ST vocal soli, SATB/SATB/SATB/SATB choir, organ SKU: CA.2708303 Composed ...(+)
ST vocal soli,
SATB/SATB/SATB/SATB
choir, organ
SKU:
CA.2708303
Composed
by Carl Friedrich
Christian Fasch. Edited
by Ryan Kelly. Sacred
vocal music, Masses,
Latin. Vocal score. FWV.
104 pages. Duration 23
minutes. Carus Verlag #CV
27.083/03. Published by
Carus Verlag
(CA.2708303).
ISBN
9790007182090. Language:
Latin.
Carl
Friedrich Christian
Fasch's Mass in 16 parts
is remarkable for more
than its unusual scoring.
Inspired by the Italian
church music style of
Orazio Benevoli, it was
composed in 1783 for the
Berliner Sing-Akademie,
and revised by Fasch
several times throughout
his life in order to
adapt the score to the
vocal capabilities of his
ensemble. The composer
destroyed all earlier
compositions, which
probably contributed to
the legendary fame which
this mass has enjoyed
since the 19th century.
The mass was, however,
only published in 1839 -
around four decades after
Fasch's death. The
present edition is based
on the version contained
in the first printed
edition. In addition to
modern music notation,
extensive performance
materials (two choral
scores, separate organ
part) facilitate the
rehearsal of this
challenging work. Score
available separately -
see item CA.2708300.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116419 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116419
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
164. Duration 17 minutes.
Carus Verlag #CV
31.164/19. Published by
Carus Verlag
(CA.3116419).
ISBN
9790007209063. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
Mixed choir (SSATBB) a cappella or with organ or brass instruments (BL KPL) - in...(+)
Mixed choir (SSATBB) a
cappella or with organ or
brass instruments (BL
KPL) - intermediate
SKU: HL.49024126
Composed by Schroeder.
Sheet music. Schott
Chorverlag (Choral
Music). Set of Wind
Parts. Op. 16. 10 pages.
Schott Music #C 33728.
Published by Schott Music
(HL.49024126).
By Stephen Mager. For SATB choir and piano/orchestra ([1, 2, 1, 1-2, 0, 0, 0-2],...(+)
By Stephen Mager. For
SATB choir and
piano/orchestra ([1, 2,
1, 1-2, 0, 0, 0-2],
percussion, harp,
strings). Mixed Voices.
Christmas, Choral
Leaflet. Vocal score. 16
pages. Published by
Oxford University Press
Bells of Joy Chorale SATB SATB, Piano Carl Fischer
(Incorporating Carol of the Bells, Joy to the World, We Three Kings, A). A...(+)
(Incorporating Carol of
the Bells, Joy to the
World, We Three Kings,
A). Arranged by Rae Moses
Larry Clark. For SATB
Voices with Keyboard or
Concert Band. 16 pages.
Duration 4 minutes.
Published by Carl Fischer
Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged b...(+)
Composed by George
Frideric
Handel (1685-1759) and
James
Chepponis. Arranged by
James
Chepponis. Easter, Christ
the
King, Building
Dedication,
Church Anniversary,
Ordination/Installation,
21st
Century,
Praise/Thanksgiving.
Choral score. MorningStar
Music Publishers
#50-4710.
Published by MorningStar
Music Publishers
Composed by John David Earnest. 21st Century, Faith, Hope/Assurance. Instrumen...(+)
Composed by John David
Earnest. 21st Century,
Faith,
Hope/Assurance.
Instrument
parts. E.C. Schirmer
Publishing #8607.
Published
by E.C. Schirmer
Publishing
SATB choir, cantor,
assembly,
voice solo, Duet,
keyboard
accompaniment, guitar,
cello -
Early intermediate
Composed by Liam Lawton.
Arranged by Chris De
Silva.
Celebration Series.
Sacred.
Octavo. With guitar chord
names. 16 pages. GIA
Publications #8566.
Published
by GIA Publications
Hallelujah Chorus Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By George Frideric Handel (1685-1759) and Larry Pugh. For SATB choir and piano (...(+)
By George Frideric Handel
(1685-1759) and Larry
Pugh. For SATB choir and
piano (with optional 2
trumpets). All Saints
Day, Christmas,
Eastertide, General,
Sacred. Sacred Anthem
By The Afters. By Josh Havens, Matt Fuqua, and Jason Ingram. Arranged by Josep...(+)
By The Afters. By Josh
Havens, Matt Fuqua, and
Jason
Ingram. Arranged by
Joseph M.
Martin. PraiseSong
Choral.
General Worship,
Memorial,
Sacred. Octavo. 16 pages.
Published by PraiseSong
SATB choir, assembly, organ accompaniment, full score, trumpet 1 in B-flat, trum...(+)
SATB choir, assembly,
organ accompaniment, full
score, trumpet 1 in
B-flat, trumpet 1 in C,
trumpet 2 in B-flat,
trumpet 2 in C, horn in
F, trombone, timpani
SKU: GI.G-8844INST
Composed by Marty Haugen.
Pentecost Vigil,
Pentecost Sunday. Tune
Name: Lone Oak. Sacred.
Full score and parts.
With guitar chord names.
20 pages. GIA
Publications #8844INST.
Published by GIA
Publications
(GI.G-8844INST).
SATB choir, cantor, assembly, organ accompaniment, 2 or 3 octaves handbells, tru...(+)
SATB choir, cantor,
assembly, organ
accompaniment, 2 or 3
octaves handbells,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in F, trombone 1,
trombone 2, percussion
SKU: GI.G-6897INST
Composed by James
Chepponis. All Souls,
Ascension B, Dedication
of the Lateran Basilica.
Sacred. Full score and
parts. 6 pages. GIA
Publications #6897INST.
Published by GIA
Publications
(GI.G-6897INST).
UPC:
785147689799. English.
Text by Edward Hayes
Plumptre.
Vespers
1610. Composed by
Claudio Monteverdi. Carus
Choir Coach.
Marienvesper.Ccc. Compact
Disc. SV 206. Duration 90
minutes. Carus Verlag #CV
27.801/85. Published by
Carus Verlag
(CA.2780185).
ISBN
9790007171810. Text
language: Latin.
As
with scarcely any other
work of the 17th century,
Monteverdi's Vespers has
found its way into
today's repertoire.
Nevertheless, the Vespers
still leaves open many
questions. The new
edition, with its
critical examination of
the sources, takes up
these oft-discussed
issues concerning scoring
possibilities,
performance practice,
transpositions and
liturgical unity. It is
based on all of the
surviving copies of the
print of 1610 and the
earliest handwritten
entries have also been
critically examined and
evaluated. Performance
material is organized in
a flexible manner to
allow for the use of
different instruments in
those movements without
obbligato instruments in
order to reinforce the
vocal parts and thus
invites an individual
musical approach to the
challenge presented by
Monteverdi's Vespers.
Score available
separately - see item
CA.2780100.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116449 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116449
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1725. BWV
164. 16 pages. Duration
17 minutes. Carus Verlag
#CV 31.164/49. Published
by Carus Verlag
(CA.3116449).
ISBN
9790007209070. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116409 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116409
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. 1x
31.164/21 flute 1, 1x
31.164/22 flute 2, 1x
31.164/23 oboe 1, 1x
31.164/24 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1725. BWV 164.
Duration 17 minutes.
Carus Verlag #CV
31.164/09. Published by
Carus Verlag
(CA.3116409).
ISBN
9790007209018. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
(aus: Symphoniae Sacrae III). Composed by Heinrich Schutz (1585-1672). Edited by...(+)
(aus: Symphoniae Sacrae
III). Composed by
Heinrich Schutz
(1585-1672). Edited by
Emil Kubler. For SATB
choir, 2 violins, basso
continuo. G-Dur (G
major). Stuttgart Urtext
Edition. German title:
Feget den alten Sauerteig
aus 3. Easter and
Eastertide. Set of parts.
Language: German/English.
Composed 1650. SWV 404
(Op. 12, No. 7). 8 pages.
Duration 5 minutes.
Published by Carus Verlag
(The Motets in five parts(Nos. 1-12)). By Heinrich Schutz (1585-1672). Edited by...(+)
(The Motets in five
parts(Nos. 1-12)). By
Heinrich Schutz
(1585-1672). Edited by
Werner Breig. For Mixed
Choir, Basso Continuo Ad
Lib. Neue Schutz-Ausgabe,
Band 5/1. Sacred,
Motetten (Motets). Score;
Complete Edition (cloth
bound). SWV 369-380
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116405 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116405
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Choral Score. Composed
1725. BWV 164. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/05. Published by
Carus Verlag
(CA.3116405).
ISBN
9790007187194. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116403 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116403
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Vocal score. Composed
1725. BWV 164. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/03. Published by
Carus Verlag
(CA.3116403).
ISBN
9790007187187. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116400 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116400
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Full score. Composed
1725. BWV 164. 32 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/00. Published by
Carus Verlag
(CA.3116400).
ISBN
9790007187170. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form.
Composed by Dietrich Buxtehude (1637-1707). Edited by Thomas Schlage. For SATB c...(+)
Composed by Dietrich
Buxtehude (1637-1707).
Edited by Thomas Schlage.
For SATB choir, 2
violins, basso continuo.
Score available
separately - see item
CA.3601700. Cantatas.
Choral score. Language:
German. BuxWV 102. 4
pages. Duration 4
minutes. Published by
Carus Verlag
With Canon in D. Composed by Martin Luther (1483-1546) and Johann Pachelbel (1...(+)
With Canon in D. Composed
by
Martin Luther (1483-1546)
and
Johann Pachelbel
(1653-1706).
Arranged by Lanny Allen.
Shawnee Sacred. Hymn,
Sacred.
Octavo. 16 pages.
Published
by Shawnee Press
(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 14. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. For Soli STB,
SATB Choir, 3 Recorder, 2
Oboe, Zink, 3 Trumpet,
Strings, Organ. This
edition: paperbound. BWV
25. Cantatas; Use during
church year: Trinity.
Score. Language:
German/English. Composed
1723. 40 pages. Duration
16 min