(London 2012 Olympic Children's Anthem). Composed by Kathleen Shanks. For Choral (SSATB). De Haske Choral Music. 12 pages. Published by Hal Leonard

SATB choir - Level 3

SKU: CA.315740

Arranged by Hans Schanderl. Separate edition with choral collection. Sacred vocal music, Christmas Carols, Advent, Christmas. Full score. Composed 2012. Duration 2 minutes. Carus Verlag #CV 03.157/40. Published by Carus Verlag (CA.315740).

ISBN 9790007153809. Language: German.

SATB voices & keyboard

SKU: WD.080689609879

Hymnal. *finale 2012 version*. Word Music #080689609879. Published by Word Music (WD.080689609879).

UPC: 080689609879.

SATB voices & keyboard

SKU: WD.080689665875

Hymnal. Christmas. *finale 2012 version*. Word Music #080689665875. Published by Word Music (WD.080689665875).

UPC: 080689665875.

SATB Choir, and String Orchestra (SATB Choir, Ob, Str) - Level 3

SKU: BA.BA08960-90

Composed by Heinz Werner Zimmermann. Stapled. Vocal Score. Composed 2012. 6 pages. Baerenreiter Verlag #BA08960_90. Published by Baerenreiter Verlag (BA.BA08960-90).

ISBN 9790006558940. 29.5 x 21 cm inches. Language: German.

SATB Choir, and String Orchestra (SATB Choir, Ob, Str.) - Level 3

SKU: BA.BA08960

Composed by Heinz Werner Zimmermann. Stapled. Score. Composed 2012. 6 pages. Baerenreiter Verlag #BA08960_00. Published by Baerenreiter Verlag (BA.BA08960).

ISBN 9790006558933. 32.5 x 25.5 cm inches. Language: German.

Viola (SATB choir, oboe, strings)

SKU: BA.BA08960-79

Composed by Heinz Werner Zimmermann. Folded. Single part. Composed 2012. 1 pages. Baerenreiter Verlag #BA08960_79. Published by Baerenreiter Verlag (BA.BA08960-79).

ISBN 9790006558988. 32 x 25.5 cm inches.

Print on demand (POD).

Oboe (SATB Choir, Ob, Str)

SKU: BA.BA08960-29

Composed by Heinz Werner Zimmermann. Folded. Single part. Composed 2012. 1 pages. Baerenreiter Verlag #BA08960_29. Published by Baerenreiter Verlag (BA.BA08960-29).

ISBN 9790006558957. 32 x 25.5 cm inches.

Print on demand (POD).

Double bass (SATB choir, oboe, strings)

SKU: BA.BA08960-85

Composed by Heinz Werner Zimmermann. Folded. Single part. Composed 2012. 1 pages. Baerenreiter Verlag #BA08960_85. Published by Baerenreiter Verlag (BA.BA08960-85).

ISBN 9790006559008. 32 x 25.5 cm inches.

Print on demand (POD).

SATBB chorus a cappella

SKU: SU.91771062

For SATBB, a cappella. Composed by Paul Moravec. Vocal/Choral, Sacred Choral. Choral Octavo. Subito Music Corporation #91771062. Published by Subito Music Corporation (SU.91771062).

SATBB, a cappella Duration: 3'30 Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.

SATBB chorus a cappella

SKU: SU.91771061

For SATBB, a cappella. Composed by Paul Moravec. Vocal/Choral, Sacred Choral. Choral Octavo. Subito Music Corporation #91771061. Published by Subito Music Corporation (SU.91771061).

SATBB, a cappella Duration: 1'20 Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.

SATB Choir

SKU: BT.HU-2012-250

Arranged by Jo Ivens. Harmonia-Mixed Choir. Folk Music. Choral Score. Harmonia #HU 2012-250. Published by Harmonia (BT.HU-2012-250).

French.

Choral (SATB)

SKU: HL.232749

SATB chorus. Composed by Luis Tinoco. Choral. Classical. Octavo. University of York Music Press #M570363490. Published by University of York Music Press (HL.232749).

For SATB choir. First performed by the Estonian Philharmonic Chamber Choir, conducted by Daniel Reuss, 'Dias da Musica Festival', Lisbon. Centro Cultural de Belem, Pequeno Auditorio, 28th April 2012. For SATB choir. First performed by the Estonian Philharmonic Chamber Choir, conducted by Daniel Reuss, 'Dias da Musica Festival', Lisbon. Centro Cultural de Belem, Pequeno Auditorio, 28th April 2012.

SSATBB choir - Level 3

SKU: CA.315270

Composed by James Lord Pierpont. Arranged by Bobbi Fischer. Separate edition with choral collection. Sacred vocal music, Christmas Carols, Advent, Christmas. Full score. Composed 2012. Duration 3 minutes. Carus Verlag #CV 03.152/70. Published by Carus Verlag (CA.315270).

ISBN 9790007153540. Key: F major. Language: English. Text: Pierpont, James Lord. Text: James Lord Pierpont.

Choral (SSATBB choir)

SKU: HL.288472

6 part chorus. Composed by Maja S. K. Ratkje. Classical. Softcover. 18 pages. Edition Wilhelm Hansen #WH33124. Published by Edition Wilhelm Hansen (HL.288472).

ISBN 9788759841150. UPC: 888680911348. 8.5x11 inches.

Maja S. K. Ratkje's A Dismantled Ode To The Moral Value Of Art for 6 Part Chorus.

It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, it appears in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And the prisoners in German concentration camps played it. It also figured prominently at Mitterand's 1981 investiture. In 2012, we celebrate the Ode to Joy's 40 years anniversary as National Anthem of the EU.

(Vocal Score). Composed by Karl Jenkins. For Mixed Choir (SATB). BH Secular Choral. Softcover. 56 pages. Boosey and Hawkes #M060124990. Published by Boosey and Hawkes

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

SATB Choir

SKU: BT.MUSM570363117

Composed by Nigel Osborne. Hymns & Chorals. Vocal Score. University of York Music Press #MUSM570363117. Published by University of York Music Press (BT.MUSM570363117).

An African Prayer and Blessings.

Included in the Choirbook for The Queen published to celebrate the Diamond Jubilee of Her Majesty The Queen in 2012. The original concept for this project emerged in 2004 fromasuggestion made by Robert Ponsonby, to mark the Diamond Jubilee of Her Majesty The Queen in 2012 with a ‘festival’ of new anthems to be sung in beautiful places of worship by the best choirs throughout the UK.

Mixed choir

SKU: ST.B934

Composed by Brian Wren. Hymns & Relgious Drama. Hymns & Psalms 2009-2012. . If ordering from USA, Canada, Australia or New Zealand please contact. Collection. Stainer & Bell Ltd. #B934. Published by Stainer & Bell Ltd. (ST.B934).

ISBN 9780852499344.

This , the ninth of a series of books begun in 1983, contains Brian Wren's 36 most recent hymns (2009 to 2012). It is nicely presented and laid out in a user-friendly way. The hymns are divided into five thematic sections: Jesus from Cradle to Cross; Easter Hymns; Church and Mission; Praise; and Metrical Psalms. This last section, rooted in (though not bound by) the Old Testament, is often influenced by Isaac Watts and will be of more use to some than others; it concludes with a tremendous rendering of Psalm 8; a paean of praise which all will love, set to a stirring tune.

Each section is prefaced with a single page introduction listing the contents and, in some instances, giving an interesting insight into Brian Wren's theology and thinking which provides food for contemplation. Each hymn is printed in words format with all the necessary information for inclusion in an order of worship. Every hymn is also printed with full score music for accompaniment interlined with the words. The book is slightly larger than A5, and there are various useful indexes.

The tunes range from ancient to modern, some very familiar, including Candler (better known as Ye Banks and Braes). A number are of a metre where alternative tunes are available. Those tunes which are new vary in ease of use; some will be readily picked up, others would prove challenging for occasional use in a small congregation but could be used as music group items.

These are hymns which need to be read as a whole and require thought. The words are chosen with care and notable as much for those not used as those included e.g.: 'Christ, untameably alive,/ breathe your life upon us - / Compass, Governor and Guide, / with us and beyond us,/ Sky and Sunlight, / spreading Vine./ Spring of Living Water,/ Truth and Wisdom, Way and Word,/ here, and then hereafter.' These hymns will be useful in worship as either sung or read pieces, and will also prove an invaluable resource for private devotion.

Robert Canham, Reform

SSATB/SSATB choir

SKU: CA.982100

Composed by Michael Betzner-Brandt. Edited by Michael Betzner-Brandt. This edition: Paperbound. Modern a cappella. Full score. Composed 2012. Duration 6 minutes. Carus Verlag #CV 09.821/00. Published by Carus Verlag (CA.982100).

ISBN 9790007142728. Language: English. Text: Betzner-Brandt, Michael. Text: Michael Betzner-Brandt.

The modern a cappella series offers new, challenging a cappella music with a jazzpop sound. The editions are orientated towards the needs of the developing jazz-pop choral scene. a special choral sound, groove, improvisation and choreography play central roles - individual singers can come to the fore as soloists. In short, modern a cappella is a new category of choral music; there are no covered pop songs and also no serious new music, rather grooving, contemporary vocal music with unconventional texts and choral presence. The series is geared towards highly motivated youth choirs as well as ambitious ensembles from all genres.

SSATB choir

SKU: CA.993300

Composed by Martin Ramroth. Carus Novus; Contemporary choral music. Gloria. Carus Novus. Ssatb. Sacred vocal music, Mass sections. Full score. Composed 2012. Duration 5 minutes. Carus Verlag #CV 09.933/00. Published by Carus Verlag (CA.993300).

ISBN 9790007142834. Language: Latin.

SSATB Choir

SKU: BT.EMBZ14830

For Mixed Voices. Composed by Barna Szabó. Hymns & Chorals. Book Only. Composed 2012. 28 pages. Editio Musica Budapest #EMBZ14830. Published by Editio Musica Budapest (BT.EMBZ14830).

Hungarian.

SATB Chorus & Piano Discount Lot of 20(with opt. Synthesizer, Guitar, Bass, Drums)

SKU: SU.27010020B

For SATB Chorus & Piano Discount Lot of 20(with opt. Synthesizer, Guitar, Bass, Drums). Composed by Sandy Wilbur. Vocal/Choral, Secular Choral. Subito Music Corporation #27010020B. Published by Subito Music Corporation (SU.27010020B).

SATB Chorus, Piano, Synthesizer, Guitar, Bass, Drums Duration: 4' ' Composed: 2012 Published by: Sandy Wilbur Music, Inc. NEW! Now available as a discounted lot of 20 Choral Octavos! Save 20%! Written by Sandy Wilbur and arranged by TONY and EMMY Award winning arranger Larry Hochmann (Spamalot!, The Book of Mormon) and Judith Clurman, We the People is a setting of the preamble to the US Constitution,and masterfully celebrates the greatest and most admired political document ever written. Suitable for all ages, We the People is an excellent learning tool for young singers and the perfect addition to any core choral curriculum. We the People uses Wilbur's fun musical setting to teach and reaffirm the democratic fundamentals of government on which our nation was founded. Available in versions for SATB Chorus, SA, Chorus and Unison Chorus. We the People features an optional kickin' rhythm section accompaniment (Guitar,Bass, Piano, Synth and Drums). In addition to the full score and set of parts, Subito Music also offers an instrumental accompaniment CD that can be used for rehearsal as well as for performance. Also available: (27010010) (27010011) (27010021) (27010022) (27010025).

(SATB (with Organ)). Composed by Matthew Martin. Choir Sacred. For with Organ (SATB choir). Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Intermediate. Published by Faber Music

Voice (SATB a cappella)

SKU: HL.49045157

For SATB Chorus A Capella. Composed by Matthew Brown. This edition: Saddle stitching. Sheet music. Choral. Classical. Octavo. Composed 2012. 12 pages. Duration 3' 30''. Schott Music #C57284. Published by Schott Music (HL.49045157).

ISBN 9790001154420. UPC: 841886026513. English.

E. E. Cummings' poem about a bygone love, about despair, indifference to acceptance is set for mixed choir. Brown's music relives the story with hovering and grating sounds, demanding courage to use extremely different dynamics.