Composed by Marten
Jansson. Classical. 104
pages. Walton Music
#WW1941B. Published by
Walton Music
(GI.WW1941B).
UPC:
785147047360. Latin,
English. Text Source:
Traditional Latin
Requiem. Text by Charles
Anthony
Silvestri.
Requiem
Novum, an evocative
musical work from
Swedish composer
MÃ¥rten Jansson,
weaves drama, emotion,
and exquisite
compositional technique
info a masterpiece for
our time. The choir
(singing the traditional
Latin texts) represents
the mourning and
God-fearing congregation,
while the soloist
(singing new English
texts by Charles Anthony
Silvestri)Â answers as
one beyond the veil,
sending back words of
comfort and hope. Highly
melodic and incredibly
moving, Jansson's new
setting of the
Latin Requiem offer
s a new perspective on
grief and loss. Available
here for choir, organ,
percussion, and soloist,
but also available for
choir and full orchestra
(WW1941A).
Choral (SATB) SKU: HL.1358767 (Choral Medley). Arranged by Mac Huf...(+)
Choral (SATB)
SKU:
HL.1358767
(Choral
Medley). Arranged by
Mac Huff. Broadway
Choral. Broadway,
Nineties, Pop. Octavo. 36
pages. Duration 600
seconds. Published by Hal
Leonard (HL.1358767).
UPC: 196288192657.
6.75x10.5x0.075
inches.
From the
Tony-nominated production
and Juliet comes this
powerhouse medley of 90s
and 2000s hits, each
featured in the musical.
Program this showstopping
selection and your
audience will be sure to
sing along!
Composed by Richard Rodgers. Octavo for SATB chorus and piano accompaniment. Wit...(+)
Composed by Richard
Rodgers. Octavo for SATB
chorus and piano
accompaniment. With chord
names. Series: Hal
Leonard Broadway Choral.
80 pages. Published by
Hal Leonard.
Once Upon a Tree (Preview Pak (Book/CD)). By Pepper Choplin. For Choral (PREV PA...(+)
Once Upon a Tree (Preview
Pak (Book/CD)). By Pepper
Choplin. For Choral (PREV
PAK). Glory Sound.
Choral. Book with CD. 104
pages. GlorySound
#GN5084. Published by
GlorySound
The Music of Rollo Dilworth (Henry Leck Creating Artistry) Series. Arranged b...(+)
The Music of Rollo
Dilworth
(Henry Leck Creating
Artistry) Series.
Arranged
by Rollo Dilworth.
Festival
Choral. Festival,
Spiritual,
Concert. Octavo.
Published
by Hal Leonard
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Mariposa Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418780
No. 2
From Second April.
Composed by Eric Ewazen.
Fold. Performance Score.
Theodore Presser Company
#312-41878. Published by
Theodore Presser Company
(PR.312418780).
ISBN
9781491138137. UPC:
680160640201. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The second
movement, MARIPOSA
celebrates nature,
wandering through a field
of white and blue
butterflies appearing
wondrously, with rich
chords and arpeggios. Yet
also stepping back, the
fleeting nature of life
is the reality, with
gentle, somber chords
interspersed with the
magical flight of the
Mariposa. Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
SATB Full Score Choral;
Optional Percussion (FULL
SCORE)
SKU:
HL.268960
Full
Score. Composed by
Ron Kean. Pavane Secular.
Spiritual. Softcover. 112
pages. Pavane Publishing
#P8002. Published by
Pavane Publishing
(HL.268960).
UPC:
888680737153.
8.5x11.0x0.271
inches.
This
5-movement, multi-media
choral drama honors one
of the great heroes of
the emancipation era. The
journey of those who
sacrificed becomes a
story we can relive and
honor. Dr. Kean's goal
was to compose and
arrange original music
and traditional
spirituals in a style
that is evocative of the
enslaved Africans' frame
of mind. The spirituals
are accompanied with
kalimba (thumb piano) to
honor the sub-Saharan
African musical tradition
of connecting with
ancestors and with the
marimba to sound like the
west African balafon.
This is a work that will
move an audience to
tears. Medium to
difficult. The Journey of
Harriet Tubman has
generated a much needed
discussion of African
American enslavement and
and cultural
appropriation. The
composer has dedicated
half of his royalties
from this work to â??The
Equal Justice
Initiative,â? a
private, 501(c)(3)
nonprofit organization
that is committed to
ending mass incarceration
and excessive punishment
in the United States, to
challenging racial and
economic injustice, and
to protecting basic human
rights for the most
vulnerable people in
American society. Please
visit
https://eji.org/about for
more info.
Alms Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418790
No. 3
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41879.
Published by Theodore
Presser Company
(PR.312418790).
ISBN
9781491138144. UPC:
680160640218. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The third
movement, ALMS is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
primarily minor, yet with
moments of playfulness,
the recollection of happy
times takes over. This
seesaw between emotions
is heard throughout the
movement, and with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and
finality. . Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Choral (SATB) SKU: HL.1222050 Andrea Ramsey Choral Series. Compose...(+)
Choral (SATB)
SKU:
HL.1222050
Andrea
Ramsey Choral Series.
Composed by Andrea
Ramsey. Andrea Ramsey
Choral Series. Concert,
Festival. Octavo.
Published by Hal Leonard
(HL.1222050).
UPC:
196288142744.
6.75x10.5x0.029
inches.
The world
delights as the long
winter turns to spring,
new beginnings, and
possibilities. The music
is full of rhythm and
energy, and beautifully
reflects this hope and
the awakening of
spring.
From Considering Matthew Shepard. Composed by Craig Hella Johnson. Craig Hella...(+)
From Considering Matthew
Shepard. Composed by
Craig
Hella Johnson. Craig
Hella
Johnson Series. Concert,
Festival, Inspirational.
Octavo. 20 pages.
Published
by Hal Leonard
(Chore und Zwischenaktmusiken zu dem Drama von Tobias Ph. Freiherr von Gebler). ...(+)
(Chore und
Zwischenaktmusiken zu dem
Drama von Tobias Ph.
Freiherr von Gebler). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Harald Heckmann. For
Soli, Mixed Choir,
Orchestra. Neue
Mozart-Ausgabe. Serie II,
Werkgruppe 6/1. Urtext
Language: German.
Musiktheater, Klassik
(Concert Music,
Classical). Critical
Commentary; Complete
Edition (paperbound). KV
345 (336a)
((1932) SATB and Piano, Complete Edition). By Benjamin Britten (1913-1976). For ...(+)
((1932) SATB and Piano,
Complete Edition). By
Benjamin Britten
(1913-1976). For Choral
(SATB). BH Secular
Choral. 24 pages. Boosey
and Hawkes #M051481941.
Published by Boosey and
Hawkes
Choral (SATB) SKU: HL.1331597 Composed by Emily Crocker and James Curnow....(+)
Choral (SATB)
SKU:
HL.1331597
Composed
by Emily Crocker and
James Curnow. Secular
Christmas Choral. Octavo.
20 pages. Published by
Hal Leonard (HL.1331597).
UPC: 196288185659.
6.75x10.5
inches.
Here's a
delightful opener or
closer for your holiday
program, written in a
spirited 6/8 style.
Performance options
include the lively piano
accompaniment or the
sparkling chamber
orchestration. Whichever
you choose, your
ensembles are sure to set
the perfect mood for the
season!
Choral SATB choir SKU: CF.CMF1 A Choral Collection for All Seasons of ...(+)
Choral SATB choir
SKU:
CF.CMF1
A Choral
Collection for All
Seasons of the Church
Year. Composed by
Anonymous, Claire
Cloninger, Gary
Hallquist, and Ron
Harris. Edited by Cherry
Tadlock. Arranged by Gary
Hallquist. SWS. Choral.
Piano reduction/vocal
score. With Standard
notation. Carl Fischer
Music #CMF1. Published by
Carl Fischer Music
(CF.CMF1).
ISBN
9780825857768. UPC:
798408057763. 6.75 X 10.5
inches. Text: Keith
Hibbs; Claire Cloninger;
Cherry Tadlock; Ron
Harris. Claire Cloninger,
Ron Harris, Cherry
Tadlock, Keith
Hibbs.
This
collection offers both
seasonal and general
worship anthems from one
of America’s
premiere church writers.
The anthems in this
collection are perfectly
suited for praise and
worship and are sure to
become an integral part
of church choir programs.
Seven anthems total,
Hallquist has skillfully
written these beautiful
pieces with care and
thoughtfulness; a style
that has been one of his
trademarks throughout the
years. A must-have for
every church choir!
Faithful to the Vision
(Anniversary/Dedication),
I Often Dance (General
Praise/Worship), In Times
Like These
(Encouragement/Easter
Resurrection), Let Us
Worship and Bow Down
(Call to Worship), On a
Hillside in Bethlehem
(Christmas), They Could
Not (Easter) and We Are
His Love
(Missions/Ministry).
A Hanukkah Song. Composed by Evan Ramos. Contemporary Choral. OcaA Hanukkah So...(+)
A Hanukkah Song. Composed
by
Evan Ramos. Contemporary
Choral. OcaA Hanukkah
Song. Composed by Evan
Ramos. Contemporary
Choral. Hanukkah,
Chanukah. Octavo. 12
pages. Published by Hal
Leonard tavo. 12 pages.
Published by Hal Leonard
