(Cantata For The 27th Sunday After Trinity) Composed by Johann Sebastian Bach (1685-1750), Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 140. For STB solos, SATB choir, piano accompaniment, STB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. Includes vocal score and vocal score. With choral notation, piano reduction, introductory text, choral notation, piano reduction and introductory text. Baroque and baroque. Eb Major. Text language German/English. 62 pages. 7.5x10.5 inches. Duration 30m. Published by Baerenreiter-Ausgaben (German Import).

(Cantata For Easter Sunday) Composed by Johann Sebastian Bach (1685-1750), edited by Ernst R. Barthel. BWV 4. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. Format: vocal score. With choral notation and piano reduction. Baroque. E Minor. Text language German/English. 44 pages. 7.5x10.5 inches. Duration 22m. Published by Baerenreiter-Ausgaben (German Import).

Composed by Johann Sebastian Bach (1685-1750), edited by Emil Platen. BWV 236. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. Format: vocal score. With choral notation and piano reduction. Baroque. G Major. Text language Latin. 47 pages. 7.5x10.5 inches. Duration 30m. Published by Baerenreiter-Ausgaben.

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr, Walter Blankenburg. BWV 248. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. With choral notation, piano reduction and introductory text. Text language English/German. 234 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006461660.

(Bach Gesellschaft Ausgabe). Composed by Johann Sebastian Bach (1685-1750). Edited by Wilhelm Rust. Arranged by Gustav Rosler. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period; Sacred/Hymns, German. Vocal Score. Text Language: German. Composed 1715. 32 pages. Duration 21 minutes. Published by Serenissima

Cantata for the Feast of Annunciation Day. By Johann Sebastian Bach. Edited by Matthias Wendt. For Soprano solo, Tenor solo, Bass solo, Mixed Choir-SATB, 2 Violin, 2 Horn, 2 Oboe, Organ, Strings, Basso continuo. (SATB). This edition: Urtext Edition. Piano Reduction/Vocal Score. 37 pages. Published by Baerenreiter Verlag (German import).

By Johann Sebastian Bach (1685-1750). Arranged by Karl Straube. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Original Works, Transcriptions, Liturgical, Choral. Baroque Period; Sacred/Hymns, German, Christmas/Hannukah. Large Vocal Score. Text Language: Latin. Composed 1723/1731. 52 pages. Duration 35 minutes. Published by Serenissima

Singing voice, SATB choir, orchestra (Vocal, Mixed choir, Orchestra) - Level 4

SKU: BA.BA05209

Recitatives and turbae by Reinhard Keiser (1674-1739). Composed by Johann Sebastian Bach. Edited by Austin Harvey Gomme. Paperback. A reconstruction. Score. BWV 247. Baerenreiter Verlag #BA05209_00. Published by Baerenreiter Verlag (BA.BA05209).

ISBN 9790006524136. 29.9 x 22.9 cm inches.

Although all that survives of Bach's “St. Mark Passion” is Picander's libretto, virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae , however, are probably lost forever. Rather than rewriting these numbers “in Bachs's style”, Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach, who performed it several times), thereby allowing this lost work to be performed in its entirety. A detailed preface sheds further light on this unique reconstruction based on the New Bach Edition.

Voice soli/SATB choir/orchestra (Soli, SATB Choir, Orchestra)

SKU: BA.BA05011-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/12. Complete edition, Score, anthology. Baerenreiter Verlag #BA05011_01. Published by Baerenreiter Verlag (BA.BA05011-01).

ISBN 9790006461523. 33 x 26.5 cm inches. Language: German. Preface: Dürr, Alfred.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Voice soli/SATB choir/orchestra (Soli, SATB Choir, Orchestra)

SKU: BA.BA05010-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Frederik Hudson. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/33. Complete edition, Score, anthology. Baerenreiter Verlag #BA05010_01. Published by Baerenreiter Verlag (BA.BA05010-01).

ISBN 9790006461509. 33 x 26 cm inches. Language: German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For SSATB choir/orchestra. This edition: Clothbound, Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie II, Band 1a. Level 4. Score. BWV 232. 168 pages. Published by Baerenreiter Verlag

SATB Choir - Level 4

SKU: CA.3122793

Composed by Johann Sebastian Bach. Stuttgart Urtext Edition: Bach vocal; Carus CD series: Carus Choir Coach. Mp3, Practice-CD, tenore. Sacred vocal music, Motets. Compact Disc. BWV 227. Duration 25 minutes. Carus Verlag #CV 31.227/93. Published by Carus Verlag (CA.3122793).

Key: E minor. German. Text: Johann Frank.

For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bach's motets as a whole have to be described as exceptional works, but even amongst these this is an exceptional work which is out of the ordinary not only in terms of its length. The formal conception, with its alternating chorale and Bible verses in 11 sections in a symmetrical structure, is also unique. The motet was very probably composed for a funeral, but no further details about this are known. By comparison, there are clear indications that the motet, as we now know it, was probably not composed in one go, but was composed over a long period of time. Score available separately - see item CA.3122700.

SATB Choir - Level 4

SKU: CA.3122794

Composed by Johann Sebastian Bach. Stuttgart Urtext Edition: Bach vocal; Carus CD series: Carus Choir Coach. Mp3, Practice-CD, basso. Sacred vocal music, Motets. Compact Disc. BWV 227. Duration 25 minutes. Carus Verlag #CV 31.227/94. Published by Carus Verlag (CA.3122794).

Key: E minor. German. Text: Johann Frank.

For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bach's motets as a whole have to be described as exceptional works, but even amongst these this is an exceptional work which is out of the ordinary not only in terms of its length. The formal conception, with its alternating chorale and Bible verses in 11 sections in a symmetrical structure, is also unique. The motet was very probably composed for a funeral, but no further details about this are known. By comparison, there are clear indications that the motet, as we now know it, was probably not composed in one go, but was composed over a long period of time. Score available separately - see item CA.3122700.

SATB Choir - Level 4

SKU: CA.3122791

Composed by Johann Sebastian Bach. Stuttgart Urtext Edition: Bach vocal; Carus CD series: Carus Choir Coach. Mp3, Practice-CD, soprano. Sacred vocal music, Motets. Compact Disc. BWV 227. Duration 25 minutes. Carus Verlag #CV 31.227/91. Published by Carus Verlag (CA.3122791).

Key: E minor. German. Text: Johann Frank.

For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bach's motets as a whole have to be described as exceptional works, but even amongst these this is an exceptional work which is out of the ordinary not only in terms of its length. The formal conception, with its alternating chorale and Bible verses in 11 sections in a symmetrical structure, is also unique. The motet was very probably composed for a funeral, but no further details about this are known. By comparison, there are clear indications that the motet, as we now know it, was probably not composed in one go, but was composed over a long period of time. Score available separately - see item CA.3122700.

SATB Choir - Level 4

SKU: CA.3122792

Composed by Johann Sebastian Bach. Stuttgart Urtext Edition: Bach vocal; Carus CD series: Carus Choir Coach. Mp3, Practice-CD, alto. Sacred vocal music, Motets. Compact Disc. BWV 227. Duration 25 minutes. Carus Verlag #CV 31.227/92. Published by Carus Verlag (CA.3122792).

Key: E minor. German. Text: Johann Frank.

For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bach's motets as a whole have to be described as exceptional works, but even amongst these this is an exceptional work which is out of the ordinary not only in terms of its length. The formal conception, with its alternating chorale and Bible verses in 11 sections in a symmetrical structure, is also unique. The motet was very probably composed for a funeral, but no further details about this are known. By comparison, there are clear indications that the motet, as we now know it, was probably not composed in one go, but was composed over a long period of time. Score available separately - see item CA.3122700.

(Cantata for Sunday Sexagesimae). Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Neumann. For solo voices, choir, orchestra (soprano voice solo, tenor voice solo, bass voice solo, SATB choir, 2 alto recorders, bassoon, 4 violas, cello, basso continuo (double bass/organ)). This edition: Urtext edition. Stapled. Barenreiter Study scores. Leipzig Version. Level 4. Study score. BWV 18. Duration 21 minutes. Published by Baerenreiter Verlag

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913605

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Choral Score. Composed 1722/23. TVWV 1:1328. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.136/05. Published by Carus Verlag (CA.3913605).

ISBN 9790007097929. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score available separately - see item CA.3913600.

Composed by Johann Sebastian Bach (1685-1750). Edited by Paul Brainard. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SATB choir, orchestra. This edition: Urtext edition. Stapled. Level 4. Study score. Language: German, Text Language: German/English. BWV 11. Published by Baerenreiter Verlag

Cantata for Sunday Sexagesimae. Composed by Johann Sebastian Bach. Edited by Werner Neumann. This edition: urtext edition. Folded. Barenreiter Urtext. Leipzig Version. Choral score. BWV 18. 4 pages. Baerenreiter Verlag #BA10018_91. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). For SATB Choir (Mixed Voices). General. Choral. 4 pages

SATB Choir - Grade 4

SKU: HL.14018195

Composed by Walter Kraft. Music Sales America. Hymns & Chorals. Vocal Score. Composed 2002. 58 pages. Edition Wilhelm Hansen #WH28971. Published by Edition Wilhelm Hansen (HL.14018195).

ISBN 9788759870747. 8.5x11.75x0.428 inches. International (more than one language).

For SATB Choir (with Divisions). These works may be performed ad libitum with instruments regular with renaissance performance practice.

SATB choir, basso continuo [2 trumpet, timpani, 2 violin, viola] - Level 2

SKU: CA.9192414

Choral und Fuge. Composed by Johann Sebastian Bach. German title: Zwingt Die Saiten. Choral Und Fuge 5005701. Sacred vocal music. Single Part, Cello/Double Bass. BWV. 4 pages. Duration 3 minutes. Carus Verlag #CV 91.924/14. Published by Carus Verlag (CA.9192414).

ISBN 9790007236014. Language: German. Text: Eham, Max. Text: Max Eham.

Score available separately - see item CA.9192400.

By Johann Sebastian Bach (1685-1750). For SATB Choir. Choral, Christmas. Octavo. 4 pages. Published by E.C. Schirmer Publishing

Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo, 2 Violins, Viola, Viola da gamba, Basso continuo - Grade 3

SKU: CA.3107615

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. BWV 76. Viola da gamba. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola da gamba. Composed 1723. BWV 76. 16 pages. Duration 35 minutes. Carus Verlag #CV 31.076/15. Published by Carus Verlag (CA.3107615).

Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115621

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Oboe. Sacred vocal music, Cantatas, Epiphany. Single Part, Oboe. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/21. Published by Carus Verlag (CA.3115621).

Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115613

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/13. Published by Carus Verlag (CA.3115613).

ISBN 9790007208790. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo, 2 Violins, Viola, Viola da gamba, Basso continuo - Grade 3

SKU: CA.3107649

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Psalms, German. Single Part, Organ. Composed 1723. BWV 76. 32 pages. Duration 35 minutes. Carus Verlag #CV 31.076/49. Published by Carus Verlag (CA.3107649).

Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.