By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/O rgan)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag

(50 Motets and Anthems for Mixed Voice Choir). By Various. Edited by Lionel Pike. For Choral, Mixed Choir, Piano Accompaniment (SATB). Choral. Softcover. 400 pages. Novello and Co Ltd. #NOV881000. Published by Novello and Co Ltd.

Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 Violins, Viola, Cello/Contrabass, [Flute or Oboe or Clarinet]. Full score available separately - see item CA.4018400. Cantatas, Mass Sections; Stuttgart Urtext editions; Occasions: Eucharist, Communion; Use during church year: Lent and Passiontide, Holy Week. Organ reduction. Language: German/English. Composed 1827. 12 pages. Duration 7 min. Published by Carus Verlag (German import).

SATB choir, piano

SKU: LO.45-1640L

Composed by Gloria & William Gaither. Arranged by Mary McDonald. Lorenz Publishing Company #45/1640L. Published by Lorenz Publishing Company (LO.45-1640L).

ISBN 9780787773243.

This collection of Gaither classics arranged for SATB choirs features the arranging expertise of some of the top arrangers in church choral music today including Mary McDonald, Jay Rouse, and Mark Hayes as well as the orchestrations of Michael Lawrence, Ed Hogan, Jay Rouse, and Mark Hayes. These powerful arrangements of these soul-stirring songs are sure to inspire your choir and congregation and create an impactful worship experience in your services for years to come. Each arrangement is orchestrated for full orchestra and available in physical and digital formats. Accompaniment CDs and downloadable MP3s are also available which include a demonstration recording, stereo accompaniment, and split-track accompaniment.

By Jack N. White. For Choir. (SATB). Choral Octavo. Sacred Choral Series. Sacred. Choral Octavo. 4 pages. Published by Alfred Publishing. (BSC9914) Level: Moderate (grade 3).

Orchestra vocal soli, SATB/SATB choir, soprano voice in ripieno (cantus-firmus-chor for soprano), 2 orchestras - I: 2 recorders, 2 flutes, 2 oboes (2 oboe d'amore, 2 oboe d'caccia/english horn), viola da gamba, 2 violins, viola, basso continuo (cello, violone/doubl

SKU: CA.3124409

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. 1x 31.244/20 viola da gamba, 1x 31.244/21 choir 1: flute 1, 1x 31.244/22 choir 1: flute 2, 1x 31.244/23 choir 1: oboe 1, 1x 31.244/24 choir 1: oboe 2, 2x 31.244/25 choir 2: recorder 1+2, 1x 31.244/26 choir 2: flute 1, 1x 31.244/27 choir 2: flute 2, 1x 31. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Matthauspassion. Innovative practice aids, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. BWV 244. 184 pages. Duration 175 minutes. Carus Verlag #CV 31.244/09. Published by Carus Verlag (CA.3124409).

ISBN 9790007211271. Language: German/English.

Pra ctical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and parts available separately - see item CA.3124400.

Orchestra vocal soli, SATB/SATB choir, soprano voice in ripieno (cantus-firmus-chor for soprano), 2 orchestras - I: 2 recorders, 2 flutes, 2 oboes (2 oboe d'amore, 2 oboe d'caccia/english horn), viola da gamba, 2 violins, viola, basso continuo (cello, violone/doubl

SKU: CA.3124406

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Matthauspassion. Innovative practice aids, Passions, Lent and Passiontide, Holy Week. Choir part. BWV 244. 2 pages. Duration 175 minutes. Carus Verlag #CV 31.244/06. Published by Carus Verlag (CA.3124406).

ISBN 9790007051181. Language: German/English.

Pra ctical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.

Orchestra Soli Voices, SATB Choir, Soprano in ripieno (Cantus-firmus-Chor fur Sopran), 2 Orchester: I: 2 Blfl, 2 Fl, 2 Ob /2 Obda, 2 Obca, 2 Vl, Va, Vc/Cb, Vg, Org obl.; II: 2 Fl, 2 Ob /2 Obda, 2 Vl, Va, Vg, Vc/Cb, Org obl

SKU: CA.3124494

Composed by Johann Sebastian Bach. Carus CD series: Carus Choir Coach; Passions. Carus Choir Coach. Matthauspassion.Ccc. Passions. Compact Disc. BWV 244. Duration 175 minutes. Carus Verlag #CV 31.244/94. Published by Carus Verlag (CA.3124494).

Language: German.

Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score available separately - see item CA.3124400.

SATB Choir and Piano (SATB)

SKU: HL.14004952

Composed by Rory Boyle. Music Sales America. Post-1900. Book Only. Composed 2002. Chester Music #CH58818. Published by Chester Music (HL.14004952).

Prex Lausque has been composed by Rory Boyle, for SATB Chorus and Piano.

Scottish composer Rory Boyle has won several important musical awards, notably the BBC Scottish Composers' Prize(1971), two Royal Philharmonic Society Prizes (1973 and 1975), and the Zaiks Prize (1987) for his orchestral score 'Winter Music'.

His list of works covers most genres and has been performed and broadcast widely in Britainand abroad. He has been commissioned by many festivals, societies and leading performers including Evelyn Glennie, Nicholas Daniel, Peter Seivewright and the Fine Arts Brass Ensemble, and he has also written extensively foryounger players, including four children's operas; he was the first Composer Laureate for Schools with the Scottish Chamber Orchestra, a position he held for three years.

Soli SATB Voices, SATB Choir, 2 Ctr, Timp, 2 Vl, Bc, [3 Trb]

SKU: CA.4005904

Composed by Wolfgang Amadeus Mozart. Edited by Wolfgang Horn. Carus plus: Innovative practice aids; Sacred vocal music, Psalms, Latin; Carus sheet music series: Vocal scores XL; Stuttgart Editions (Urtext): Stuttgart Mozart Edition; occasions: Psalms, Daily hours. Stuttgart Urtext Edition: Mozart. XL in large print. Innovative practice aids, Sacred vocal music, Psalms, Latin, Psalms, Daily hours. Vocal score. Composed 1780. KV 339. 64 pages. Duration 29 minutes. Carus Verlag #CV 40.059/04. Published by Carus Verlag (CA.4005904).

ISBN 9790007240943. Language: Latin.

Contents: Dixit Dominus (Ps 109) in C major. Confitebor (Ps 110) in E flat major Beatus vir (Ps 111) in G major Laudate pueri (Ps 112) in D minor Laudate Dominum (Ps 116) in F major Magnificat in C major The present new critical editon of the Vesperae solennes de Confessore KV 339, edited by Wolfgang Horn, is the first edition since the publication of the old Complete Edition from 1880 to be based on Mozart's autograph score. It was thought to have been lost after the second world war but for the past several years it is again accessible through the Biblioteka Jagiellonska in Krakow. This work is now available in carus music, the choir app! Score available separately - see item CA.4005900.

SATB a cappella. Composed by Michael Bussewitz-Quarm. Peermusic Classical. Concert. Octavo. 18 pages. Peermusic #70238-121. Published by Peermusic

SATB a cappella. Composed by Michael Bussewitz-Quarm. Peermusic Classical. Classical, Concert. Octavo. 12 pages. Peermusic #70237- 121. Published by Peermusic

Composed by Michael Bussewitz-Quarm. Peermusic Classical. Concert. Octavo. 8 pages. Peermusic #70243-121. Published by Peermusic

Choral SATB choir, piano

SKU: CF.CM9558

Composed by Denice Rippentrop. Fold. Performance. With Standard notation. 12 pages. Carl Fischer Music #CM9558. Published by Carl Fischer Music (CF.CM9558).

ISBN 9781491150900. UPC: 680160908400. 6.875 x 10.5 inches.

Amy Carmichael has been inspiring people for years with her thought-provoking an inspirational poetry. Unsatisfied and disconsolate are the words Carmichael used to express her feelings as she listened to the voices around her. Denice Rippentrop captures the essence of this text in both the vocals and the piano accompaniment in this wonderful SATB score appropriate for ensembles of varying abilities and size.

SATB Choir

SKU: HL.14023538

Composed by Thomas Augustine Arne. Arranged by Vincent Novello. Music Sales America. Classical. Octavo. Music Sales #NOV400030. Published by Music Sales (HL.14023538).

UPC: 884088826178. 6.75x10.5x0.026 inches.

Vincent Novello was a British composer and Organist who gave the Novello publishing company its first embryonic form. Here he arranges Rule, Britannia! for Voice SATB with Piano accompaniment to introduce some contrapuntal interest in the verse.When 18th century British composer Thomas Arne included his song Rule, Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden, the country home of Frederick, Prince of Wales, he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule, Britannia! is widely used in the Royal Navy and British Army and is featuredeach year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing, the Dutch actually 'ruled the waves,' so this song was more an exhortation than a status report. The lyrics were also a statement of civil liberty. Since Cromwell's time, Britain had had a standing army which could be turned against the native population. A standing navy, however, existed solely to protect the nation from invaders, protecting a free populace.

Composed by Bruce W. Tippette. Shawnee Press. Christmas, Concert. Octavo. 12 pages. Published by Shawnee Press

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036412

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Violin 2. Sacred vocal music, Cantatas, Advent. Single Part, Violin 2. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/12. Published by Carus Verlag (CA.1036412).

ISBN 9790007190392. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810412

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin 2. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/12. Published by Carus Verlag (CA.3810412).

ISBN 9790007215088. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

S(A)TB vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, horns, 2 trumpets, timpani, basso continuo

SKU: CA.2921409

Oratorio in three parts. Composed by George Frideric Handel. Edited by Friedrich Chrysander, Helmut Bornefeld, and Matthias Wamser. 1x 29.214/21 flute, 1x 29.214/22 oboe 1, 1x 29.214/23 oboe 2, 2x 29.214/24 2 bassoons, 1x 29.214/31 horn, 1x 29.214/32 trumpet 1, 1x 29.214/33 trumpet 2, 1x 29.214/41 timpani. L'Allegro Il Penseroso /Ed.Bornefeld. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1740. HWV 55. 86 pages. Carus Verlag #CV 29.214/09. Published by Carus Verlag (CA.2921409).

ISBN 9790007203849. Language: German/English. Text: Milton, John / Jennens, Charles. Text: John Milton, Charles Jennens.

The two John Milton poems, L'Allegro (cheerfulness), and Il Pensi eroso (melancholy), describe the differences between these two moods. Charles Jennens fashioned a libretto from these texts, adding a third part entitled Moderato (moderation). From the first performance the oratorio was already a great success, a success which continued in later years. This edition is a revised reprint of Friedrich Chrysander's edition. The vocal score and the German singing text are by Helmut Bornefeld. Score and parts available separately - see item CA.2921400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viol, basso continuo - Level 3

SKU: CA.3913419

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity, Mourning, death. Set of Orchestra Parts. TVWV 1:38. Duration 10 minutes. Carus Verlag #CV 39.134/19. Published by Carus Verlag (CA.3913419).

ISBN 9790007144272. Text language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and parts available separately - see item CA.3913400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810405

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Choral Score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/05. Published by Carus Verlag (CA.3810405).

ISBN 9790007215057. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400.

S(A)TB vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, horns, 2 trumpets, timpani, basso continuo

SKU: CA.2921419

Oratorio in three parts. Composed by George Frideric Handel. Edited by Friedrich Chrysander, Helmut Bornefeld, and Matthias Wamser. L'Allegro Il Penseroso /Ed.Bornefeld. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1740. HWV 55. Carus Verlag #CV 29.214/19. Published by Carus Verlag (CA.2921419).

ISBN 9790007133924. Language: German/English. Text: Milton, John / Jennens, Charles. Text: John Milton, Charles Jennens.

The two John Milton poems, L'Allegro (cheerfulness), and Il Pensi eroso (melancholy), describe the differences between these two moods. Charles Jennens fashioned a libretto from these texts, adding a third part entitled Moderato (moderation). From the first performance the oratorio was already a great success, a success which continued in later years. This edition is a revised reprint of Friedrich Chrysander's edition. The vocal score and the German singing text are by Helmut Bornefeld. Score and parts available separately - see item CA.2921400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913414

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Viola da gamba 4. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/14. Published by Carus Verlag (CA.3913414).

ISBN 9790007215965. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.

SATB choir, handbells, handchimes, percussion

SKU: MN.HB-1130S

Composed by Dale Jergenson. 21st Century. Instrument parts. Laurendale Associates #HB-1130S. Published by Laurendale Associates (MN.HB-1130S).

UPC: 765844006051. Latin.

I have been writing for Handbells for many years and thought it about time to combine my love for both choral and handbell writing to create a special Mass for the St. Cyril of Jerusalem congregation, choir and choirmaster. We were very fortunate that we were able to employ the services of the Concordia Alumni Handbell Ensemble under the creative direction of Cyndi Tully for our premiere performance. It is written in such a way that the Choral parts are not as active as the Handbell parts - this is intentional as I wanted the Bells to stand out as featured instruments. -Dale Jergenson

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810419

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/19. Published by Carus Verlag (CA.3810419).

ISBN 9790007215118. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913449

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Organ. TVWV 1:38. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.134/49. Published by Carus Verlag (CA.3913449).

ISBN 9790007215989. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.

SATB choir with organ accompaniement

SKU: MN.CH-1373

Composed by Dale Jergenson. 21st Century. Laurendale Associates #CH-1373. Published by Laurendale Associates (MN.CH-1373).

UPC: 765844006228. Latin.

This Mass of Acceptance is dedicated to Bill Beck and the choir at St. Cyril's because of their unflagging support for me during my time of grief and sorrow after Phyllis, my wife of nearly 54 years passed away in March of 2011. In spite of continuing heartache that is abating over time, I have come to understand that my life must go on if for no other reason than to respect her commitment to love and affection for the many people she touched throughout her long and productive life. By continuing to write music I feel I am respecting her support for me whatever my artistic aspirations. I will continue for so long as I shall live to express my deepest sense of veneration and homage for her through music, poetry, art and wherever else this muse may lead me. -Dale Jergenson.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913403

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Vocal score. TVWV 1:38. 12 pages. Duration 10 minutes. Carus Verlag #CV 39.134/03. Published by Carus Verlag (CA.3913403).

ISBN 9790007076900. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score available separately - see item CA.3913400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913415

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Double Bass. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/15. Published by Carus Verlag (CA.3913415).

ISBN 9790007215972. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.