| Crossing the Bar Chorale SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano
SKU: CF.CM9608
Composed by Jamey Ray.
Fold. Performance. 12
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CM9608.
Published by Carl Fischer
Music (CF.CM9608).
ISBN 9781491154304.
UPC: 680160912803. 6.875
x 10.5 inches. Key: E
major. English. Alfred,
Lord Tennyson
(1809-1892). The
beauty in Alfred, Lord
Tennysons poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 5764,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennysonas
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m.A 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word adeepa in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word adarka in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word aembark,a
which is to be an ascent
to Heaven. The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm. 57a64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word awhen.a Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.
~Jamey Ray. The beauty
in Alfred, Lord
Tennyson’s poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m.Â
19, providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word
“deep†in m.
27 gives another instance
of text painting.Take
advantage of the minor
second suspension on the
word “darkâ€
in m. 38 in order to
achieve a feeling of
suspense. The entrance at
m. 41 is full, and while
still minor, the text
gives us hope for a
change. The change comes
in m. 45 with the
staggered entrances
creating a sense of
building and ascent until
the climax of this moment
at m. 47 on the word
“embark,â€
which is to be an ascent
to Heaven.The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm.
57–64, the altos
trade the melody back and
forth with the sopranos.
Take note that the alto
melody should be brought
out, but the line does
not actually begin until
the word
“when.â€Lastly
, be intentional with
syllabic stress (no two
eighth notes or quarter
notes alike) and to give
direction to any note
longer than a quarter.I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.~Jamey
Ray. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ascention Chorale SATB SATB, Clavier Theodore Presser Co.
Choral SATB Choir, Organ, Piano SKU: PR.312407280 S.A.T.B. and Piano o...(+)
Choral SATB Choir, Organ,
Piano SKU:
PR.312407280
S.A.T.B. and Piano or
Organ. Composed by
Lee Hoiby. Sws. Choral.
Performance Score. With
Standard notation.
36+22+4+3+3+3+3+2 pages.
Theodore Presser Company
#312-40728. Published by
Theodore Presser Company
(PR.312407280). UPC:
680160043491. Octavo
inches. English. Text:
John Donne. John Donne.
Ascention: Holy Sonnet,
No. 7. $3.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112814 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Ascension. Single Part,
basso continuo. Composed
1725. BWV 128. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.128/14. Published by
Carus Verlag
(CA.3112814). ISBN
9790007207748. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112812 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Violin 2.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/12. Published by
Carus Verlag
(CA.3112812). ISBN
9790007207724. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112819 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1725. BWV 128. Duration
22 minutes. Carus Verlag
#CV 31.128/19. Published
by Carus Verlag
(CA.3112819). ISBN
9790007140199. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
parts available
separately - see item
CA.3112800. $142.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112849 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Ascension. Single Part,
Organ. Composed 1725. BWV
128. 12 pages. Duration
22 minutes. Carus Verlag
#CV 31.128/49. Published
by Carus Verlag
(CA.3112849). ISBN
9790007207755. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112805 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Choral Score.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/05. Published by
Carus Verlag
(CA.3112805). ISBN
9790007161927. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112813 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Ascension. Single Part,
Viola. Composed 1725. BWV
128. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.128/13. Published by
Carus Verlag
(CA.3112813). ISBN
9790007207731. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112811 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Ascension.
Single Part, Violin 1.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/11. Published by
Carus Verlag
(CA.3112811). ISBN
9790007207717. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
Orchestra ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe d'cacci...(+)
Orchestra ATB vocal soli,
SATB choir, oboe I/oboe
d'amore, oboe II, oboe
d'caccia, trumpet, 2
horns, 2 violins, viola,
basso continuo SKU:
CA.3112807 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Study score.
Composed 1725. BWV 128.
40 pages. Duration 22
minutes. Carus Verlag #CV
31.128/07. Published by
Carus Verlag
(CA.3112807). ISBN
9790007142841. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112809 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext. 1x
31.128/21 oboe 1, 1x
31.128/22 oboe 2, 1x
31.128/23 oboe d'amore,
1x 31.128/24 oboe da
caccia, 1x 31.128/31 horn
1, 1x 31.128/32 horn 2,
1x 31.128/33 trumpet.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1725. BWV 128. Duration
22 minutes. Carus Verlag
#CV 31.128/09. Published
by Carus Verlag
(CA.3112809). ISBN
9790007207700. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
parts available
separately - see item
CA.3112800. $37.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high (Auf Christi Himmelfahrt allein) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpe...(+)
ATB vocal soli, SATB
choir, oboe I/oboe
d'amore, oboe II, oboe da
caccia, trumpet, 2 horns,
2 violins, viola, basso
continuo SKU:
CA.3112803 Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Vocal score.
Composed 1725. BWV 128.
28 pages. Duration 22
minutes. Carus Verlag #CV
31.128/03. Published by
Carus Verlag
(CA.3112803). ISBN
9790007140205. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler. After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Blue Ridge Chorale SATB SATB, Piano GIA Publications
SATB choir, piano accompaniment SKU: GI.G-EH1006 Composed by Elaine Hagen...(+)
SATB choir, piano
accompaniment SKU:
GI.G-EH1006 Composed
by Elaine Hagenberg.
Music Education. Octavo.
12 pages. GIA
Publications #EH1006.
Published by GIA
Publications
(GI.G-EH1006). UPC:
748769410066. Text by
Harriet
Monroe. Elaine
Hagenberg captures the
hushed majesty of an
evening in the Blue Ridge
Mountains, with crystal
clear melodies and
fervent harmonies
illuminating the poem of
Harriet Monroe. The
ascent and descent of the
opening lines trace the
mountains’
silhouette against the
sky, followed by the
treble and bass voices
that draw us by turn to
view each detail of the
scene and listen for the
wisdom of the mountains.
Accomplished high school
choirs and beyond will
find beauty and meaning
as they explore this
piece. $2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Call Chorale SATB Chester
Choral (SATB) SKU: HL.14032885 Composed by John Tavener. Music Sales Amer...(+)
Choral (SATB) SKU:
HL.14032885 Composed
by John Tavener. Music
Sales America. A
Cappella, Classical,
General Worship, Sacred.
Choral Score. Composed
1999. 12 pages. Chester
Music #CH55909. Published
by Chester Music
(HL.14032885). ISBN
9780711943261. UPC:
884088593339.
6.75x9.75x0.046
inches. A piece for
unaccompanied SATB choir,
the text of which is
based on a line from St.
Matthew 9:9. The music
was written to represent
the work of St. Matthew.
In three mounting steps,
the music represents the
work of St. Matthew: the
ascent of the spirit into
silence. The first
performance was given
during evensong on 25th
September 1988 by the
choir of St. Matthew's
Church conducted by
Andrew Shenton. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Jesus Christ's ascent on high Chorale SATB [Conducteur] Carus Verlag
(Cantata for the Feast of Ascension). Composed by Johann Sebastian Bach (1685-17...(+)
(Cantata for the Feast of
Ascension). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Julia Ronge. For ATB
vocal soli, SATB choir,
oboe I/oboe d'amore, oboe
II, oboe da caccia,
trumpet, 2 horns, 2
violins, viola, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition. Cantatas,
Ascension. Full score.
Text language:
German/English. Composed
1725. BWV 128. Duration
22 minutes. Published by
Carus Verlag
$22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 126: A Song of Ascents Chorale SATB SATB [Octavo] Augsburg Fortress
By Abbie Betinis (1980-). For SATB choir. Thanksgiving. Augsburg Choral Library....(+)
By Abbie Betinis (1980-).
For SATB choir.
Thanksgiving. Augsburg
Choral Library. Anthem
$1.75 $1.6625 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Psalm 121 ("I Lift Up Mine Eyes") for Mixed Choir (SATB) Chorale SATB Periferia Music
Mixed Choir (SATB) SKU: AY.V3669PM Composed by Martin Watt. Vocal. Perife...(+)
Mixed Choir (SATB)
SKU: AY.V3669PM
Composed by Martin Watt.
Vocal. Periferia
Publishing #V3669PM.
Published by Periferia
Publishing (AY.V3669PM).
ISBN
9790543576803. Mart
in Watt was born in
Standerton in the
Mpumalanga Province of
South Africa in 1970. He
holds a Bachelor's degree
from the North-West
University in
Potchefstroom, a Master's
degree from the
University of Cape Town,
and a Doctorate from the
University of Pretoria.
Since 2018, he is an
associate professor of
music theory and
composition at the South
African College of Music
at the University of Cape
Town. The 121st psalm of
the Book of Psalms is one
of 15 psalms classified
as a Song of Ascents,
believed by scholars to
indicate that it was sung
by worshippers as they
ascended the road to
Jerusalem. This English
translation of this text
(I Lift Up Mine Eyes) is
set to music by Martin
Watt for double choir
(SSAATTBB). $4.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Psalm of Ascents Chorale SATB - Facile Kjos Music Company
SATB choir - Grade 2.5 SKU: KJ.8991 Composed by Gregory Pysh. Collection....(+)
SATB choir - Grade 2.5
SKU: KJ.8991
Composed by Gregory Pysh.
Collection. Music for the
Church Year. Sacred,
Lent. Octavo. Neil A.
Kjos Music Company #8991.
Published by Neil A. Kjos
Music Company (KJ.8991).
UPC:
8402701079. An
effective anthem for any
time, that combines
soaring melodies above
the pulse of the conga.
Lyrical sax and lots of
men/women unions. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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