Solo voices, choir,
orchestra (3 Soprano
Voice Solo, 3 Tenor Voice
Solo, 2 Bass Voice Solo,
SATB Choir, 2
recorder-Alto, 2 Oboe,
bassoon, 3 Trumpets,
timpani, 3 Violins,
Viola, Cello, Bassi(Vc,
double bass, bassoon,
harpisc.))
SKU:
BA.BA04050
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“Almir
a”, Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text to
music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at Almira’s
crowning ceremony, a
duel, a prison scene and
a masked-ball involving
the three continents
Europe, Africa and Asia.
The vocal score
to “Almira” by George
Frideric Handel brings
about a small sensation:
Whilst conducting a
reenactment of this work
in 1732, Georg Philipp
Telemann removed the Aria
no. 28 “Ingrato,
spietato” from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Edition”.
Thanks to
a recently discovered
contemporary manuscript
copy from the beginning
of the 18th century which
was found in the music
library of the
Mariengymnasium in Jever,
this aria has now been
made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträge”.
Now the aria can be
performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition” volume, could
be reconstructed from the
basso continuo part of
the Bellante aria “Ich
brenne zwar” (no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
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MUSICOLOGICA
LLY SOUND
- A
reliable musical text
based on all available
sources
- A
description of the
sources
-
Information on the
genesis and history of
the work
- Valuable
notes on performance
practice
- Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL
-
Page-turns, fold-out
pages, and cues where you
need them
- A
well-presented layout and
a user-friendly
format
- Excellent
print quality
-
Superior paper and
binding