Mixed choir (SATB) a cappella

SKU: M7.DOHR-17623

Composed by Teodulo Mabellini. Edited by Guido Johannes Joerg. Sheet music. Choral score. 12 pages. MDS (Music Distribution Services) #DOHR 17623. Published by MDS (Music Distribution Services) (M7.DOHR-17623).

ISBN 9790202036235. Latin.

Unter den zahlreichen kirchenmusikalischen Werken Mabellinis finden sich nur wenige für eine Chorbesetzung a cappella. Das hier als Erstdruck vorgelegte In gloria dei patris von 1869 stellt eine wirkliche Ausnahme dar, weil es als Albumblatt entstanden ist und wohl gar nicht für eine reale Aufführung geschaffen wurde. Die autographe Niederschrift dieser kontrapunktischen Miniatur findet sich im Musikalbum des italienischen Komponisten, Musikwissenschaftlers und Bibliothekars Francesco Florimo, welches zahlreiche musikalische Autographe von Zeitgenossen versammelt. Das Album versammelt auf mehr als 130 Blättern unterschiedlichste Eintragungen, von Skizzen zu längeren, fertig ausgearbeiteten Kompositionen verschiedenster Gattungen. So bescheiden Mabellinis kurzes Chorstück auf einen ersten Blick auch erscheinen mag - es steckt doch voll von höchster kontrapunktischer Kunst. Das Thema ist einfach, für den beabsichtigten Zweck aber äußerst zweckmäßig. Die Harmonisierung bleibt ebenfalls grundlegend und verlässt den Tonartenraum nicht. Sein Augenmerk hat Mabellini ganz auf die Form gelegt, war er doch als geschickter Kontrapunktiker bekannt und war das Albumblatt schließlich für einen Musiker gedacht, der sich an kontrapunktischen Künsten zu begeistern wusste. Möge das schöne, nicht allzu schwer einzustudierende und aufzuführende Stück seinen Platz im Musikleben unserer Zeit finden und sich alsbald zahlreiche Freunde gewinnen. Die Formgestalt der Fuge, die jeder interessierte Musiker in dieser Miniatur geradezu exemplarisch herauslesen kann, ist ein Erlebnis bereits auf dem reinen Notenpapier und erst recht im lebendigen Musizieren. (Guido Johannes Joerg).

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. Octavo. Alliance Music Publications #AMP 1103. Published by Alliance Music Publications

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505319

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/19. Published by Carus Verlag (CA.5505319).

ISBN 9790007145804. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and parts available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505312

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Violin 2. Composed 1739. HWV 53. 56 pages. Duration 165 minutes. Carus Verlag #CV 55.053/12. Published by Carus Verlag (CA.5505312).

ISBN 9790007226589. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, harp, bells, organ, basso continuo

SKU: CA.5505300

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Full score. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/00. Published by Carus Verlag (CA.5505300).

ISBN 9790007167639. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505305

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Choral Score. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/05. Published by Carus Verlag (CA.5505305).

ISBN 9790007162603. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505314

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Cello. Composed 1739. HWV 53. 60 pages. Duration 165 minutes. Carus Verlag #CV 55.053/14. Published by Carus Verlag (CA.5505314).

ISBN 9790007226602. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505349

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Organ. Composed 1739. HWV 53. 102 pages. Duration 165 minutes. Carus Verlag #CV 55.053/49. Published by Carus Verlag (CA.5505349).

ISBN 9790007145767. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505313

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Single Part, Viola. Composed 1739. HWV 53. 44 pages. Duration 165 minutes. Carus Verlag #CV 55.053/13. Published by Carus Verlag (CA.5505313).

ISBN 9790007226596. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505309

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.053/21 flutes 1 and 2, 1x 55.053/22 oboe 1, 1x 55.053/23 oboe 2, 2x 55.053/24 flutes 1 and 2, 2x 55.053/31 trumpet, 3x 55.053/32 trombone, 1x 55.053/41 timpani, 1x 55.053/42 harp, 2x 55.053/43 carillion. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/09. Published by Carus Verlag (CA.5505309).

ISBN 9790007226565. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and parts available separately - see item CA.5505300.

Orchestra SATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, harp, Carillons, organ, basso continuo

SKU: CA.5505301

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Full score. Composed 1739. HWV 53. 304 pages. Duration 165 minutes. Carus Verlag #CV 55.053/01. Published by Carus Verlag (CA.5505301).

ISBN 9790007143367. Language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score available separately - see item CA.5505300.

ATB vocal soli, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5528305

Dettingen Te Deum. Composed by George Frideric Handel. Edited by Benedikt Poensgen. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Innovative practice aids, Sacred vocal music, Praise and thanks. Choral Score. Composed 1743. HWV 283. 36 pages. Duration 40 minutes. Carus Verlag #CV 55.283/05. Published by Carus Verlag (CA.5528305).

ISBN 9790007132354. Language: English/German.

- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score available separately - see item CA.5528300.

ATB vocal soli, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5528313

Dettingen Te Deum. Composed by George Frideric Handel. Edited by Benedikt Poensgen. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Viola. Composed 1743. HWV 283. 12 pages. Duration 40 minutes. Carus Verlag #CV 55.283/13. Published by Carus Verlag (CA.5528313).

ISBN 9790007227081. Language: English/German.

- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and part available separately - see item CA.5528300.

ATB vocal soli, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5528311

Dettingen Te Deum. Composed by George Frideric Handel. Edited by Benedikt Poensgen. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Violin. Composed 1743. HWV 283. 16 pages. Duration 40 minutes. Carus Verlag #CV 55.283/11. Published by Carus Verlag (CA.5528311).

ISBN 9790007227067. Language: English/German.

- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and part available separately - see item CA.5528300.

ATB vocal soli, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5528309

Dettingen Te Deum. Composed by George Frideric Handel. Edited by Benedikt Poensgen. This edition: urtext. 1x 55.283/21 oboe 1, 1x 55.283/22 oboe 2, 1x 55.283/23 bassoon, 4x 55.283/31 trumpet/timpani. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Innovative practice aids, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1743. HWV 283. 100 pages. Duration 40 minutes. Carus Verlag #CV 55.283/09. Published by Carus Verlag (CA.5528309).

ISBN 9790007227050. Language: English/German.

- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and parts available separately - see item CA.5528300.

ATB vocal soli, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5528314

Dettingen Te Deum. Composed by George Frideric Handel. Edited by Benedikt Poensgen. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, basso continuo. Composed 1743. HWV 283. 16 pages. Duration 40 minutes. Carus Verlag #CV 55.283/14. Published by Carus Verlag (CA.5528314).

ISBN 9790007227098. Language: English/German.

- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and part available separately - see item CA.5528300.

ATB vocal soli, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5528312

Dettingen Te Deum. Composed by George Frideric Handel. Edited by Benedikt Poensgen. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Violin 2. Composed 1743. HWV 283. 16 pages. Duration 40 minutes. Carus Verlag #CV 55.283/12. Published by Carus Verlag (CA.5528312).

ISBN 9790007227074. Language: English/German.

- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and part available separately - see item CA.5528300.

SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104211

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Single Part, Violin 1. Composed 1767. KV 42 (35a). 12 pages. Duration 22 minutes. Carus Verlag #CV 51.042/11. Published by Carus Verlag (CA.5104211).

ISBN 9790007224523. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score and part available separately - see item CA.5104200.

SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104200

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Full score. Composed 1767. KV 42 (35a). 52 pages. Duration 22 minutes. Carus Verlag #CV 51.042/00. Published by Carus Verlag (CA.5104200).

ISBN 9790007075965. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation.

SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104214

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Single Part, Cello/Double Bass. Composed 1767. KV 42 (35a). 12 pages. Duration 22 minutes. Carus Verlag #CV 51.042/14. Published by Carus Verlag (CA.5104214).

ISBN 9790007224554. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score and part available separately - see item CA.5104200.

Orchestra SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104207

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Study score. Composed 1767. KV 42 (35a). 52 pages. Duration 22 minutes. Carus Verlag #CV 51.042/07. Published by Carus Verlag (CA.5104207).

ISBN 9790007087494. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score available separately - see item CA.5104200.

SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104213

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola. Composed 1767. KV 42 (35a). 12 pages. Duration 22 minutes. Carus Verlag #CV 51.042/13. Published by Carus Verlag (CA.5104213).

ISBN 9790007224547. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score and part available separately - see item CA.5104200.

SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104205

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Choral Score. Composed 1767. KV 42 (35a). 4 pages. Duration 22 minutes. Carus Verlag #CV 51.042/05. Published by Carus Verlag (CA.5104205).

ISBN 9790007110246. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score available separately - see item CA.5104200.

SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104219

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Set of Orchestra Parts. Composed 1767. KV 42 (35a). Duration 22 minutes. Carus Verlag #CV 51.042/19. Published by Carus Verlag (CA.5104219).

ISBN 9790007137328. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score and parts available separately - see item CA.5104200.

SB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.5104212

Passion cantata. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. Grabmusik Kv 42 Rev.2005. Sacred vocal music, Cantatas, Holy Week. Single Part, Violin 2. Composed 1767. KV 42 (35a). 12 pages. Duration 22 minutes. Carus Verlag #CV 51.042/12. Published by Carus Verlag (CA.5104212).

ISBN 9790007224530. Language: German.

The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart's separate autographs for movements 1-6, and 7-8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart's last, original instrumentation. Score and part available separately - see item CA.5104200.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111709

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. 1x 31.117/21 flute 1, 1x 31.117/22 flute 2, 1x 31.117/23 oboe 1, 1x 31.117/24 oboe 2. Harmony parts. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. Composed 1728/1731. BWV 117. 16 pages. Duration 26 minutes. Carus Verlag #CV 31.117/09. Published by Carus Verlag (CA.3111709).

ISBN 9790007048662. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and parts available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111749

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Organ. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Organ. Composed 1728/1731. BWV 117. 24 pages. Duration 26 minutes. Carus Verlag #CV 31.117/49. Published by Carus Verlag (CA.3111749).

ISBN 9790007048716. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111713

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Viola. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. Composed 1728/1731. BWV 117. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.117/13. Published by Carus Verlag (CA.3111713).

ISBN 9790007048693. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.