| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli ATB, SATB Choir, 2 Fl, 2 Obda, 2 Vl, Va, Bc SKU: CA.3112309 Canta...(+)
Soli ATB, SATB Choir, 2
Fl, 2 Obda, 2 Vl, Va, Bc
SKU: CA.3112309
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
1x 31.123/21 flute 1, 1x
31.123/22 flute 2, 1x
31.123/23 oboe d'amore 1,
1x 31.123/24 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. BWV 123.
Duration 22 minutes.
Carus Verlag #CV
31.123/09. Published by
Carus Verlag
(CA.3112309). ISBN
9790007207465. Language:
German/English. Text:
Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and parts
available separately -
see item CA.3112300. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Mort Chorale SATB Breitkopf & Härtel
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0....(+)
Vocal soli, SATB choir,
orchestra (solos: TTB -
choir: SST(A)TBB -
2.0.0.0. - 0.0.0.0. -
vl.2va.vc/db) SKU:
BR.EOS-8047-15
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15). ISBN
9790004789735. 8.5 x 11.5
inches. Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Jesus praise we ev'ryone (Christum wir sollen loben schon) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli SATB, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: CA.3112109 (+)
Soli SATB, SATB Choir,
Obda, Ctto, 3 Trb, 2 Vl,
Va, Bc SKU:
CA.3112109 Cantata
for the 2nd day of
Christmas. Composed
by Johann Sebastian Bach
and Martin Luther. Edited
by Frieder Rempp. 1x
31.121/21 oboe d'amore,
2x 31.121/31 Cornetto,
Trombone 1, 2x 31.121/32
trombone 2 and 3. Hymns
by Martin Luther:
Christum wir sollen loben
schon; Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. Composed
1724. BWV 121. Duration
21 minutes. Carus Verlag
#CV 31.121/09. Published
by Carus Verlag
(CA.3112109). ISBN
9790007207335. Language:
German/English. Thi
s six-movement chorale
cantata was first
performed on 26 December
1724. The text is based
on the Lutheran
translation of the early
Christian hymn A solis
ortus cardinem. The outer
movements frame two arias
for tenor and bass, and
two secco recitatives for
alto and soprano. The
first and sixth movements
are in old-fashioned
style, with four-part
vocal writing and colla
parte instruments. In the
aria (movement 2) the
tenor is accompanied by
an obbligato oboe
d'amore, and in the 4th
and most striking
movement, the three
string parts accompany
the bass. The demands on
the singers,
instrumentalists, and
chorus are typical of a
Bach cantata. Score and
parts available
separately - see item
CA.3112100. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112305
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
BWV 123. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/05. Published by
Carus Verlag
(CA.3112305). ISBN
9790007166519. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score available
separately - see item
CA.3112300. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112312
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 2.
BWV 123. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/12. Published by
Carus Verlag
(CA.3112312). ISBN
9790007207489. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and part
available separately -
see item CA.3112300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112349
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Organ. BWV 123. 12 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/49. Published by
Carus Verlag
(CA.3112349). ISBN
9790007207519. Language:
German/English. Text:
Fritsch, Ahasverus. Text
by Ahasverus
Fritsch. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and part
available separately -
see item CA.3112300. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB [Conducteur] Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112300
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score. BWV
123. 44 pages. Duration
22 minutes. Carus Verlag
#CV 31.123/00. Published
by Carus Verlag
(CA.3112300). ISBN
9790007164843. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. $40.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112319
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. BWV 123.
Duration 22 minutes.
Carus Verlag #CV
31.123/19. Published by
Carus Verlag
(CA.3112319). ISBN
9790007166564. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and parts
available separately -
see item CA.3112300. $106.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112303
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
BWV 123. 28 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/03. Published by
Carus Verlag
(CA.3112303). ISBN
9790007166465. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score available
separately - see item
CA.3112300. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viol...(+)
Orchestra ATB vocal soli,
SATB choir, 2 flutes, 2
oboes d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112307
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Study score.
BWV 123. 44 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/07. Published by
Carus Verlag
(CA.3112307). ISBN
9790007166748. Language:
German/English. Text:
Fritsch, Ahasverus. Text
by Ahasverus
Fritsch. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score available
separately - see item
CA.3112300. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112313
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. BWV 123. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/13. Published by
Carus Verlag
(CA.3112313). ISBN
9790007207496. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and part
available separately -
see item CA.3112300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112311
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 1.
BWV 123. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/11. Published by
Carus Verlag
(CA.3112311). ISBN
9790007207472. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and part
available separately -
see item CA.3112300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112314
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
basso continuo. BWV 123.
8 pages. Duration 22
minutes. Carus Verlag #CV
31.123/14. Published by
Carus Verlag
(CA.3112314). ISBN
9790007207502. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and part
available separately -
see item CA.3112300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Watts' Cradle Hymn Chorale SATB Laurendale Associates
SATB choir and chamber orchestra or piano SKU: MN.CH-1343 Composed by Dal...(+)
SATB choir and chamber
orchestra or piano
SKU: MN.CH-1343
Composed by Dale
Jergenson. 21st Century.
Laurendale Associates
#CH-1343. Published by
Laurendale Associates
(MN.CH-1343). UPC:
765844006727.
English. Isaac
Watts (1674 –1748) was
born in Southampton,
England and was brought
up in the home of a
committed religious
Nonconformist; his
father, also Isaac Watts
had been incarcerated
twice for his views.
Watts could not attend
Oxford or Cambridge
because of being a
Noncomformist and because
these universities were
restricted to Anglicans,
instead attending the
Dissenting Academy at
Stoke Newington in 1690.
Watts lived at Abney Hall
in Stoke Newington until
his death in 1748; he was
buried in Bunhill Fields.
He left an extensive
legacy of hymns,
treatises, educational
works, and essays. His
work was influential
amongst Nonconformist
independents and
religious revivalists of
the 18th century by
contributing to English
hymnody with new poetry
to be used in worship.
The older tradition was
based on the poetry of
the Bible which was
developed from the
teachings of the
16th-century Reformation
leader John Calvin.
Watts’ introduction of
extra-Biblical poetry
opened up a new era of
Protestant hymnody with
other poets following in
his path. Many of
Watts’ hymns are
included in the
Christadelphian Hymnal,
the Episcopal Church’s
Hymnal 1982, Evangelical
Lutheran Worship, the
Baptist Hymnal, the
Presbyterian Trinity
Hymnal, and the Methodist
Hymns and Psalms. Many of
his texts are also used
in the American Hymnal
and The Sacred Harp.
Several of his hymns are
used in the hymnals of
the Church of Christ,
Scientist and The Church
of Jesus Christ of
Latter-day Saints. Of the
more that 600 tunes in
the Sacred Harp, 149 of
them have words by Isaac
Watts. Similarly, of the
180 tunes in the Missouri
Harmony 2005 Edition,
Isaac Watts is credited
with the words for 75 of
them. The majority of
these words come from
Watts monumental Psalms
and Hymns, first
published in 1707. $1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zion's Walls Chorale SATB Alfred Publishing
Choir (SATB choir) SKU: AP.48316 Arranged by Jay Althouse. Performance Mu...(+)
Choir (SATB choir)
SKU: AP.48316
Arranged by Jay Althouse.
Performance Music
Ensemble; Single Titles.
Lawson-Gould. Folk;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-48316. Published by
Alfred Music (AP.48316).
UPC: 038081551395.
English. Originally
published in The Social
Harp in 1855, this
revivalist song has
become deeply woven into
the American folk music
tradition. A powerful and
insistent rhythmic
foundation is laid by the
low voices, as the agile
melody darts over top. A
slower middle section
offers some warm
homophonic harmony in a
setting that is largely
polyphonic. The dance
returns and builds to a
dazzling and
multitextured finish.
Exquisite! $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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