(from The Phantom of the Opera) As recorded by Barbra Streisand, composed by Andrew Lloyd Webber, lyrics by Charles Hart, Richard Stilgoe, arranged by Mark A. Brymer. Single piece for SATB chorus and piano accompaniment. With chord names. Db/D Major. Text language Choral. 12 pages. Published by Hal Leonard.

Music by Andrew Lloyd Webber, arranged by Bob Chilcott, lyrics by Charles Hart, Richard Stilgoe. Octavo for SATB choir (a cappella). With piano rehearsal part. Db Major. Series: Hal Leonard King's Singer's Choral. 8 pages. Published by Hal Leonard.

By Andrew Lloyd Webber ; Barriecarson Turner (Arranger). For SATB Choir, Piano Accompaniment. Musicals, Choral. Sheet Music. 34 pages. Published by Novello and Co Ltd.

Composed by Andrew Lloyd Webber, arranged by Ed Lojeski. Vocal score for SATB chorus and piano accompaniment. With vocal score notation and piano accompaniment. 23 pages. Published by Hal Leonard.

(SATB Divisi Collection). King's Singer's Choral. 136 pages. Published by Hal Leonard.

Choir Secular (SATB choir)

SKU: AP.45351

Composed by Jay Althouse and Sally K. Albrecht. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-45351. Published by Alfred Music (AP.45351).

UPC: 038081510910. English.

Ask me to sing, and I'll give you a part of my soul. Ask me to sing, and I feel happy and hopeful and whole. Powerful as an opener, closer, or for a combined choir concert, this inspirational contemporary musical-theater-style choral opens simply and builds to an exquisite finish. Don't miss the choreography on the Step One! DVD and at alfred.com/video.

Choral (SATB)

SKU: HL.279345

(Choral Medley). Composed by Various. Arranged by Alan Billingsley. Disney Choral. Ballad, Classics, Disney, Medley, Movies, Pop, Rock, Show Choir. Octavo. Duration 375 seconds. Published by Hal Leonard (HL.279345).

UPC: 888680755942. 6.75x10.5x0.062 inches.

Show your mettle and embrace your inner hero with this medley of Disney songs of bravery and adventure. Whatever the task, your choirs will be up to it as they are taught lessons of valor as only Disney movies can. Includes: How Far I'll Go, Touch the Sky, Reflection, When Will My Life Begin? and Zero to Hero.

SATB choir and organ

SKU: ST.W187

Composed by Anthony Caesar. SATB and organ. Choral. Octavo. Stainer & Bell Ltd. #W187. Published by Stainer & Bell Ltd. (ST.W187).

ISBN 9790220203305.

Anth ony Caesar finds a moving text by the teenage Etonian, Oxford Movement influenced, Digby Mackworth Dolben (1848-1867), who died tragically young while swimming. Canon Caesar's anthem is a classic example of the Franciscan principle (observed by lamentably few composers) of true beauty springing from simplicity.

The text inspires a sort of post-Howells harmonic idiom, though with the choir's part kept remarkably simple. The most inspired moment comes when the opening progression, which sets the poignant tension of the first three verses, is subtly transformed into radiant certainty in the last verse: I asked for Thee- / And Thou didst come / To take me home / Within Thy Heart to be. Although the parts divide at times, this miniature classic is not too difficult for any well rehearsed four-part choir.

SATB chorus - Medium / medium acc.

SKU: JK.00288

Composed by Walter Dommer. Choral SATB, Difficulty Medium, Piano Choir, Commandments, Holy Ghost, Jesus Christ - Example, Jesus Christ - Savior, Jesus Christ - Shepherd, Jesus Christ-Son of God, Love, Prayer, Spirituality. Christian, Inspirational. Jackman Music Corporation #00288. Published by Jackman Music Corporation (JK.00288).

John 14:12-16.

Choral anthem for mixed chorus (SATB), with scriptural text from John 14:12-16:
Verily, verily, I say unto you, He that believeth on me, the works that I do shall he do also. And whatsoever ye shall ask in my name, that will I do, that the Father may be glorified in the Son. If ye shall ask any thing in my name, I will do it. If ye love me, keep my commandments, And I will pray the Father, and he shall give you another comforter, that he may abide with you forever.
Composer: Walter Dommer
Lyricist: Adapted from John 14
Difficulty: Medium / medium acc.
Reference: John 14:12-16.

Vocal songbook for SATB choir. With vocal score. 80 pages. Published by Hal Leonard.

Composed by Jesse Beulke. Sws. Octavo. 16 pages. Duration 4 minutes, 20 seconds. Carl Fischer Music #CM9653. Published by Carl Fischer Music

SATB Chorus, & Piano

SKU: SU.96010060

For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010060. Published by Subito Music Corporation (SU.96010060).

Instrumentation : SATB Chorus, & Piano
Duration: 3:30'
Composed: 2012
Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.

SATB Chorus, & Piano

SKU: SU.96010061

For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010061. Published by Subito Music Corporation (SU.96010061).

Instrumentation : SATB Chorus, & Piano
Duration: 5'
Composed: 2012
Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
About T.N.T

As a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Massthat I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.

Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.

At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and ... as a matter of practicality, I happily agreed.

-- Joe Gianono

Note: Taxi, Noise, and Time may be performed separately.

SATB Chorus, & Piano

SKU: SU.96010062

For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010062. Published by Subito Music Corporation (SU.96010062).

Instrumentation : SATB Chorus, & Piano
Duration: 4'
Composed: 2012
Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.

Composed by Darla Eshelman. Fold. OCTAVO. 12 pages. Duration 2 minutes, 57 seconds. BriLee Music #BL1091. Published by BriLee Music

Choir Secular (SATB choir)

SKU: AP.48875

Composed by Harry Warren. Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Jazz; Secular; Standard. Choral Octavo. 16 pages. Alfred Music #00-48875. Published by Alfred Music (AP.48875).

UPC: 038081561998. English. Al Dubin.

This swingin' standard made Rolling Stones' 500 Greatest Songs of All Time list and has been recorded by various artists from The Flamingos and Art Garfunkel to Michael Bublé. This big-band style arrangement includes a dash of scat singing toward the end and plenty of jazzy syncopations along the way. Besides the obvious meaning of the title, a current-day twist hints at smizing over a face mask (wink, wink).

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Judith Clurman Choral Series. Composed by Shawn Crouch. Judith Clurman Choral Series. Concert, Festival, Inspirational. Octavo. 12 pages. Published by Hal Leonard

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“Almir a”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. Sws. Octavo. 16 pages. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9650. Published by Carl Fischer Music

Composed by Eric Whitacre (1970-). Eric Whitacre Choral. Concert. Octavo. Duration 300 seconds. Published by Hal Leonard

By Lloyd Larson. For SATB choir, piano (with optional orchestration). Sacred Anthem, Baptism, Discipleship, Eastertide, General. Octavo. Published by Lorenz Publishing Company

SATB Choir

SKU: HL.14011727

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Motet. Vocal Score. 60 pages. Music Sales #KP01211. Published by Music Sales (HL.14011727).

ISBN 9788759880678. 10.5x14.25x0.52 inches. Danish.

Pelle Gudmundsen-Holmgreen 's Four Madrigals From The Natural World for 6-12 part mixed chorus. This piece incorporates texts by Les Murray. ' FOUR MADRIGALS to texts by the Australian poet Les Murray are composed of two songs (Bats' Ultrasound and The Octave of Elephants) written for the Australian vocal group THE SONG COMPANY, and two songs (Cattle Egret and Comete) from my larger work SOUND / SIGHT, written for the Danish Radio Chamber Choir, but here arranged for six voices. The texts are pictures and situations from - or meditations over - THE NATURAL WORLD. Les Murray's way of approaching this world is not in the least sentimentalor nostalgic: the poems reveal a truebeing-out-there realism: so basically the approach is realistic, but the creating of form elevates the material to an abstractplay, a daring and exuberant poetic language. These poems asked to be set to music. I gave up old idiosyncrasies regarding descriptive music, and surrendered to the madrigal, with its special so-called madrigalisms, which entails also animal-imitations. You will hear this particulary inThe Octave of Elephants. ' - Pelle Gudmundsen-Holmgreen.

By Johann Sebastian Bach. (SATB). Methodology Chorals. 88 pages. Published by Hal Leonard.

By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry / Neal A. Maxwell / Orrin G. Hatch / David B. Larsen / Olga S. Whitaker. For SATB Choir. Level: Varied. Published by Jackman Music Corporation.