By Cyndi Lauper. By Cyndi Lauper and Rob Hyman. Arranged by Philip Kern. For Cho...(+)
By Cyndi Lauper. By Cyndi
Lauper and Rob Hyman.
Arranged by Philip Kern.
For Choral, Guitar,
Percussion (SSATB).
Choral. 16 pages.
Published by Shawnee
Press
SSATB choir SKU: CA.141000 Aus: Deutsche Sonntagliche Evangelienspruch...(+)
SSATB choir
SKU:
CA.141000
Aus:
Deutsche Sonntagliche
Evangelienspruche.
Composed by Andreas
Raselius. German title:
Trachtet am ersten nach
dem Reich. Sacred,
Motets; Use during church
year: Trinity. Full
score. Composed 1594.
Carus Verlag #CV
01.410/00. Published by
Carus Verlag (CA.141000).
ISBN 9790007003692.
Key: G major. Language:
German.
SATB chorus - Easy SKU: JK.99019 Composed by David A. Zabriskie and Sandr...(+)
SATB chorus - Easy
SKU: JK.99019
Composed by David A.
Zabriskie and Sandra
Ruconich. Choral SATB,
Difficulty Easy, Piano
Choir, Enduring to the
End, Faith, Hope, Jesus
Christ - Example, Praise
and Worship. Christian,
Inspirational. Duration
4:00. Jackman Music
Corporation #99019.
Published by Jackman
Music Corporation
(JK.99019).
13th
Article of Faith and
Philippians
4:8.
Elegant choral
anthem for mixed chorus
(SATB) incorporating text
from the 13th Article of
Faith and Philippians
4:8: We believe all
things, we hope all
things, we have endured
many things and hope to
be able to endure all
things. If there is
anything virtuous,
lovely, or of good
report, we seek after
these things. Previously
listed as item
#00813. Composer:
Sandra Ruconich / David
A. Zabriskie
Lyricist: Scriptural
text Difficulty:
Easy Performance
time: 4:00 Reference:
13th Article of Faith and
Philippians 4:8.
By Jule Styne, Sammy Cahn/Jule Styne, Sammy Cahn. Arranged by Mac Huff. (SATB)....(+)
By Jule Styne, Sammy
Cahn/Jule Styne, Sammy
Cahn. Arranged by Mac
Huff. (SATB). Pop Choral
Series. Size 6.75x10.5
inches. 8 pages.
Published by Hal Leonard.
By Frederick Silver. Choir Secular. SATB choir. Choral Octavo. Choral Designs. C...(+)
By Frederick Silver.
Choir Secular. SATB
choir. Choral Octavo.
Choral Designs.
Christmas; Novelty;
Secular; Winter. 12
pages. Published by
Alfred Music Publishing
Mixed Voices (SATB) SKU: HL.50486905 Songs for the period after Easter...(+)
Mixed Voices (SATB)
SKU: HL.50486905
Songs for the period
after Easter.
Composed by Lajos Bardos.
EMB. Religious Works.
Vocal/choral score.
Composed 2008. 24 pages.
Editio Musica Budapest
#Z14647. Published by
Editio Musica Budapest
(HL.50486905).
ISBN
9790080146477.
8.0x11.25x0.082 inches.
Hungarian, Latin. Lajos
Bardos; Janos
Malina.
In its new
series entitled Sacred
Choral Works EMB presents
a collection of religious
choral pieces by
contemporary and
20th-century Hungarian
composers. The first six
volumes are devoted to
works by the outstanding
20th-century composer for
choirs Lajos Bardos, more
specifically the works in
Latin from the recently
published Bardos series
Musica Sacra. The first
volume contains the works
for equal voices, the
other five contain those
for mixed choir, the
latter grouped according
to religious festivals:
Volume 2 has the
Christmas choruses,
Volume 3 those for the
Easter season, Volume 4
those relating to the
period following Easter,
Volume 5 Marian songs,
and Volume 6 the pieces
for other occasions.
(Cantata for the 3rd Sunday after Trinity). Composed by Johann Sebastian Bach (1...(+)
(Cantata for the 3rd
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Robert Moreen; George S.
Bozarth; Paul Brainard.
Arranged by Martin Focke.
For soprano voice solo,
alto voice solo, tenor
voice solo, bass voice
solo, SATB choir, piano.
This edition: Urtext
edition. Stapled. Level
3. Piano reduction. BWV
21. 67 pages. Published
by Baerenreiter Verlag
No. 12 from Friday Afternoons, Op. 7. By Benjamin Britten. (SATB). Boosey and H...(+)
No. 12 from Friday
Afternoons, Op. 7. By
Benjamin Britten.
(SATB). Boosey and Hawkes
Secular Choral. Size
6.75x10.5 inches. 8
pages. Published by
Boosey & Hawkes.
SATB Chorus, a cappella SKU: SU.91480530 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.91480530
For SATB Chorus, a
cappella. Composed by
Dan Locklair.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Composed 2009. Duration
4'. Subito Music
Corporation #91480530.
Published by Subito Music
Corporation
(SU.91480530).
Vs. 2-5
Text: The First Letter of
Peter: Chapter
2.
The
words, Surely thou hast
tasted that the Lord is
good, open the anthem.
This gentle and lyrical
section, marked by
dialogue between the
sections of the choir,
unfolds and eventually
reaches a climax on the
words precious in the
sight of God. A quick,
energetic and imitative
middle section soon
emerges to proclaim the
words, Come, and let
yourselves be built, as
living stones, into a
spiritual temple. Here
the spirit of medieval
music, the building
stones for Western music,
is invoked. After the
anthem’s primary
climax is reached on the
words Jesus Christ, a
solo soprano emerges from
the choral texture to
close this work with a
serene Amen. The first
performance of Dan
Locklair’s anthem,
In the sight of God took
place on Sunday 4 October
2009. The occasion was
Dedication Sunday, and
the text was selected by
John Scott from The First
Letter of Peter, vv 2-5.
Professor Locklair has
provided us with a
delightful addition to
our repertoire at St
Thomas. The work is
grateful to sing, well
written for voices,
lyrical in style with a
well-crafted sense of
architecture and climax.
In every sense it is an
enjoyable piece for the
choir, quite
approachable, and judging
from the many positive
comments I heard
afterwards from members
of the congregation, it
was very well received.
-- Reflections on the
premiere by John Scott,
Director of Music, St.
Thomas Church Fifth
Avenue, New York, NY
SATB Chorus, a
cappella Duration: 4'
Text: The First Letter of
Peter: Chapter 2, vs. 2-5
Composed: 2009 Published
by: Subito Music
Publishing Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. YouTube:.
Soli SATB, Coro SATB, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118657 ...(+)
Soli SATB, Coro SATB, 2
Ob, Tl (Eh), Fg, 2 Vl,
Va, Bc
SKU:
CA.3118657
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent.
Study score. Composed
1723. BWV 186. 56 pages.
Duration 40 minutes.
Carus Verlag #CV
31.186/57. Published by
Carus Verlag
(CA.3118657).
ISBN
9790007245023. Key: G
minor / c dorian.
Language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score available
separately - see item
CA.3118600.
Choral SSATB Chorus SKU: CF.CM9569 For jilted lovers everywhere. C...(+)
Choral SSATB Chorus
SKU: CF.CM9569
For jilted lovers
everywhere. Composed
by English Ballad.
Arranged by Ian Loeppky.
Mjts. Performance Score.
With Standard notation.
16 pages. Duration 3
minutes, 37 seconds. Carl
Fischer Music #CM9569.
Published by Carl Fischer
Music (CF.CM9569).
ISBN 9781491153680.
UPC: 680160911189. 6.75 x
10.5 inches. Key: Gb
minor. English. English
Ballad.
An old
English ballad,
Scarborough Fair
relates the tale of
a jilted maiden who
instructs her listener to
tell her former lover
that she will have him
back after he performs a
series of impossible
tasks: making a shirt
without a seam, washing
it . An old English
ballad, Scarborough Fair
relates the tale of a
jilted maiden who
instructs her listener to
tell her former lover
that she will have him
back after he performs a
series of impossible
tasks: making a shirt
without a seam, washing
it in a dry well, to name
a few. A modern
equivalent might be when
pigs fly. Keep it light
and bring out the
differing accents in the
meters, especially the
dotted quarter notes.
While there is no
percussion part written
in the score, we had a
djembe player play along
to bring out the various
accents. Feel free to add
your own as well. Have
fun!. An old English
ballad, Scarborough
Fair relates the tale
of a jilted maiden who
instructs her listener to
tell her former lover
that she will have him
back after he performs a
series of impossible
tasks: making a shirt
without a seam, washing
it in a dry well, to name
a few. A modern
equivalent might be when
pigs fly.Keep it light
and bring out the
differing accents in the
meters, especially the
dotted quarter notes.
While there is no
percussion part written
in the score, we had
a djembe player play
along to bring out the
various accents. Feel
free to add your own as
well. Have fun!
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118659 (+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), Fg, 2 Vl,
Va, Bc
SKU:
CA.3118659
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. 1x
31.186/71 oboe 1, 1x
31.186/72 oboe 2, 1x
31.186/73 taille, 1x
31.186/74 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Advent.
Set of Orchestra Parts.
Composed 1723. BWV 186.
Duration 40 minutes.
Carus Verlag #CV
31.186/59. Published by
Carus Verlag
(CA.3118659).
ISBN
9790007209896. Key: G
minor / c dorian.
Language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and parts
available separately -
see item CA.3118600.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118655 (+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), Fg, 2 Vl,
Va, Bc
SKU:
CA.3118655
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent.
Choral Score. Composed
1723. BWV 186. 8 pages.
Duration 40 minutes.
Carus Verlag #CV
31.186/55. Published by
Carus Verlag
(CA.3118655).
ISBN
9790007186562. Key: G
minor / c dorian.
Language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score available
separately - see item
CA.3118600.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118669 (+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), Fg, 2 Vl,
Va, Bc
SKU:
CA.3118669
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed 1723. BWV
186. Duration 40 minutes.
Carus Verlag #CV
31.186/69. Published by
Carus Verlag
(CA.3118669).
ISBN
9790007187262. Key: G
minor / c dorian.
Language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and parts
available separately -
see item CA.3118600.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118653 (+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), Fg, 2 Vl,
Va, Bc
SKU:
CA.3118653
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent.
Vocal score. Composed
1723. BWV 186. 48 pages.
Duration 40 minutes.
Carus Verlag #CV
31.186/53. Published by
Carus Verlag
(CA.3118653).
ISBN
9790007186517. Key: G
minor / c dorian.
Language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score available
separately - see item
CA.3118600.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118650 (+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), Fg, 2 Vl,
Va, Bc
SKU:
CA.3118650
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent.
Full score. Composed
1723. BWV 186. 56 pages.
Duration 40 minutes.
Carus Verlag #CV
31.186/50. Published by
Carus Verlag
(CA.3118650).
ISBN
9790007181550. Key: G
minor / c dorian.
Language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score available
separately - see item
CA.3118600.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118699 (+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), Fg, 2 Vl,
Va, Bc
SKU:
CA.3118699
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent. Single Part,
Organ. Composed 1723. BWV
186. 28 pages. Duration
40 minutes. Carus Verlag
#CV 31.186/99. Published
by Carus Verlag
(CA.3118699).
ISBN
9790007209940. Key: G
minor / c dorian.
Language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Soli SATB, SATB Choir, 2 Ob, 4 Trb, 2 Vl, Va, Bc - Level 3 SKU: CA.3103849(+)
Soli SATB, SATB Choir, 2
Ob, 4 Trb, 2 Vl, Va, Bc -
Level 3
SKU:
CA.3103849
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. Organ. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1724. BWV 38. 20
pages. Duration 21
minutes. Carus Verlag #CV
31.038/49. Published by
Carus Verlag
(CA.3103849).
ISBN
9790007205706. Key: E
phrygian. Language:
German. Text: Luther,
Martin.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Whitsun.
Single Part, Viola.
Composed 1726. BWV 169. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.169/13. Published by
Carus Verlag
(CA.3116913).
ISBN
9790007209346. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext. 1x
31.169/21 oboe d'amore 1,
1x 31.169/22 oboe d'amore
2, 1x 31.169/23 English
horn. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Whitsun. Set
of Orchestra Parts.
Composed 1726. BWV 169.
Duration 17 minutes.
Carus Verlag #CV
31.169/09. Published by
Carus Verlag
(CA.3116909).
ISBN
9790007209315. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
parts available
separately - see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Whitsun. Single Part,
Violin 2. Composed 1726.
BWV 169. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.169/12. Published by
Carus Verlag
(CA.3116912).
ISBN
9790007209339. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.