Mixed choir (SSATBB) a cappella or with organ or brass instruments (BL KPL) - in...(+)
Mixed choir (SSATBB) a
cappella or with organ or
brass instruments (BL
KPL) - intermediate
SKU: HL.49024126
Composed by Schroeder.
Sheet music. Schott
Chorverlag (Choral
Music). Set of Wind
Parts. Op. 16. 10 pages.
Schott Music #C 33728.
Published by Schott Music
(HL.49024126).
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116419 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116419
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
164. Duration 17 minutes.
Carus Verlag #CV
31.164/19. Published by
Carus Verlag
(CA.3116419).
ISBN
9790007209063. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
ST vocal soli, SATB/SATB/SATB/SATB choir, organ SKU: CA.2708303 Composed ...(+)
ST vocal soli,
SATB/SATB/SATB/SATB
choir, organ
SKU:
CA.2708303
Composed
by Carl Friedrich
Christian Fasch. Edited
by Ryan Kelly. Sacred
vocal music, Masses,
Latin. Vocal score. FWV.
104 pages. Duration 23
minutes. Carus Verlag #CV
27.083/03. Published by
Carus Verlag
(CA.2708303).
ISBN
9790007182090. Language:
Latin.
Carl
Friedrich Christian
Fasch's Mass in 16 parts
is remarkable for more
than its unusual scoring.
Inspired by the Italian
church music style of
Orazio Benevoli, it was
composed in 1783 for the
Berliner Sing-Akademie,
and revised by Fasch
several times throughout
his life in order to
adapt the score to the
vocal capabilities of his
ensemble. The composer
destroyed all earlier
compositions, which
probably contributed to
the legendary fame which
this mass has enjoyed
since the 19th century.
The mass was, however,
only published in 1839 -
around four decades after
Fasch's death. The
present edition is based
on the version contained
in the first printed
edition. In addition to
modern music notation,
extensive performance
materials (two choral
scores, separate organ
part) facilitate the
rehearsal of this
challenging work. Score
available separately -
see item CA.2708300.
By Melchior Franck (1579-1639). Arranged by A.T. Davison. For SATB Choir (Mixed ...(+)
By Melchior Franck
(1579-1639). Arranged by
A.T. Davison. For SATB
Choir (Mixed Voices).
Pentecost, General.
Choral. 4 pages.
Published by E.C.
Schirmer Publishing
Sanctus Chorale SATB SATB, Clavier [Vocal Score] Oxford University Press
From Requiem. Composed by Gabriel Faure (1845-1924). Edited by John Rutte...(+)
From Requiem.
Composed by Gabriel Faure
(1845-1924). Edited by
John Rutter. Mixed
Voices. Oxford Choral
Classics Octavos. Vocal
score. 12 pages. Duration
2'. Published by Oxford
University Press
(OU.9780193416819).
Vespers
1610. Composed by
Claudio Monteverdi. Carus
Choir Coach.
Marienvesper.Ccc. Compact
Disc. SV 206. Duration 90
minutes. Carus Verlag #CV
27.801/85. Published by
Carus Verlag
(CA.2780185).
ISBN
9790007171810. Text
language: Latin.
As
with scarcely any other
work of the 17th century,
Monteverdi's Vespers has
found its way into
today's repertoire.
Nevertheless, the Vespers
still leaves open many
questions. The new
edition, with its
critical examination of
the sources, takes up
these oft-discussed
issues concerning scoring
possibilities,
performance practice,
transpositions and
liturgical unity. It is
based on all of the
surviving copies of the
print of 1610 and the
earliest handwritten
entries have also been
critically examined and
evaluated. Performance
material is organized in
a flexible manner to
allow for the use of
different instruments in
those movements without
obbligato instruments in
order to reinforce the
vocal parts and thus
invites an individual
musical approach to the
challenge presented by
Monteverdi's Vespers.
Score available
separately - see item
CA.2780100.
Composed by Heinrich Schutz (1585-1672). Edited by Uwe Wolf. Arranged by Paul Ho...(+)
Composed by Heinrich
Schutz (1585-1672).
Edited by Uwe Wolf.
Arranged by Paul Horn.
For SSATTB favorit-chor,
2 violins, 3 trombones,
basso continuo,
[cappell-chore
SATB/SATB]. This edition:
paperback. Stuttgart
Urtext edition. Sacred
concertos, Easter and
Eastertide. Full score.
Text language: Latin. SWV
469. 20 pages. Published
by Carus Verlag
Choir; Orchestra; Early Music SKU: UT.TME-1 Composed by Giovanni Battista...(+)
Choir; Orchestra; Early
Music
SKU:
UT.TME-1
Composed by
Giovanni Battista
Bassani. Edited by
Elisabetta Pasquini.
Hardback (Cloth Hard
Cover). Tesori Musicali
Emiliani (Emilian Musical
Treasures). Classical. Ut
Orpheus #TME 1. Published
by Ut Orpheus (UT.TME-1).
ISBN 9790215316096. 9
x 12 inches.
P
erformance Material on
Hire
[S
olo: SAATB - Str -
Bc]
Thanks to its
patron the Duke Francesco
II, Modena became a
capital city worldwide
for the oratorio genre:
renowned maestro di
cappella in Ferrara, also
Bassani wished to offer
to the Duke his own work,
setting aside for him the
summit of his melodic and
dramaturgical
inventiveness. Accordi
ng to the documents that
we have, the performance
of Giona was
Bassani's debut at the
court of Francesco II.
Born in Padua around
1650, the composer
carried out the main part
of his activities in
Ferrara, where he was
organist (probably from
1667), and maestro di
cappella at the
Accademia della Morte
(from 1683), and
subsequently also at the
Cathedral (from 1686); he
also became a member of
the Accademia Filarmonica
of Bologna (in 1677) and
was committed to
Alessandro II Pico, Duke
of Mirandola and Marquis
of Concordia. In 1712 he
moved to Bergamo, where
he was maestro di
cappella at S. Maria
Maggiore; he died there
on 1st October 1716.
Before his commission in
Modena, the <> - as he was
often called at that time
- had already printed
seven instrumental and
vocal works as well as a
few operas and
oratorios.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116449 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116449
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1725. BWV
164. 16 pages. Duration
17 minutes. Carus Verlag
#CV 31.164/49. Published
by Carus Verlag
(CA.3116449).
ISBN
9790007209070. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Motette. Composed
by Johann Hermann Schein.
Edited by Adam Adrio.
This edition: urtext
edition. Stapled. Aus
Israelsbrünnlein.
Sacred. Choral score.
Composed 1623. No. 16. 8
pages. Baerenreiter
Verlag #BA02566_00.
Published by Baerenreiter
Verlag (BA.BA02566).
ISBN 9790006423057. 27
x 19 cm
inches.
Motet no.
16 from
Israelsbrunnlein.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Blessing, glory, and wisdom, and thanks). Composed by Johann Sebastian Bach (16...(+)
(Blessing, glory, and
wisdom, and thanks).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Kalus Winkler. Arranged
by Georg Gottfried
Wagner. For SATB/SATB
choir. Anthem. Choral
score. Language:
German/English. BWV Anh.
162. Duration 10 minutes.
Published by Carus Verlag
(162 vierstimmige Satze zu den 150 Psalmen des gereimten Psalters, dazu ein Alle...(+)
(162 vierstimmige Satze
zu den 150 Psalmen des
gereimten Psalters, dazu
ein Alleluja. Urtext der
Neuen Schutz-Ausgabe). By
Heinrich Schutz
(1585-1672). Edited by
Werner Breig. For Mixed
Choir-SATB. Neue
Schutz-Ausgabe, Band 40.
Singing Score; Urtext
Edition; Complete Edition
(cloth bound). SWV
97a-256a
Composed by Henry Purcell (1659-1695). For SATB/SATB choir, SATB vocal soli, orc...(+)
Composed by Henry Purcell
(1659-1695). For
SATB/SATB choir, SATB
vocal soli, orchestra
(viola). Eulenburg
Orchestral Series.
Individual part. 8 pages.
Published by Eulenburg
Edition
Composed by Henry Purcell (1659-1695). Edited by Christopher Hogwood. For SATB/S...(+)
Composed by Henry Purcell
(1659-1695). Edited by
Christopher Hogwood. For
SATB/SATB choir, SATB
vocal soli, orchestra
(violin 1). Eulenburg
Orchestral Series.
Individual part. 12
pages. Published by
Eulenburg Edition
Composed by Henry Purcell (1659-1695). For SATB/SATB choir, SATB vocal soli, orc...(+)
Composed by Henry Purcell
(1659-1695). For
SATB/SATB choir, SATB
vocal soli, orchestra
(violin 2). Eulenburg
Orchestral Series.
Individual part. 12
pages. Published by
Eulenburg Edition
(from Mass in G Major, D.167). By Franz Schubert (1797-1828). Arranged by Russel...(+)
(from Mass in G Major,
D.167). By Franz Schubert
(1797-1828). Arranged by
Russell L. Robinson. For
SATB choir, Keyboard.
Octavo. 16 pages.
Duration 2 minutes, 44
seconds. Published by
Carl Fischer
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116409 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116409
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. 1x
31.164/21 flute 1, 1x
31.164/22 flute 2, 1x
31.164/23 oboe 1, 1x
31.164/24 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1725. BWV 164.
Duration 17 minutes.
Carus Verlag #CV
31.164/09. Published by
Carus Verlag
(CA.3116409).
ISBN
9790007209018. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
(aus: Symphoniae Sacrae III). Composed by Heinrich Schutz (1585-1672). Edited by...(+)
(aus: Symphoniae Sacrae
III). Composed by
Heinrich Schutz
(1585-1672). Edited by
Emil Kubler. For SATB
choir, 2 violins, basso
continuo. G-Dur (G
major). Stuttgart Urtext
Edition. German title:
Feget den alten Sauerteig
aus 3. Easter and
Eastertide. Set of parts.
Language: German/English.
Composed 1650. SWV 404
(Op. 12, No. 7). 8 pages.
Duration 5 minutes.
Published by Carus Verlag
Cantata
for the New Year's
Day. Composed by
Johann Sebastian Bach.
Edited by Michael Marker.
This edition: urtext.
Hymns by Martin Luther:
Herr Gott, dich loben
wir; Stuttgart Urtext
Edition: Bach vocal.
German title: Herr Gott,
dich loben wir. Sacred
vocal music, Cantatas,
New year. Choral Score.
Composed 1725. BWV 16. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.016/05. Published by
Carus Verlag
(CA.3101605).
ISBN
9790007102968. Language:
German/English. Text:
Luther,
Martin.
This
cantata was first
performed in Leipzig on
New Year's Day 1726. It
belongs to a small group
of compositions which
were composed between
Advent 1725 and
mid-January 1726 and
whose text were written
by the same author. There
is no reference to the
New Year in connection
with the circumcision and
naming of Jesus in this
afternoon worship
service. Rather the
thoughts in this work are
concerned with the praise
of God and thanks for his
good deeds. Score
available separately -
see item CA.3101600.
Cantata
for the New Year's
Day. Composed by
Johann Sebastian Bach.
Edited by Michael Marker.
This edition: urtext.
Hymns by Martin Luther:
Herr Gott, dich loben
wir; Stuttgart Urtext
Edition: Bach vocal.
German title: Herr Gott,
dich loben wir. Sacred
vocal music, Cantatas,
New year. Single Part,
Viola. Composed 1725. BWV
16. 4 pages. Duration 18
minutes. Carus Verlag #CV
31.016/13. Published by
Carus Verlag
(CA.3101613).
ISBN
9790007204792. Language:
German/English. Text:
Luther,
Martin.
This
cantata was first
performed in Leipzig on
New Year's Day 1726. It
belongs to a small group
of compositions which
were composed between
Advent 1725 and
mid-January 1726 and
whose text were written
by the same author. There
is no reference to the
New Year in connection
with the circumcision and
naming of Jesus in this
afternoon worship
service. Rather the
thoughts in this work are
concerned with the praise
of God and thanks for his
good deeds. Score and
part available separately
- see item
CA.3101600.
(aus: Israelsbrunnlein. Geistliche Madrigale). By Johann Hermann Schein (1586-16...(+)
(aus: Israelsbrunnlein.
Geistliche Madrigale). By
Johann Hermann Schein
(1586-1630). Edited by
Graulich, Gunter.
Arranged by Paul Horn.
For SSATB Choir. No. 22.
Madrigale, Psalms,
German. Level 3. Score.
Language: German/English.
Composed 1623. 12 pages.
Duration 4 min
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Whitsun.
Single Part, Viola.
Composed 1726. BWV 169. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.169/13. Published by
Carus Verlag
(CA.3116913).
ISBN
9790007209346. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Whitsun. Single
Part, basso continuo.
Composed 1726. BWV 169.
12 pages. Duration 17
minutes. Carus Verlag #CV
31.169/14. Published by
Carus Verlag
(CA.3116914).
ISBN
9790007209353. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.