By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Viola. Composed 1725. BWV
103. 8 pages. Duration 18
minutes. Carus Verlag #CV
31.103/13. Published by
Carus Verlag
(CA.3110313).
ISBN
9790007047511. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Violin 1. Composed 1725.
BWV 103. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.103/11. Published by
Carus Verlag
(CA.3110311).
ISBN
9790007047498. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Violin 2. Composed 1725.
BWV 103. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.103/12. Published by
Carus Verlag
(CA.3110312).
ISBN
9790007047504. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen und heulen. Sacred
vocal music, Cantatas,
Special days, Easter and
Eastertide. Set of
Orchestra Parts. Composed
1725. BWV 103. Duration
18 minutes. Carus Verlag
#CV 31.103/19. Published
by Carus Verlag
(CA.3110319).
ISBN
9790007136536. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and parts
available separately -
see item CA.3110300.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Cello/Double Bass.
Composed 1725. BWV 103. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.103/14. Published by
Carus Verlag
(CA.3110314).
ISBN
9790007047528. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Choral Score.
Composed 1725. BWV 103.
16 pages. Duration 18
minutes. Carus Verlag #CV
31.103/05. Published by
Carus Verlag
(CA.3110305).
ISBN
9790007047467. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score available
separately - see item
CA.3110300.
Soli AT, SATB Choir, Pic (Fl o Vl), 2 Obda, Tr, 2 Vl, Va, Bc - Level 3 SKU: C...(+)
Soli AT, SATB Choir, Pic
(Fl o Vl), 2 Obda, Tr, 2
Vl, Va, Bc - Level 3
SKU: CA.3110349
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Organ. Composed 1725. BWV
103. 20 pages. Duration
18 minutes. Carus Verlag
#CV 31.103/49. Published
by Carus Verlag
(CA.3110349).
Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Cantatas,
Easter and Eastertide,
Whitsun. Single Part,
basso continuo. Composed
1726. BWV 187. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
31.187/14. Published by
Carus Verlag
(CA.3118714).
ISBN
9790007209995. Text
language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score and part
available separately -
see item CA.3118700.
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118703 Cantata for t...(+)
Soli SAB, SATB Choir, 2
Ob, 2 Vl, Va, Bc
SKU:
CA.3118703
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Stuttgart Urtext Edition:
Bach vocal. Cantatas,
Easter and Eastertide,
Whitsun. Vocal score.
Composed 1726. BWV 187.
36 pages. Duration 25
minutes. Carus Verlag #CV
31.187/03. Published by
Carus Verlag
(CA.3118703).
ISBN
9790007182946. Language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score available
separately - see item
CA.3118700.
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118709 Cantata for t...(+)
Soli SAB, SATB Choir, 2
Ob, 2 Vl, Va, Bc
SKU:
CA.3118709
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
1x 31.187/21 oboe 1, 1x
31.187/22 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Cantatas, Easter
and Eastertide, Whitsun.
Set of Orchestra Parts.
Composed 1726. BWV 187.
Duration 25 minutes.
Carus Verlag #CV
31.187/09. Published by
Carus Verlag
(CA.3118709).
ISBN
9790007209957. Language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score and parts
available separately -
see item CA.3118700.
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola.
Cantatas, Easter and
Eastertide, Whitsun.
Single Part, Viola.
Composed 1726. BWV 187. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.187/13. Published by
Carus Verlag
(CA.3118713).
ISBN
9790007209988. Text
language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score and part
available separately -
see item CA.3118700.
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118749 Cantata for t...(+)
Soli SAB, SATB Choir, 2
Ob, 2 Vl, Va, Bc
SKU:
CA.3118749
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Stuttgart Urtext Edition:
Bach vocal. Organ.
Cantatas, Easter and
Eastertide, Whitsun.
Single Part, Organ.
Composed 1726. BWV 187.
20 pages. Duration 25
minutes. Carus Verlag #CV
31.187/49. Published by
Carus Verlag
(CA.3118749).
ISBN
9790007210007. Language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score and part
available separately -
see item CA.3118700.
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118705 Cantata for t...(+)
Soli SAB, SATB Choir, 2
Ob, 2 Vl, Va, Bc
SKU:
CA.3118705
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Stuttgart Urtext Edition:
Bach vocal. Cantatas,
Easter and Eastertide,
Whitsun. Choral Score.
Composed 1726. BWV 187.
12 pages. Duration 25
minutes. Carus Verlag #CV
31.187/05. Published by
Carus Verlag
(CA.3118705).
ISBN
9790007182984. Language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score available
separately - see item
CA.3118700.
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118719 Cantata for t...(+)
Soli SAB, SATB Choir, 2
Ob, 2 Vl, Va, Bc
SKU:
CA.3118719
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts.
Cantatas, Easter and
Eastertide, Whitsun. Set
of Orchestra Parts.
Composed 1726. BWV 187.
Duration 25 minutes.
Carus Verlag #CV
31.187/19. Published by
Carus Verlag
(CA.3118719).
ISBN
9790007183318. Language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score and parts
available separately -
see item CA.3118700.
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Cantatas, Easter and
Eastertide, Whitsun.
Single Part, Violin 2.
Composed 1726. BWV 187.
12 pages. Duration 25
minutes. Carus Verlag #CV
31.187/12. Published by
Carus Verlag
(CA.3118712).
ISBN
9790007209971. Text
language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score and part
available separately -
see item CA.3118700.
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Cantatas, Easter and
Eastertide, Whitsun.
Single Part, Violin 1.
Composed 1726. BWV 187.
12 pages. Duration 25
minutes. Carus Verlag #CV
31.187/11. Published by
Carus Verlag
(CA.3118711).
ISBN
9790007209964. Text
language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235. Score and part
available separately -
see item CA.3118700.
Cantata
for the 7th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Stuttgart Urtext Edition:
Bach vocal. Cantatas,
Easter and Eastertide,
Whitsun. Full score.
Composed 1726. BWV 187.
48 pages. Duration 25
minutes. Carus Verlag #CV
31.187/00. Published by
Carus Verlag
(CA.3118700).
ISBN
9790007171650. Language:
German/English.
The
two-part cantata from
Bach's third cycle of
cantatas was performed
for the first time on 4
August 1726 (the 7th
Sunday after Trinity).
The large-scale opening
chorus for full forces to
a text from Psalm 104
shows in its formal
diversity Bach at the
height of his powers. The
second part of the
cantata begins with a
biblical text (Matthew 6,
31 ff.), not as a choral
movement here, but as an
extended bass arioso (Vox
Christi). A meditative
soprano aria with solo
oboe forms the high point
of the second part. Bach
re-used the opening
chorus, both the arias
and even the bass arioso
later in the G minor Mass
BWV 235.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 2x 31.002/21 2
oboes, 1x 31.002/31
trumpet, 1x 31.002/32
trombone 1, 1x 31.002/33
trombone 2, 1x 31.002/34
trombone 3, 1x 31.002/35
trombone 4. Hymns by
Martin Luther: Ach Gott,
vom Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein 7.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. 20 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/09. Published by
Carus Verlag
(CA.3100209).
ISBN
9790007041335. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/13. Published by
Carus Verlag
(CA.3100213).
ISBN
9790007041366. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/05. Published by
Carus Verlag
(CA.3100205).
ISBN
9790007041311. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score available
separately - see item
CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/14. Published by
Carus Verlag
(CA.3100214).
ISBN
9790007041373. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. Duration 20
minutes. Carus Verlag #CV
31.002/19. Published by
Carus Verlag
(CA.3100219).
ISBN
9790007135904. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200.
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Soli ATB, SATB Choir, 2 Ob, 4 Trb, Vl solo, 2 Vl, Va, Bc - Level 3 SKU: CA.31...(+)
Soli ATB, SATB Choir, 2
Ob, 4 Trb, Vl solo, 2 Vl,
Va, Bc - Level 3
SKU:
CA.3100249
2nd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. Hymns
by Martin Luther: Ach
Gott, vom Himmel sieh
darein. Organ. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1724. BWV 2. 20
pages. Duration 20
minutes. Carus Verlag #CV
31.002/49. Published by
Carus Verlag
(CA.3100249).
ISBN
9790007204419. Key: D
minor. Language:
German/English. Text:
Luther,
Martin.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Violin 2. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/12. Published by
Carus Verlag
(CA.3100212).
ISBN
9790007041359. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Single Part,
Violin solo + Vio.
Composed 1724. BWV 2. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.002/11. Published by
Carus Verlag
(CA.3100211).
ISBN
9790007041342. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 3.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 3.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/13. Published by
Carus Verlag
(CA.3101813).
ISBN
9790007204860. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext. 1x
31.018/21 flute 1, 1x
31.018/22 flute 2, 1x
31.018/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Holy
Week. Set of Orchestra
Parts. Composed 1715(?).
BWV 18. Duration 21
minutes. Carus Verlag #CV
31.018/09. Published by
Carus Verlag
(CA.3101809).
ISBN
9790007204839. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft, was soll ich
hoffen. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1724. BWV 81. Duration 19
minutes. Carus Verlag #CV
31.081/19. Published by
Carus Verlag
(CA.3108119).
ISBN
9790007136345. Key: E
minor. Language:
German/English.
Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and parts
available separately -
see item CA.3108100.