One Small Child. (A Christmas Musical for Every Choir). By Thomas Fettke. For SATB choir. Musical. Modern Christian, Christmas. Moderate. Choral Book. Duration 36'00". Published by Word Music

Composed by Kyle Pederson. Instrumental part. MorningStar Music Publishers #50-6144. Published by MorningStar Music Publishers

By Craig Courtney. For SATB choir divisi, Solo, piano. All Saints Day, General, Patriotic, Reformation, Sacred. Sacred Anthem

(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

By Z. Randall Stroope. For SATB choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2134H)

By Ralph Vaughan Williams (1872-1958). Edited by Craig Courtney. For SATB choir and piano 4-hands. Sacred, Christian. Octavo. 16 pages

Choral SATB Choir and Piano

SKU: CF.CM9549

Composed by Michael John Trotta. Fold. Mjts. Performance Score. With Standard notation. 12 pages. Carl Fischer Music #CM9549. Published by Carl Fischer Music (CF.CM9549).

ISBN 9781491150818. UPC: 680160908318. 6.875 x 10.5 inches.

Make Space for Life to Live by Michael John Trotta offers captivating, expansive melodies interwoven with a piano accompaniment that makes subtle allusions to the main theme. Its mesmerizing text resonates with the singer and the audience. Appropriate for concert or festival use throughout the year, this piece is also available for SA voices (CM9274), TB Voices (CM9283) and SAB voices (CM9289).
Editor's NoteAbout the WorkMake Space for Life to Live features expansive, yet accessible vocal lines perfect for choirs of all abilities and sizes. It offers compelling melodies and singable vocal lines interwoven with a piano accompaniment that makes subtle allusions to the main theme.About the TextThe text for this work was written while on an extended seashore retreat several years ago. It was the product of many long walks looking out into the vastness of the sea. It was a time in my life that was immediately preceded by great personal loss and turmoil. It was in that silence and space I was able to reconnect to that still, small voice within that reminded me that I was merely a part of something much bigger than myself. The text that was hewn from that experience is a reflection on the importance of allowing space in my daily life to experience the simple joys that every moment has to offer.Optional NarrationRegardless of race or creed the abundance that is found in the reality of the present moment is augmented by regular exposure to the arts. The capricious nature of time in the age of immediacy is that it is entirely flexible. Experience suggests that exposure to natural beauty, such as watching a sunrise unravel over the sea or a cloud formation sweep through a mountain range, allows an individual to feel part of something greater than themselves. Music has the ability to take time and slow it down, revealing to the participant their part in the whole. Taking part in choral music, whether as an audience member, singer, conductor or composer is an opportunity to slow down time long enough to allow the beauty of life to catch up with you.

Composed by Arvo Part (1935-). World Premiere: in St. Gerold / Austria by the Hilliard Ensemble. Sacred. Vocal score. With Standard notation. Composed 2004/2006. Duration 5 minutes. Universal Edition #UE32941. Published by Universal Edition

By Kelly Carpenter, Mark Hayes. For SATB choir and piano. Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3765L)

By Z. Randall Stroope. For SATB Choir and Piano. Concert, Memorial Services. Octavo. Published by Heritage Music Press

Composed by Jack Wilds. Christmas. Octavo. Heritage Music Press #15/3467H. Published by Heritage Music Press (LO.15-3467H).

SATB choir

SKU: LP.765762229204

An Easter Musical for Every Choir. Arranged by Camp Kirkland. Musical. Excel Series. Sacred. Bulletin blanks. Published by Lillenas Publishing Company (LP.765762229204).

UPC: 765762229204.

Your Easter services will soar with triumphant praise and inspire poignant reflection with this new musical arranged and orchestrated by the gifted Camp Kirkland. With faith-building content majestic musicianship and dramatic narration I Will Embrace the Cross is sure to become a favorite of churches large and small. Part of the Lillenas Excel Series the 8 songs in this 34-minute musical were arranged with you in mind-excellent quality and easy to sing and play. You just might want to include them in your services all year long! Accompaniment DVD available.

(12 Easy-to-Learn Arrangements for Every Choir). Arranged by Various Arrangers. For choir (Simplified SATB). Collection. Easy. Choral Book. Published by Word Music

SATB choir and piano (SATB) - Very Easy to Easy

SKU: OU.9780193522411

Composed by Howard Helvey. Sacred choral - mixed voices. Every Voice Rejoice. Vocal score. 16 pages. Duration 3'. Oxford University Press #9780193522411. Published by Oxford University Press (OU.9780193522411).

ISBN 9780193522411. 6.9 x 10.5 inches.

For SATB and piano This appealing arrangement is the perfect marriage of text and melody. The popular hymn tune 'Ash Grove' is paired with a beautiful Sarah Doudney text that is rich in imagery. The sparkling piano part is a perfect backdrop to the sensitively arranged vocal parts and reflects the joyful character of the text.

SATB choir, keyboard, reduction, none accompaniment - Beginning

SKU: GI.G-5965

Composed by Lewis Edson. Edited by William Rowan. Arranged by William Rowan. Christmastide, Eastertide, Ordinary Time, Christmas Vigil, Christmas Night. Choral. Tune Name: Lenox. Sacred. Octavo. 8 pages. GIA Publications #5965. Published by GIA Publications (GI.G-5965).

UPC: 785147596509. English. Text Source: 1) Billings, William, Bringle, Mary Louise, 2) Bringle, Mary Louise. Text by Mary Louise Bringle.

This early American “fuguing tune” allows singers to let loose with rustic and boisterous joy. If your choir has never sung indigenous shapenote style, this arrangement would make a fun and satisfying introduction. Poet Mary Louise Bringle provides two new hymn texts for this lively music. It’s easy to catch on to the style. Don’t be afraid, try it! “Wake Every Breath” is suitable for a Sunday of Ordinary Time, Eastertide, or celebrations of music in worship. An alternative text, “Let Heavens with Gladness Ring,” is specific to Christmas. Optional keyboard part can double voices.

Christmas and general texts by Mary Louise Bringle.

Choir Secular (SATB choir)

SKU: AP.49671

Composed by Alex Bilowitz, Jenna Andrews, Kim Nam-Joon, Robert Grimaldi, Ron Perry, Sebastian Garcia, and Stephen Kirk. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Radio; Secular. Choral Octavo. 12 pages. Alfred Music #00-49671. Published by Alfred Music (AP.49671).

UPC: 038081567587. English.

A catchy, feel-good dance track by the K-pop phenomenon BTS. The South Korean boy band's second English-language single has a retro-disco bounce that's totally irresistible. It's a slick party song that dominated charts around the globe as a bona fide song of the summer. And don't miss the lyric references to pop icons Michael Jackson and Usher! Download PartTrax MP3s for all the audio you need to rehearse and perform the SATB and 2-Part voicings. Each PartTrax package includes the full performance, accompaniment only, and part-predominant mixes of every voice part.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by Jay Rouse. Choral. Sacred Anthem. Octavo. Medallion Music #10/5160MD. Published by Medallion Music

(Orchestration). By Wihla Hutson and Alfred Burt. Arranged by Joseph M. Martin; Brant Adams. For SATB choir and chamber ensemble (instrumental pack). Shawnee Press. Score and set of parts. Shawnee Press #LB5957. Published by Shawnee Press

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

By Thomas A. Dorsey (1899-1993) and Mark Hayes. For SATB choir and piano (with optional Rhythm). Rhythm and piano CD accompaniment. Published by Lorenz Publishing Company

By African American Traditional. Arranged by Ronald L. Sr. Stevens. For Voices: SATB. Piano reduction. African American Church Music Series Sacred. 3 pages. Published by GIA Publications.
Level: easy.

Choral SATB chorus

SKU: XC.SATB2208A

Composed by Appalachian Folk Song. Arranged by John Maclane Schirard. Folk Song. Folk Song. Octavo. Excelcia Music Publishing #SATB2208A. Published by Excelcia Music Publishing (XC.SATB2208A).

9 x 6 inches.

A new arrangement of a classic Appalachian folk song, this piece is great for expressive choirs both large and small. This song eases in and out of unison, two part, and four part harmony smoothly, giving an easy transition into close harmony. This is a great piece to give your choir a little extra push for musicality-- there's room for so much more than what is written on the page!

Choral SATB choir

SKU: HP.C6166

Arranged by Mark Hayes. Piano Accompaniment. Hymn Arrangements, Thanksgiving, Stewardship, Sacred. Octavo. Hope Publishing Company #C6166. Published by Hope Publishing Company (HP.C6166).

UPC: 763628161668. Fred Pratt Green.

Hymn anthem Opening with a flourish, this hymn anthem launches into the dynamic statement 'Give thanks to God! Let every voice give thanks to God!'For SATB choir with piano accompaniment, this is especially useful for services of thanksgiving and praise. A reproducible part for the congregation to sing on stanza three is included. If you have yet to introduce this glorious hymn to your congregation, here is a festive way to do so.

Composed by Joel Raney. Shawnee Sacred. General Worship. Octavo. 16 pages. Published by Shawnee Press

Choir

SKU: HP.C6166C

Arranged by Mark Hayes. Piano Accompaniment. General Worship, Thanksgiving & Gratitude, Thanksgiving, Sacred, Stewardship. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6166C. Published by Hope Publishing Company (HP.C6166C).

UPC: 763628961664. Fred Pratt Green.

Hymn anthem Opening with a flourish, this hymn anthem launches into the dynamic statement 'Give thanks to God! Let every voice give thanks to God!'For SATB choir with piano accompaniment, this is especially useful for services of thanksgiving and praise. A reproducible part for the congregation to sing on stanza three is included. If you have yet to introduce this glorious hymn to your congregation, here is a festive way to do so.

Choral SATB choir, piano

SKU: PR.312419280

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280).

ISBN 9781491137925. UPC: 680160692613.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

SATB and Organ. By Dominick Argento. (SATB). Boosey and Hawkes Sacred Choral. Size 6.75x10.5 inches. 12 pages. Published by Boosey and Hawkes.