Our Father Chorale SATB SATB, Orgue [Conducteur] Barenreiter
Composed by Leos Janacek (1854-1928). Edited by Bohumir Stedron. Czech title: Ot...(+)
Composed by Leos Janacek
(1854-1928). Edited by
Bohumir Stedron. Czech
title: Ot enaa.
Classical. Singing score,
Performance score. With
Publication language:
Czech/German. Editio
Baerenreiter Praha
#H03712. Published by
Editio Baerenreiter Praha
SATB and Organ Choral; Organ Accompaniment (SATB) SKU: HL.49044690 For...(+)
SATB and Organ Choral;
Organ Accompaniment
(SATB)
SKU:
HL.49044690
For
Mixed Choir (SATB) and
Organ. Composed by
Heinrich Poos. This
edition: Saddle
stitching. Sheet music.
Choral. Classical,
Contemporary. Softcover.
28 pages. Schott Music
#ED 21904. Published by
Schott Music
(HL.49044690).
ISBN
9790001199209.
7.5x10.75x0.112 inches.
Latin.
The five
movements of this mass
are based on five Songs
Without Words from Leos
Janacek's piano cycle By
Overgrown Paths. Poos
describes his work as
Parody, Arrangement and
Kontrafaktur and a
metamorphosis of
Janacek's piano
pieces.
SATB/SSA a cappella Choral (SSA/SATB) SKU: HL.48022758 CME Conductor's...(+)
SATB/SSA a cappella
Choral (SSA/SATB)
SKU:
HL.48022758
CME
Conductor's Choice.
Composed by Stephen
Hatfield. Conductor's
Choice. Concert,
Contemporary. Octavo. 16
pages. Boosey & Hawkes
#M051481828. Published by
Boosey & Hawkes
(HL.48022758).
UPC:
884088883720.
6.75x10.5x0.036
inches.
Written for
SATB choir, SSA choir and
small ensemble or solo
voice, this original
piece with an original
text by the composer
speaks of hope and the
joy that music brings to
the world. With a
wonderful yet rare
opportunity to bring both
mixed voice choirs and
treble choirs together,
this is the perfect piece
to end the school year as
all of your ensembles can
join together for one
final time and declare
“keep the world
alive, that's a world
where people are
singing.†Duration:
ca. 4:20.
(Choral Score). By Carl Orff (1895-1982). For Soprano voice solo, Tenor voice so...(+)
(Choral Score). By Carl
Orff (1895-1982). For
Soprano voice solo, Tenor
voice solo, Baritone
voice solo, SATB mixed
choir, children's choir
and orchestra. Misc.
Choral score. 72 pages.
Schott Music #ED4920-20.
Published by Schott Music
By 1839 Robert's Canaidau Y Cyssegr. Arranged by Hal H. Hopson. For Voices: SATB...(+)
By 1839 Robert's Canaidau
Y Cyssegr. Arranged by
Hal H. Hopson. For
Voices: SATB.
Instruments: Brass
quartet, 4 handbells
(instruments optional).
Organ. Choral Sacred.
Level: easy. 7 pages.
Published by GIA
Publications.
Three novel-like
scenes. Composed by
Leos Janacek. Edited by
Jirà Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete edition,
Score. Baerenreiter
Verlag #BA09562_01.
Published by Baerenreiter
Verlag (BA.BA09562-01).
ISBN 9790260107380. 34
x 27.5 cm inches. Text
Language: Czech, English,
German. Preface:
Zahrádka, JirÃ.
Text: Bartošová,
Fedora.
Janacek's
operaOsudis an
extraordinary example of
the creative boldness of
the composer and presents
demanding dramaturgical
challenges. This new
critical edition is based
on a thorough comparison
of all surviving sources.
The principle source is a
copyist's copy of
authorised by Janacek in
which all revisions are
marked. Further sources
include a manuscript copy
of the vocal score
together with the
orchestral parts and
various copies of the
libretto. The score of
this new edition will be
published as part of
theComplete Critical
Edition of the Works of
Leos Janacek.
*
First critical edition of
this opera * Foreword
on the genesis of the
work and its reception by
Jiri Zahradka
(Cz/Eng/Ger) * New
idiomatic piano reduction
by Rasmus Baumann *
Singable German
translation
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15).
ISBN
9790004789735. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Chorale SATB SATB A Cappella [Partition] Music Sales
For SATB voices (with optional guitar chords). Format: SATB songbook. With chora...(+)
For SATB voices (with
optional guitar chords).
Format: SATB songbook.
With choral notation,
lyrics, chord names and
guitar chord diagrams.
Americana, traditional
pop and pop vocal.
Series: Everybody's
Favorite Series #67. 127
pages. 9x12 inches.
Published by Music Sales.
Caedmon's Hymn Chorale SATB SATB A Cappella Subito Music
SATB Chorus, a cappella SKU: SU.26180040 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.26180040
For SATB Chorus, a
cappella. Composed by
William Mc Clelland.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Subito
Music Corporation
#26180040. Published by
Subito Music Corporation
(SU.26180040).
Cædmon's
Hymn is the oldest
English of known
authorship. It was
written in the seventh
century by the poet
Cædmon, supposedly
from divine inspiration.
My setting, for SATB
chorus and organ, begins
with four members of the
chorus speaking the
opening line of the poem
in Old English, the
intention being to evoke
the atmosphere of the
time and place of the
hymn’s creation.
The work was commissioned
by and is dedicated to
the South Bend (Indiana)
Chamber Singers, Nancy
Menk, Music Director, and
David Eicher, organist,
and was premiered in
2018.SATB Chorus, a
cappella Duration: 9'
Composed: 2018 Published
by: WMC Music (BMI)
Minimum order quantity: 8
copies. To order
quantities fewer than
8.
(Siebenburgisches Tanzlied nach einer Melodie aus Bacska (ungar/deutsch)). By La...(+)
(Siebenburgisches
Tanzlied nach einer
Melodie aus Bacska
(ungar/deutsch)). By
Lajos Bardos (1899-1986).
For Men's Choir-Ttbb.
Volkslieder, ungar.
(Hungarian Folk Songs).
Singing Score
(Siebenburgisches Tanzlied nach einer Melodie aus Bacska (ungar/deutsch)). By La...(+)
(Siebenburgisches
Tanzlied nach einer
Melodie aus Bacska
(ungar/deutsch)). By
Lajos Bardos (1899-1986).
For Women's Choir-SSA.
Volkslieder, ungar.
(Hungarian Folk Songs).
Singing Score
An Old Irish Blessing Chorale SATB SATB, Piano [Octavo] - Intermédiaire Alfred Publishing
By Jack N. White. For Choir. (SATB). Choral Octavo. Sacred Choral Series. Sacred...(+)
By Jack N. White. For
Choir. (SATB). Choral
Octavo. Sacred Choral
Series. Sacred. Choral
Octavo. 4 pages.
Published by Alfred
Publishing. (BSC9914)
Level: Moderate (grade
3).
Composed by Arvo Part (1935-). Bible, St Matthew 5, 3-12. World Premiere: in Nat...(+)
Composed by Arvo Part
(1935-). Bible, St
Matthew 5, 3-12. World
Premiere: in
Nathanaelkirche Berlin /
Germany by the Theatre of
Voices conducted by Paul
Hillier. Choral part(s).
With Standard notation.
Composed 1990/1991.
Duration 7 minutes.
Universal Edition
#UE33003. Published by
Universal Edition
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Ascension. Single Part,
basso continuo. Composed
1725. BWV 128. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.128/14. Published by
Carus Verlag
(CA.3112814).
ISBN
9790007207748. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Violin 2.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/12. Published by
Carus Verlag
(CA.3112812).
ISBN
9790007207724. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1725. BWV 128. Duration
22 minutes. Carus Verlag
#CV 31.128/19. Published
by Carus Verlag
(CA.3112819).
ISBN
9790007140199. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
parts available
separately - see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Ascension. Single Part,
Organ. Composed 1725. BWV
128. 12 pages. Duration
22 minutes. Carus Verlag
#CV 31.128/49. Published
by Carus Verlag
(CA.3112849).
ISBN
9790007207755. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Choral Score.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/05. Published by
Carus Verlag
(CA.3112805).
ISBN
9790007161927. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800.