(Cantata For The 27th Sunday After Trinity) Composed by Johann Sebastian Bach (1685-1750), Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 140. For STB solos, SATB choir, piano accompaniment, STB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. Includes vocal score and vocal score. With choral notation, piano reduction, introductory text, choral notation, piano reduction and introductory text. Baroque and baroque. Eb Major. Text language German/English. 62 pages. 7.5x10.5 inches. Duration 30m. Published by Baerenreiter-Ausgaben (German Import).

Piano, voices, Mixed choir-SATB (Piano, Singing voice, Mixed choir (SATB)) - Level 3

SKU: BA.BA06839

Neu entdeckte Choral- und Liedsätze aus der Bach-Sammlung des Chr.Fr. Penzel (1780). Erstausgabe. 32 Sätze in Klaviernotation mit oder ohne Singstime(n), mit unterlegtem Text, Folgestrophen beigegeben. Edited by Wolfgang Wiemer. Stapled. Performance score, anthology. Baerenreiter Verlag #BA06839_00. Published by Baerenreiter Verlag (BA.BA06839).

ISBN 9790006483211. 27 x 19.1 cm inches.

Neu entdeckte Choral- und Liedsatze aus der Bach-Sammlung des Chr.Fr. Penzel (1780). Erstausgabe. 32 Satze in Klaviernotation mit oder ohne Singstime(n), mit unterlegtem Text, Folgestrophen beigegeben.

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr, Walter Blankenburg. BWV 248. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. With choral notation, piano reduction and introductory text. Text language English/German. 234 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006461660.

By Johann Sebastian Bach. Edited by Neumann, Buszin(Urtext). For SSATB, 3 oboe, english horn (bsni), bassoon II, 3 violin, viola, violoncello, contrabass, cembalo. BWV 227.Figured bass realized by Fritz Oberdoerffer,instrumental parts edited by Hugh Ross(Eng-Ger). Sacred Choral Works. Duration 25'. Published by C.F. Peters.

By Johann Sebastian Bach. For Orch. (SATB with SATB Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 48 pages. Published by Alfred Publishing.

Mixed choir (SATB) - easy

SKU: HL.49026732

3. Kalamajko tanzt!. Composed by Fischbach. Sheet music. Schott Chorblattreihe (Choral Music). Choral Score. 4 pages. Schott Music #CHBL 425. Published by Schott Music (HL.49026732).

ISBN 9790001020046.

Dramatic Oratorio or Opera in One Cathartic Act. By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For Flute, Recorder, Clarinet, Bassoon, Horn, 2 Trumpet, Trombone, 5 Violin, 5 Viola, 4 Violoncello, 3 Viola Da Gamba, 2 Contrabass, Soprano, Mezzo, Tenor, Baritone, SATB, 11 Percussion, 3 Timpani, Keyboard. Piano Reduction. S. 150. Duration 30:0. Published by Theodore Presser Company.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119509

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. 1x 31.195/21 flute 1, 1x 31.195/22 flute 2, 1x 31.195/23 oboe 1, 1x 31.195/24 oboe 2, 3x 31.195/31 3 trumpets, 2x 31.195/32 horns 1 and 2, 1x 31.195/41 timpani. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Set of Orchestra Parts. BWV 195. Duration 16 minutes. Carus Verlag #CV 31.195/09. Published by Carus Verlag (CA.3119509).

ISBN 9790007210373. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and parts available separately - see item CA.3119500.

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. This edition: paperbound. BWV 25. Cantatas; Use during church year: Trinity. Score. Language: German/English. Composed 1723. 40 pages. Duration 16 min

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119519

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Set of Orchestra Parts. BWV 195. Duration 16 minutes. Carus Verlag #CV 31.195/19. Published by Carus Verlag (CA.3119519).

ISBN 9790007182953. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and parts available separately - see item CA.3119500.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119503

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Vocal score. BWV 195. 44 pages. Duration 16 minutes. Carus Verlag #CV 31.195/03. Published by Carus Verlag (CA.3119503).

ISBN 9790007182908. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119549

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Organ. BWV 195. 16 pages. Duration 16 minutes. Carus Verlag #CV 31.195/49. Published by Carus Verlag (CA.3119549).

ISBN 9790007210427. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 243. Study score for SSATB choir and mixed orchestra (3 tr, timp, 2 fl, 2 ob, 2 vl, vla, organ). Urtext of the New Bach Edition. With introductory text. D Major. Text language Latin. 58 pages. Published by Baerenreiter-Taschenparti turen (German import).

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110814

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Cello/Double Bass. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/14. Published by Carus Verlag (CA.3110814).

ISBN 9790007047986. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110813

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Viola. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/13. Published by Carus Verlag (CA.3110813).

ISBN 9790007047979. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110805

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Choral Score. Composed 1725. BWV 108. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.108/05. Published by Carus Verlag (CA.3110805).

ISBN 9790007047924. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score available separately - see item CA.3110800.

Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110807

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Study score. Composed 1725. BWV 108. 68 pages. Duration 20 minutes. Carus Verlag #CV 31.108/07. Published by Carus Verlag (CA.3110807).

ISBN 9790007047931. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110812

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Violin 2. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/12. Published by Carus Verlag (CA.3110812).

ISBN 9790007047962. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110819

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut, dass ich hingehe. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Composed 1725. BWV 108. Duration 20 minutes. Carus Verlag #CV 31.108/19. Published by Carus Verlag (CA.3110819).

ISBN 9790007136581. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and parts available separately - see item CA.3110800.

Soli ATB, SATB Choir, 2 Obda, Vl solo, 2 Vl, Va, Bc - Level 3

SKU: CA.3110849

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Organ. Composed 1725. BWV 108. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.108/49. Published by Carus Verlag (CA.3110849).

Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110811

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Violin 1. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/11. Published by Carus Verlag (CA.3110811).

ISBN 9790007047955. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110809

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.108/21 oboe d'amore 1, 1x 31.108/22 oboe d'amore 2. German title: Es ist euch gut 2. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/09. Published by Carus Verlag (CA.3110809).

ISBN 9790007047948. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and parts available separately - see item CA.3110800.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112749

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Organ. Composed 1725. BWV 127. 12 pages. Duration 21 minutes. Carus Verlag #CV 31.127/49. Published by Carus Verlag (CA.3112749).

ISBN 9790007048907. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112709

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. 1x 31.127/21 recorder 1, 1x 31.127/22 recorder 2, 1x 31.127/23 oboe 1, 1x 31.127/24 oboe 2, 1x 31.127/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ 5. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Set of Orchestra Parts. Composed 1725. BWV 127. 30 pages. Duration 21 minutes. Carus Verlag #CV 31.127/09. Published by Carus Verlag (CA.3112709).

ISBN 9790007048853. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and parts available separately - see item CA.3112700.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112712

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Violin 2. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/12. Published by Carus Verlag (CA.3112712).

ISBN 9790007048877. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112705

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Choral Score. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/05. Published by Carus Verlag (CA.3112705).

ISBN 9790007048846. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score available separately - see item CA.3112700.