Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

SATB Choir and Piano

SKU: HL.14043700

Composed by Various. Arranged by Gitika Partington. Choral. Pop & Rock. Softcover Audio Online. Composed 2015. Novello & Co Ltd. #NOV165110. Published by Novello & Co Ltd. (HL.14043700).

ISBN 9781783058617. UPC: 888680736491. 9.0x12.0x0.125 inches. English.

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington . Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song. What's great about Gitika Partington 's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training,repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible.  Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine  by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep  and a huge favourite, Sway (Quien Sera) . Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are. The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington  has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive.

By Darlene Zschech. Arranged by Joel Raney. For piano/organ duet with optional SATB choir and 3-5 octave handbells. Raney Piano/Organ Duets Series. Introit, Contemporary, General, Sacred. Conductor's Score. 20 pages. Published by Hope Publishing Company

SATB (4 or 5 vocal parts) Choir and Piano - Intermediate-Advanced

SKU: YM.GTC01097796

Jazz Chorus Series. Voice. J-POP. Octavo. Yamaha Music Media #GTC01097796. Published by Yamaha Music Media (YM.GTC01097796).

ISBN 9784636977967.

Here comes a great jazz choir music sheet collection of famous songs that you can enjoy!
It is arranged by Tsunenori Lee Abe, an active Associate Professor for Contemporary Writing and Production department at Berklee College of Music.
For those who are new to jazz choir, the basic lecture section is featured on the opening pages to help them to get familiar with the jazz sounds and rhythms. The piano reduction (piano transcription) scores are included for some songs.

Enjoy Japanese Pop music with jazz choir with 4 or 5 voices. All 6 J-POP songs are arranged for A Capella.

By Brent Jorgensen. For SATB choir, Piano. Choral. Medium. Octavo. Duration 3:30. Published by Jackman Music Corporation

Arranged by Joel Raney. For SATB choir, Organ and Piano with optional handbells (3-6 octaves). Choral music. General, Introit, Thanksgiving, Sacred. Choral octavo. 8 pages. Published by Hope Publishing Company

Arranged by Joel Raney. For SATB choir, piano and organ w/optional 3-5 octave handbells . Choral octavo. Published by Hope Publishing Company

Arranged by Joel Raney. For SATB choir with optional handbells (3-5 octaves). The Joel Raney Choral Series. Call To Worship, Christmas, Sacred. Octavo. 8 pages. Published by Hope Publishing Company

By Karle Erickson. For SATB choir a cappella with optional Instruments . Pentecost, Reformation, Thanksgiving, Christ the King, General . Choral. Level: Moderately Easy. Published by MorningStar Music Publishers.

(Incorporating America the Beautiful ). Composed by Russell Robinson Samuel Ward. For Soprano, Alto, Tenor, Bass, Keyboard, Optional Trumpet 1, Optional Trumpet 2, Optional Trombone. Octavo. 12 pages. Duration 3 minutes, 25 seconds. Published by Carl Fischer

Dramma per musica in 3 acts. Composed by Francesco Cavalli (1602-1676). Edited by Alvaro Torrente; Nicola Badolato. This edition: Edition of selected works, Urtext edition. Linen. Francesco Cavalli. Opere. Score. Duration 3 hours. Baerenreiter Verlag #BA08901-01. Published by Baerenreiter Verlag (BA.BA08901-01).

Communion Rite. By Marty Haugen; Ralph Stewart. Arranged by Marty Haugen. Text by: Marty Haugen. For SATB Chorus, Cantor and Keyboard accompaniment. Ritual Prayer. Includes guitar chord names. Sacred. Level: easy. 12 pages. Published by GIA Publications.

Arranged by Teena Chinn. For Choir. (SATB). Choral Octavo. Pop Choral Series. Choral Octavo. 24 pages. Published by Alfred Publishing.
Level: Moderate (grade 3).

Arranged by Ned Ginsburg. For Choir. (SATB). Choral Octavo. Pop Choral Series. Movie. Choral Octavo. 32 pages. Published by Alfred Publishing.
Level: Moderate (grade 3).

By Laura Winnen and Jeff Cothran. Arranged by Patti Drennan. For SATB choir. Choral music. Advent, Sacred. Choral octavo. 8 pages. Published by Hope Publishing Company

Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass setting! Liturgy. Published by CanticaNOVA Publications (C5.3136-2).

SATB choir

SKU: WD.080689676024

Composed by Marty Parks. Arranged by Marty Parks. Choral, cantatas. Christmas. Practice trax. Word Music #080689676024. Published by Word Music (WD.080689676024).

UPC: 080689676024.

This smorgasbord of favorites serves up some sing-able settings fromA trusted arranger Marty Parks.A Designed primarily for senior choirs, Well-Seasoned Praise is also appropriate for small choirs or large choirs with limited rehearsal time.A A Two versions of optional narrationA are included:A one for use prior to each song as a simple spoken set-up in worship when the songs are used separately, or another version for using the songs as a complete musical - perfect as a spring worship concert, a dinner on the grounds homecoming (recipes included!) or other similar events.A A bonus 3-song patriotic musical is also included making this book a resource you'll use time and again!

Features songs perfect for small choirs, senior choirs and large choirs with limited rehearsal time. Includes mini patriotic musical. Perfect for summer camp meeting style events. Features recipes.

SATB choir

SKU: WD.080689756726

Composed by Marty Parks. Arranged by Marty Parks. Choral, cantatas. Sacred. Bulk CD (10-pak). Word Music #080689756726. Published by Word Music (WD.080689756726).

UPC: 080689756726.

This smorgasbord of favorites serves up some sing-able settings fromA trusted arranger Marty Parks.A Designed primarily for senior choirs, Well-Seasoned Praise is also appropriate for small choirs or large choirs with limited rehearsal time.A A Two versions of optional narrationA are included:A one for use prior to each song as a simple spoken set-up in worship when the songs are used separately, or another version for using the songs as a complete musical - perfect as a spring worship concert, a dinner on the grounds homecoming (recipes included!) or other similar events.A A bonus 3-song patriotic musical is also included making this book a resource you'll use time and again!

Features songs perfect for small choirs, senior choirs and large choirs with limited rehearsal time. Includes mini patriotic musical. Perfect for summer camp meeting style events. Features recipes.

((Gypsy Life)). By Robert Schumann. For Choral, Tambourine, Triangle (SATB and Soli). Walton Choral. 20 pages. Walton Music #WW1485. Published by Walton Music

SATB choir, 3-6 octave handbell choir; organ & piano duet - Level 2

SKU: HP.8286HB

Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. Hymntune, General Worship, Sacred. Handbell part. 7 pages. Hope Publishing Company #8286HB. Published by Hope Publishing Company (HP.8286HB).

UPC: 763628282868. 2 Corinthians 1:3, Deuteronomy 31:6, Isaiah 50:10, Isaiah 6:1-8, Lamentations 3:23, Psalms 10:18, Psalms 104:1-35, Psalms 115:9, Psalms 119:114, Psalms 144:2, Psalms 145:9, Psalms 18:2, Psalms 28:7, Psalms 3:3, Psalms 33:21, Psalms 5.

A festive prelude
This festive prelude in the Joel Raney series of piano/organ duets, with SATB choir entering at the conclusion for an optional choral introit, uses the tunes: LYONS and ITALIAN HYMN - both based on the theme of Christ the King. Both keyboard parts and a reproducible page of the text for the choir are included. An optional 3-6 octave handbell part and a full conductor's score are available separately.

By George William Warren. Arranged by David Len Allen. For SSATB Choir. Medium Difficullt. Duration 3:20

SATB choir with optional handbell & rhythm - Level 3

SKU: HP.C5539C

Composed by Brian Doerksen. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Gathering, General Worship, Call To Worship, Worship, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5539C. Published by Hope Publishing Company (HP.C5539C).

UPC: 763628955397. By Brian Doerksen. Psalms 29:2, Psalms 95:6,9, Psalms 100:2, Isaiah 55:1, Philippians 2:5-11, 2 Corinthians 6:1-13.

Popular praise and worship song by Brian Doerksen
Utilizing handbells, SATB choir and praise band, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new setting of Brian Doerksen's popular praise and worship song. The combination of these forces in this ring & sing arrangement is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass, drums and alto sax, which are included in the separate Rhythm Parts.

The Rehearsal/Performance CD includes two tracks, one of bells and rhythm and the other of just the rhythm that can be used to accompany a bell choir.

SATB choir with optional handbell & rhythm; brass; guitar; percussion - Level 3

SKU: HP.C5539R

Composed by Brian Doerksen. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Gathering, General Worship, Call To Worship, Worship, Sacred. Parts. Hope Publishing Company #C5539R. Published by Hope Publishing Company (HP.C5539R).

UPC: 763628255398. By Brian Doerksen. Psalms 29:2, Psalms 95:6,9, Psalms 100:2, Isaiah 55:1, Philippians 2:5-11, 2 Corinthians 6:1-13.

Popular praise and worship song by Brian Doerksen
Utilizing handbells, SATB choir and praise band, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new setting of Brian Doerksen's popular praise and worship song. The combination of these forces in this ring & sing arrangement is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass, drums and alto sax, which are included in the separate Rhythm Parts.

The Rehearsal/Performance CD includes two tracks, one of bells and rhythm and the other of just the rhythm that can be used to accompany a bell choir.

By Brian Doerksen. Arranged by Arnold B. Sherman. (SATB). Scripture References: Psalm 29:2 -- Psalm 95:6,9 -- Psalm 100:2 -- Isaiah 55:1 -- Philippians 2:5-11. Call To Worship, Gathering, Jazz/SwingStyle, Praise and Worship, Worshiping, Contemporary and Sacred. Print Music Single (SATB with optional Handbells and Rhythm). 12 pages. Published by Hope Publishing Company.

By William and Gloria Gaither. Edited by Michael Perry. Arranged by Joel Raney. Keyboard duets. For SATB choir vocal. Piano/Organ Duets. Sacred. Published by Hope Publishing Company

ATB vocal soli, SATB choir, flute (violino piccolo), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3110209

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.102/21 flute, 1x 31.102/22 oboe 1, 1x 31.102/23 oboe 2. German title: Herr, deine Augen sehen 3. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1726. BWV 102. 16 pages. Duration 24 minutes. Carus Verlag #CV 31.102/09. Published by Carus Verlag (CA.3110209).

ISBN 9790007047399. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and parts available separately - see item CA.3110200.

SATB choir, organ, handbells, recorder - Intermediate

SKU: MN.50-7052

Composed by Michael Burkhardt. 21st Century, Gathering/Processional. Octavo. MorningStar Music Publishers #50-7052. Published by MorningStar Music Publishers (MN.50-7052).

UPC: 688670570520.

A grand processional and chorale that works well as an introduction to the hymn Praise to the Lord the Almighty. Three groups of equal voices begin the piece and are then joined by four vocal ostinatos to create a double choir effect. The piece can be quickly learned as each of the parts is repetitive, producing a canonic effect. A wonderful beginning for a hymn festival or program. Reproducible instrumental parts are included. Handbells: 3 octaves.