Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover.

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

This song of remembrance celebrates a profound relationship and mourns its end. While the piece is not difficult to sing, groups that fully express the mature text and master the musical lines will achieve excellence. / Choeur Mixte (SATB)

Creation Mass. Par HAYDN FRANZ JOSEF. Haydn's Mass in B-flat major, also known as the 'Creation Mass” was composed in 1801. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation” and 'The Seasons”. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”./ Répertoire / Voix et Orchestre

Die Schöpfung. Par HAYDN FRANZ JOSEF. The oratorio 'The Creation' represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life. This choral score supplements the existing performance material (BA 4648). It is based on the G. Henle Complete edition of the 'Works of Joseph Haydn'./ Répertoire / Choeur Mixte SATB

L'Antiquité du texte est suggérée par l'introduction de la principale matière mélodique en mode plain-chant par le clavier. Au sein de quelques mesures, il faut une robe plus moderne en prévision de l'entrée de la voix. / Choeur Mixte (SATB) Et Piano

Par HAYDN FRANZ JOSEF. German/English Urtext Edition, edited A. Oppermann. The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life. The text, translated from the English original by Baron van Swieten, Prefect of the imperial court library in Vienna, combinesprose texts of the creation story in Luther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost. Instrumentation: Soprano solo, Tenor solo, Bass solo, Mixed Choir-SATB, Piano reduction accompaniment/ Répertoire / Solistes (STB), Choeur Mixte (SATB) et Orchestre