Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Choral (SAB Choir) SKU: HL.8753177 Composed by John Purifoy. Sacred Chris...(+)
Choral (SAB Choir)
SKU: HL.8753177
Composed by John Purifoy.
Sacred Christmas Choral.
Christmas, Christmas
Sacred, Concert, Poetry,
Sacred. Octavo. 8 pages.
Published by Hal Leonard
(HL.8753177).
UPC:
884088567248. 6.75x10.5
inches.
This
setting of a 17th century
English poem proclaims
the wonder of Christmas
and the oneness of all
things. While the opening
two stanzas feature broad
and expansive phrases
over an arpeggiated
accompaniment, the work's
emotional core is found
in the contrasting
section: “Welcome
all wonders in one
sight/Summer in winter,
day in night”
before the final
recapitulation of the
opening strains.
Available separately:
SATB, SAB, SSA. Duration:
ca. 3:20.
Choral (3-Part Mixed choir) SKU: HL.158499 Medley. By Stevie Wonde...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.158499
Medley. By Stevie
Wonder. Arranged by Mark
A. Brymer. Pop Choral
Series. Pop, R&B. Octavo.
16 pages. Published by
Hal Leonard (HL.158499).
UPC: 888680612696.
6.75x10.5
inches.
You'll
groove out to the sounds
of this 5-minute medley
of hits by Stevie Wonder,
one of the most creative
and beloved artists of
our time! An outstanding
showstopper for choirs of
all ages and levels, it
includes: For Once in
My Life, I Was Made To
Love Her, My Cherie
Amour, Uptight
(Everything's
Alright).
(Discovery Level 3). By Stevie Wonder. By Stevie Wonder. Arranged by Roger Emers...(+)
(Discovery Level 3). By
Stevie Wonder. By Stevie
Wonder. Arranged by Roger
Emerson. For Choral
(SAB). Discovery Choral.
Octavo. Published by Hal
Leonard
Discovery Level 1.
Composed by Cristi Cary
Miller. Discovery Choral.
Concert, Light Concert.
Octavo. 16 pages.
Duration 165 seconds.
Published by Hal Leonard
(HL.392843).
ISBN
9781705157190. UPC:
196288031161.
6.75x10.5x0.034
inches.
Light-heart
ed lyrics and a cheerful
tune will put a smile on
the faces of both singers
and listeners as they
celebrate the wonder of
music. Consider using the
song's title as a concert
theme to encourage and
build a sense of
community. A great piece
for any time of year!
Choral (SAB Choir) SKU: HL.289278 By Chaka Khan and Rufus. By Stevie Wond...(+)
Choral (SAB Choir)
SKU: HL.289278
By
Chaka Khan and Rufus. By
Stevie Wonder. Arranged
by Kirby Shaw. Pop Choral
Series. Concert, Funk,
Pop, Seventies, Show
Choir. Octavo. 12 pages.
Published by Hal Leonard
(HL.289278).
UPC:
888680915650. 6.75x10.5
inches.
Made famous
by the great Chaka Khan
and written by Stevie
Wonder, here is a clever
arrangement that is
perfect for your show or
jazz choir.
Performed by Stevie Wonder. By Stevie Wonder. Arranged by Mac Huff. (SAB). Pop ...(+)
Performed by Stevie
Wonder. By Stevie Wonder.
Arranged by Mac Huff.
(SAB). Pop Choral Series.
Size 6.7x10.5 inches. 12
pages. Published by Hal
Leonard.
Performed by Stevie Wonder. By Stevie Wonder. Arranged by Kirby Shaw. (SAB). Po...(+)
Performed by Stevie
Wonder. By Stevie Wonder.
Arranged by Kirby Shaw.
(SAB). Pop Choral Series.
Size 6.75x10.5 inches. 12
pages. Published by Hal
Leonard.
Choral (SSA Choir) SKU: HL.289280 By Chaka Khan and Rufus. By Stevie Wond...(+)
Choral (SSA Choir)
SKU: HL.289280
By
Chaka Khan and Rufus. By
Stevie Wonder. Arranged
by Kirby Shaw. Pop Choral
Series. Concert, Funk,
Pop, Seventies, Show
Choir. Octavo. Duration
190 seconds. Published by
Hal Leonard (HL.289280).
UPC: 888680915667.
6.75x10.5x0.029
inches.
Made famous
by the great Chaka Khan
and written by Stevie
Wonder, here is a clever
arrangement that is
perfect for your show or
jazz choir.
By Stevie Wonder. Composed by Lula Mae Hardaway, Lee Garrett, Syreeta Wright, St...(+)
By Stevie Wonder.
Composed by Lula Mae
Hardaway, Lee Garrett,
Syreeta Wright, Stevie
Wonder. Arranged by Alan
Billingsley. (SAB). Pop
Choral Series. 8 pages.
Published by Hal Leonard.
Performed by Stevie Wonder. By Stevie Wonder. Arranged by Kirby Shaw. (SAB). Po...(+)
Performed by Stevie
Wonder. By Stevie Wonder.
Arranged by Kirby Shaw.
(SAB). Pop Choral Series.
Size 6.7x10.5 inches. 12
pages. Published by Hal
Leonard.
Chorus SAB chorus - intermediate SKU: XC.2401012 Composed by Peter Ilyich...(+)
Chorus SAB chorus -
intermediate
SKU:
XC.2401012
Composed
by Peter Ilyich
Tchaikovsky. Achievement
Grade 1.5. Octavo.
Pinkzebra #2401012.
Published by Pinkzebra
(XC.2401012).
10.5 x
6.75 inches.
Dance
of the Sugar Plum Fairy
is reimagined as a jazz
waltz and creatively set
with lyrics that capture
the awe and wonder of
witnessing the Sugar Plum
Fairy perform her iconic
dance in the Nutcracker
ballet. Discover the
perfect version for your
vocal group. Challenge
your vocal ensemble with
the rich harmonies of the
SATB version, or look to
the SAB, SSA, and
Two-Part arrangements for
less complexity. Perform
with piano, or add bass
and drums for a jazz trio
accompaniment. A
wonderful choice for a
December
concert!
Please
note the jazz ensemble
version of this song is
in a different key and
cannot be combined with
the choral version.
Perform with the
accompaniment MP3 or add
the bass and drum parts
to the written piano
accompaniment to form a
live jazz trio. Rehearse
with the part-dominant
MP3 practice tracks,
available in a multi-user
bundle to share with your
whole choir.
Chorus SSA chorus - intermediate SKU: XC.2401013 Composed by Peter Ilyich...(+)
Chorus SSA chorus -
intermediate
SKU:
XC.2401013
Composed
by Peter Ilyich
Tchaikovsky. Achievement
Grade 1.5. Octavo.
Pinkzebra #2401013.
Published by Pinkzebra
(XC.2401013).
10.5 x
6.75 inches.
Dance
of the Sugar Plum Fairy
is reimagined as a jazz
waltz and creatively set
with lyrics that capture
the awe and wonder of
witnessing the Sugar Plum
Fairy perform her iconic
dance in the Nutcracker
ballet. Discover the
perfect version for your
vocal group. Challenge
your vocal ensemble with
the rich harmonies of the
SATB version, or look to
the SAB, SSA, and
Two-Part arrangements for
less complexity. Perform
with piano, or add bass
and drums for a jazz trio
accompaniment. A
wonderful choice for a
December
concert!
Please
note the jazz ensemble
version of this song is
in a different key and
cannot be combined with
the choral version.
Perform with the
accompaniment MP3 or add
the bass and drum parts
to the written piano
accompaniment to form a
live jazz trio. Rehearse
with the part-dominant
MP3 practice tracks,
available in a multi-user
bundle to share with your
whole choir.
Choral (SAB Choir) SKU: HL.269656 By Mariah Carey. By Mariah Carey and Ma...(+)
Choral (SAB Choir)
SKU: HL.269656
By
Mariah Carey. By Mariah
Carey and Mark Shaiman.
Arranged by Mark A.
Brymer. Pop Choral
Series. Ballad,
Christmas, Holiday,
Movies, Pop. Octavo. 12
pages. Published by Hal
Leonard (HL.269656).
UPC: 888680738891.
6.75x10.5 inches.
A
beautiful power ballad
from the animated movie
The Star. With a
half time back beat feel
and a melody that won't
leave your thoughts, this
is the sort of ballad
that has an audience
wondering “where
did that come
from?” Immensley
singable with a melody
that fits the voice
beautifully.
By J. Paul Williams and Michael Barrett. For Choral. Shawnee Press. Choral, Bass...(+)
By J. Paul Williams and
Michael Barrett. For
Choral. Shawnee Press.
Choral, Bass/Percussion,
Tracks, Christmas,
Epiphany, Youth Choirs
and Sacred. 8 pages.
Shawnee Press #D5477.
Published by Shawnee
Press
Star of Wonder Chorale 3 parties SAB, Piano - Débutant Oxford University Press
Composed by Alan Bullard. Christmas Songs & Carols - Mixed Voices. Oxfor...(+)
Composed by Alan Bullard.
Christmas Songs &
Carols -
Mixed Voices. Oxford
Three-
part Repertoire. Choral
score.
8 pages. Duration
3'. Oxford
University Press
#9780193540095. Published
by
Oxford University Press
Composed by Roy Wood.
Arranged by Jack Zaino.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Pop/Rock; Radio; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-51246.
Published by Alfred Music
(AP.51246).
UPC:
038081582832.
English.
With its
irresistible groove and
holiday spirit, it's no
wonder that this rock
song has been covered by
countless artists over
the decades! Choirs of
all ages will appreciate
the full harmonies,
tasteful key changes, and
woven vocal lines that
welcome the season. Add
the lively SoundTrax
complete with sleigh
bells and horns to let
the bells ring out for
Christmas!
We'll Sail Away Chorale 3 parties SAB - Facile Kjos Music Company
SAB choir - Grade 3 SKU: KJ.5778 Composed by Nancy Telfer. Arranged by Na...(+)
SAB choir - Grade 3
SKU: KJ.5778
Composed by Nancy Telfer.
Arranged by Nancy Telfer.
Collection. Choral.
Octavo. Neil A. Kjos
Music Company #5778.
Published by Neil A. Kjos
Music Company (KJ.5778).
UPC:
8402703010.
Availab
le in four different
voicings - SSA #6362,
SATB #9124, SAB #5778,
TTBB Item#5588) to meet
any choral programming
need, Let's Sail Away was
written by Nancy Telfer
for the 2011 Singapore
International Youth Choir
Festival. Let's Sail Away
depicts a wandering
journey on an imaginary
boat, leaving the cares
of the world behind in
the wonder of the water
and waves, sky, stars,
and wind. The experience
and skill of master
choral musician Nancy
Telfer shine through in
the carefully crafted
vocal lines, sensitivity
to vocal ranges, and the
lilting accompaniment. A
great addition to any
concert
program!
SAB choir, assembly, organ accompaniment, flute - Beginning SKU: GI.G-8075(+)
SAB choir, assembly,
organ accompaniment,
flute - Beginning
SKU:
GI.G-8075
Concertato on
JEFFERSON. Arranged
by Scott Hyslop.
Eastertide, Easter PM,
Easter 3 A. Choral. Tune
Name: Jefferson. Sacred.
Octavo. 16 pages. GIA
Publications #8075.
Published by GIA
Publications (GI.G-8075).
UPC: 785147807506.
English. Text Source:
Based on Luke 24:13-35,
Herman G. Stuempfle, Jr.,
1923-2007. Text by Herman
G. Stuempfle, Jr.
Scripture: Luke
24:13–35.
Th
is concertato setting of
the Emmaus story is light
in its texture but moving
in its impact. The melody
of the opening verse
captures the heaviness of
the travelers’
grief. An a cappella
verse takes on an
airiness reflecting the
wonder of the discovery.
The setting builds toward
a joyful ending, with a
statement of our mission
as a living Church. Enjoy
the pedal line’s
depiction of the trudging
gait in the brief
interludes.
Sixteen Tons Chorale 3 parties SAB A Cappella Alfred Publishing
Composed by Merle Travis (1917-1983). Arranged by Kirby Shaw. Choir Secular. 3-P...(+)
Composed by Merle Travis
(1917-1983). Arranged by
Kirby Shaw. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Pop Choral.
Secular. 16 pages.
Published by Alfred Music
Silent Night Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
By Joseph Mohr, translated by John F. Young, music by Franz Grüber. Arranged ...(+)
By Joseph Mohr,
translated by John F.
Young, music by Franz
Grüber. Arranged by
Jay Althouse. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Winter. Choral
Octavo. 12 pages
Composed by Mark Burrows.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular; Winter. Choral
Octavo. 12 pages. Alfred
Music #00-50256.
Published by Alfred Music
(AP.50256).
UPC:
038081574264.
English.
This
pensive Mark Burrows
original paints a
pristine picture of
winter and its
restorative qualities.
Gentle, dreamlike voices
invite us to come away
from endless busyness and
seek winter's healing
hush. A rich musical
palette reflects the
wonder of the season and
magnifies the depth of
the text. An expressive
art song that brings
warmth to colder
months.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Composed by Arr.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Carol Arrangement;
Christmas; Sacred. Choral
Octavo. 12 pages. Alfred
Music #00-48874.
Published by Alfred Music
(AP.48874).
UPC:
038081561981. English.
Ben Cohn.
A
Renaissance-era carol
brought up to date in a
fresh contemporary
setting. Veteran Broadway
music director and
conductor Ben Cohn brings
a modern musical theatre
sound to this traditional
English song. A serenely
sparse piano part (during
two opening alto solos)
gradually grows to a full
and glorious
accompaniment as more
voices join. Listen
closely for the
juxtaposed
stillness/motion and
minor/major that
symbolize the cold of
winter versus the warmth
of the season. The entire
piece garners
edge-of-your-seat wonder,
but the greatest chills
will come when brief
strains from four
additional carols trickle
in. Simply stunning.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
