(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
By Alain Boublil, Claude-Michel Schonberg, Herbert Kretzmer, Jean-Marc Natel. Ar...(+)
By Alain Boublil,
Claude-Michel Schonberg,
Herbert Kretzmer,
Jean-Marc Natel. Arranged
by Ed Lojeski. (SATB).
Pop Choral Series. Size
6.7x10.5 inches. 32
pages. Published by Hal
Leonard.
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
By Colin Mawby. Arranged by Colin Mawby. For Choir. Mixed voices (SATB). Sacred....(+)
By Colin Mawby. Arranged
by Colin Mawby. For
Choir. Mixed voices
(SATB). Sacred. Book.
Published by Kevin Mayhew
Publishers (U.K. Import).
Level: Multiple
Levels.
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
From A Consort of Choral Christmas Carols. By PDQ Bach. Arranged by Peter Schick...(+)
From A Consort of Choral
Christmas Carols. By PDQ
Bach. Arranged by Peter
Schickele. Text by Peter
Schickele. For SATB. S.
359. Duration 2:30.
Published by Theodore
Presser Company.
(For the Beauty of the Earth/This Is My Father's World). By Thomas Fettke. For S...(+)
(For the Beauty of the
Earth/This Is My Father's
World). By Thomas Fettke.
For SATB choir and piano.
Ascension, Christ the
King, Pentecost,
Thanksgiving,
Transfiguration, Sacred.
Sacred Anthem
Composed by Mark Cabaniss, Pat Luboff, and Pete Luboff. Arranged by Alan Billing...(+)
Composed by Mark
Cabaniss, Pat Luboff, and
Pete Luboff. Arranged by
Alan Billingsley. Choir
Secular. SATB choir.
Choral Octavo. Choral
Designs. Graduation;
Secular. 12 pages.
Published by Alfred Music
By Keith Getty and Stuart Townend. Arranged by Lloyd Larson. For SATB choir. Cho...(+)
By Keith Getty and Stuart
Townend. Arranged by
Lloyd Larson. For SATB
choir. Choral music.
General, Lent, Communion,
Cross of Christ, Good
Friday, Holy Week,
Humility, Lord's Supper,
Maundy Thursday,
Sacrifice, Contemporary.
Choral octavo. 12 pages.
Published by Hope
Publishing Company
Piano (SATB) - early intermediate SKU: CR.984129 Composed by David von Ka...(+)
Piano (SATB) - early
intermediate
SKU:
CR.984129
Composed by
David von Kampen. Choral.
Octavo. With music.
Concordia Publishing
House #984129. Published
by Concordia Publishing
House (CR.984129).
UPC: 078777075972. 7 x
10.25 inches.
A
setting by David von
Kampen of Psalm 149:1-4
(KJV) for SATB choir and
piano. This energetic
setting with driving
piano part is useful at
the end of the Church
Year and for All Saints'
Day, when Psalm 149 is
appointed.
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
Composed
by Charles Thatcher.
Advent, Christmastide,
Lent, Eastertide,
Ordinary Time. Sacred. 64
pages. GIA Publications
#10314. Published by GIA
Publications
(GI.G-10314).
ISBN
7851471031413. English,
Latin. Text Source:
Antiphons tr. Charles
Thatcher, verses, The
Grail,
1963.
Entrance
Antiphons for the Church
Year contains thirty
antiphon texts from
the Graduale Simplex,
translated from Latin and
set to newly composed
music. The psalm verses
appointed for these
antiphons are taken from
the Grail translation
(1963). As with the
Responsorial Psalm of the
Mass, the assembly sings
the antiphon after its
intonation by the
cantor/choir, repeating
it after each verse of
the psalm. The number of
psalm verses which are
sung may vary according
to need. The singing of
the doxology, Glory to
the Father, while
recommended, is optional.
In several cases (e.g.,
Christmas and Easter),
the assembly sings a
refrain—a simple
acclamation in
Latin—and the
actual antiphon text is
sung by the cantor/choir.
The antiphon functions as
a first and final verse.
It is thought that
liturgical singing in the
early Church consisted in
part of such short
acclamatory phrases. Many
of the antiphons in this
collection are proper to
a specific Sunday,
solemnity, or feast. The
rest are seasonal in
nature and, like the
common Responsorial
Psalms of the Lectionary,
may be chosen according
to what seems best for
the occasion. The
antiphons of Christmas
Day and Easter Sunday
could be used at daily
Masses during their
octaves. Notations in the
scores of some antiphons
suggest alternate
occasions when they are
appropriate. Regarding
performance, these
compositions were
conceived with
flexibility in mind.
Assembly participation
and instrumental
accompaniment are
assumed. SATB choral
singing is effective, but
not necessary. Discrete
use of descants where
provided can lend an air
of festivity. Psalm
verses might be sung by
an entire choir, by a
small group or cantor, or
a combination of
both.
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. This edition: pa...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. This
edition: paperbound.
Sacred, Motets, Psalms,
German; Choral
Collections, SAM Choir,
Choral Collections,
Women's Choir, Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Psalms; Use
during church year:
Special Days, End of the
church year, Easter and
Eastertide. Score. 104
pages
Composed by Markus Miklos, Mathilde Giraud, Lajos Bardos. Collection. Secular. C...(+)
Composed by Markus
Miklos, Mathilde Giraud,
Lajos Bardos. Collection.
Secular. Choir part. 118
pages. Published by
Editions a Coeur Joie
(CJ.A135300071).
Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Keith Getty and Stuart Townend. For SATB choir and piano (with optional orche...(+)
By Keith Getty and Stuart
Townend. For SATB choir
and piano (with optional
orchestra). Christ the
King, Eastertide,
General, Lent, Palm
Sunday, Sacred. Sacred
Anthem
By Keith Getty and Stuart Townend. Arranged by Jack Schrader. For SATB choir and...(+)
By Keith Getty and Stuart
Townend. Arranged by Jack
Schrader. For SATB choir
and piano accompaniment.
(SATB). Contemporary and
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company.
By Various. Edited by Wulfing, Hans. This edition: paperbound. Sacred, Hymn sett...(+)
By Various. Edited by
Wulfing, Hans. This
edition: paperbound.
Sacred, Hymn settings,
Mass Sections, Motets,
Psalms, German; Choral
Collections, Mixed Choir;
Occasions: Peace and
Justice, Praise and
thanks, Morning, Midday,
Evening, Psalms,
Mourning, Death; Use
during church year:
Special Days, End of the
church year. Choral
collection. 88 pages
A Festival of Carols (A Medley including "Hark! The Herald Angels Sing," "While ...(+)
A Festival of Carols (A
Medley including "Hark!
The Herald Angels Sing,"
"While by My Sheep," "God
Rest Ye Merry,
Gentlemen," "Still,
Still, Still," and
"Angels We Have Heard on
High")
Composed by Bryan Sharpe. Arranged by Lloyd Larson. Choral. Sacred Anthem, Palm...(+)
Composed by Bryan Sharpe.
Arranged by Lloyd Larson.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Octavo. Lorenz Publishing
Company #10/4994L.
Published by Lorenz
Publishing Company
(LO.10-4994L).
By Patrick M. Liebergen. For SATB Choir with optional Solo Voice or Unison Choir...(+)
By Patrick M. Liebergen.
For SATB Choir with
optional Solo Voice or
Unison Choir, Flute or
Oboe, and Percussion.
Sheet Music. Published by
Harold Flammer Music.