay Althouse. For Choir. (SAB). Choral Octavo. Choral Designs. Multicultural...(+)
By Jay Althouse. For
Choir. (SAB). Choral
Octavo. Choral Designs.
Multicultural; Spiritual,
Christmas. Choral Octavo.
8 pages. Published by
Alfred Publishing.
By Sally K. Albrecht, Jay Althouse. For Choir. (3-Part Mixed/SAB (with Opt. Sta...(+)
By Sally K. Albrecht, Jay
Althouse. For Choir.
(3-Part Mixed/SAB (with
Opt. Staging)). Choral
Octavo. Choral Designs.
Broadway; Novelty. Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
Moses and Daniel Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
(Go Down Moses / Didn't My Lord Deliver Daniel?). Arranged by Sally K. Albre...(+)
(Go Down Moses / Didn't
My
Lord Deliver Daniel?).
Arranged by Sally K.
Albrecht.
Choir Secular. 3-Part
Mixed
Choir (SAB). Choral
Octavo.
Choral Designs.
Spiritual. 12
pages. Published by
Alfred
Music Publishing
Composed by David
Waggoner. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. 12 pages. Alfred
Music #00-48862.
Published by Alfred Music
(AP.48862).
UPC:
038081561868.
English.
After a
year with limited music
making, there could be
nothing better. Imagine
throwing open the
shutters to sing with
your neighbors as this
beautiful piece unfolds.
It's consistently lyrical
and legato, with peaks
and valleys built into
the dynamics to heighten
emotions and capture joy.
We love this expressive
piano part, especially
the delicate music
box-inspired
introduction. Don't miss
the dramatic modulation
before the pinnacle
refrain crescendos to a
big finish.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Moses and Daniel Chorale 3 parties SSA, Piano [Octavo] Alfred Publishing
(Go Down Moses / Didn't My Lord Deliver Daniel?). Arranged by Sally K. Albre...(+)
(Go Down Moses / Didn't
My
Lord Deliver Daniel?).
Arranged by Sally K.
Albrecht.
Choir Secular. 2-Part
Choir;
Women's Choir. Choral
Octavo.
Choral Designs.
Spiritual. 12
pages. Published by
Alfred
Music Publishing
Composed by Jaromir Hruska. Arranged by Maria Theresa Vizconde-Roldan. Sheet m...(+)
Composed by Jaromir
Hruska.
Arranged by Maria Theresa
Vizconde-Roldan. Sheet
music.
Pavane Secular. Octavo.
12
pages. Pavane Publishing
#P1588. Published by
Pavane
Publishing
Arranged by Michael Ryan. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo...(+)
Arranged by Michael Ryan.
Choir Secular. 3-Part
Mixed Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Secular;
Winter. 8 pages.
Published by Alfred Music
Composed by Ruth Morris Gray. Performance Music Ensemble; Single Titles. Alfre...(+)
Composed by Ruth Morris
Gray.
Performance Music
Ensemble;
Single Titles. Alfred
Choral
Designs. Secular. Choral
Octavo. 12 pages. Alfred
Music #00-48344.
Published by
Alfred Music
Moment of Truth Chorale 3 parties SAB, Piano Alfred Publishing
From the movie Smallfoot. Composed by Wayne Kirkpatrick and Karey Kirkpatrick....(+)
From the movie Smallfoot.
Composed by Wayne
Kirkpatrick
and Karey Kirkpatrick.
Arranged by Andy Beck.
Performance Music
Ensemble;
Single Titles. Alfred Pop
Choral Series. Movie;
Pop;
Secular. Choral Octavo.
12
pages. Alfred Music #00-
47650. Published by
Alfred
Music
Choir (SAB choir/3-Part choir Mixed) SKU: AP.46551 Performance Music Ense...(+)
Choir (SAB choir/3-Part
choir Mixed)
SKU:
AP.46551
Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Sacred; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-46551.
Published by Alfred Music
(AP.46551).
UPC:
038081531267. English.
David
Waggoner.
Upper
voices introduce a
jubilant refrain, then
the entire choir sings it
in harmony. A contrasting
section offers a gorgeous
new motive, followed by a
rich harmonization of the
new material. The return
to the original chorus is
heightened by a soaring
descant, which builds
momentum into an exciting
finish.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Psallite Hodie Chorale 3 parties SSA, Piano Alfred Publishing
Choir (Women's Choir) SKU: AP.46552 Performance Music Ensemble; Single Ti...(+)
Choir (Women's Choir)
SKU: AP.46552
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Sacred; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-46552.
Published by Alfred Music
(AP.46552).
UPC:
038081531274. English.
David
Waggoner.
Upper
voices introduce a
jubilant refrain, then
the entire choir sings it
in harmony. A contrasting
section offers a gorgeous
new motive, followed by a
rich harmonization of the
new material. The return
to the original chorus is
heightened by a soaring
descant, which builds
momentum into an exciting
finish.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Right Now Chorale 3 parties SAB, Piano Alfred Publishing
Composed by Sammy Hagar, Alex Van Halen, Michael Anthony, and Edward Van Halen. ...(+)
Composed by Sammy Hagar,
Alex Van Halen, Michael
Anthony, and Edward Van
Halen. Arranged by Kirby
Shaw. Choir Secular.
3-Part Mixed Choir (SAB).
Choral Octavo. Pop
Choral. Rock; Secular. 16
pages. Published by
Alfred Music
By Jay Althouse. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Nove...(+)
By Jay Althouse. For
Choir. (3-Part Mixed).
Choral Octavo. Choral
Designs. Novelty;
Secular, Christmas.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.