Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105519

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Set of Orchestra Parts. Composed 1726. BWV 55. Duration 15 minutes. Carus Verlag #CV 31.055/19. Published by Carus Verlag (CA.3105519).

ISBN 9790007136192. Language: German/English.

Sco re and parts available separately - see item CA.3105500.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105511

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Single Part, Violin 1. Composed 1726. BWV 55. 4 pages. Duration 15 minutes. Carus Verlag #CV 31.055/11. Published by Carus Verlag (CA.3105511).

ISBN 9790007206444. Language: German/English.

Sco re and part available separately - see item CA.3105500.

Solo Soprano Voice/Solo Alto Voice/Solo Tenor Voice/Solo Bass Voice/SATB choir/Orchestra (Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir, Orchestra)

SKU: BA.BA05043-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Marianne Helms. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/5. Complete edition, Score, anthology. Baerenreiter Verlag #BA05043_01. Published by Baerenreiter Verlag (BA.BA05043-01).

ISBN 9790006462551. Language: German. Preface: Marianne Helms.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB Choir - Level 4

SKU: CA.3122793

Composed by Johann Sebastian Bach. Stuttgart Urtext Edition: Bach vocal; Carus CD series: Carus Choir Coach. Mp3, Practice-CD, tenore. Sacred vocal music, Motets. Compact Disc. BWV 227. Duration 25 minutes. Carus Verlag #CV 31.227/93. Published by Carus Verlag (CA.3122793).

Key: E minor. German. Text: Johann Frank.

For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bach's motets as a whole have to be described as exceptional works, but even amongst these this is an exceptional work which is out of the ordinary not only in terms of its length. The formal conception, with its alternating chorale and Bible verses in 11 sections in a symmetrical structure, is also unique. The motet was very probably composed for a funeral, but no further details about this are known. By comparison, there are clear indications that the motet, as we now know it, was probably not composed in one go, but was composed over a long period of time. Score available separately - see item CA.3122700.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105509

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. 1x 31.055/21 flute, 1x 31.055/22 oboe. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Set of Orchestra Parts. Composed 1726. BWV 55. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.055/09. Published by Carus Verlag (CA.3105509).

ISBN 9790007206437. Language: German/English.

Sco re and parts available separately - see item CA.3105500.

Orchestra Tenor Voice Solo, SATB Choir, Fl, Obda (Ob), 2 Vl, Va, Bc

SKU: CA.3105507

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. Sacred vocal music; use during church year: End of the church year; Stuttgart Editions (Urtext): Stuttgart Bach Edition - Bach vocal. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year. Study score. Composed 1726. BWV 55. Duration 15 minutes. Carus Verlag #CV 31.055/07. Published by Carus Verlag (CA.3105507).

ISBN 9790007241513. Language: German/English.

Sco re available separately - see item CA.3105500.

Mixed choir (SATB/SATB); basso continuo and/or instruments ad lib

SKU: M2.MOS-64011-01

Motette. Composed by Johann Sebastian Bach. Sacred. Separate part. Möseler Verlag #MOS 64011-01. Published by Möseler Verlag (M2.MOS-64011-01).

ISBN 9790203770077.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105505

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Choral Score. Composed 1726. BWV 55. 2 pages. Duration 15 minutes. Carus Verlag #CV 31.055/05. Published by Carus Verlag (CA.3105505).

ISBN 9790007206420. Language: German/English.

Sco re available separately - see item CA.3105500.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105549

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Single Part, Organ. Composed 1726. BWV 55. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.055/49. Published by Carus Verlag (CA.3105549).

ISBN 9790007206482. Language: German/English.

Sco re and part available separately - see item CA.3105500.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105514

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Single Part, Cello/Double Bass. Composed 1726. BWV 55. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.055/14. Published by Carus Verlag (CA.3105514).

ISBN 9790007206475. Language: German/English.

Sco re and part available separately - see item CA.3105500.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105513

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Single Part, Viola. Composed 1726. BWV 55. 2 pages. Duration 15 minutes. Carus Verlag #CV 31.055/13. Published by Carus Verlag (CA.3105513).

ISBN 9790007206468. Language: German/English.

Sco re and part available separately - see item CA.3105500.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105512

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Single Part, Violin 2. Composed 1726. BWV 55. 4 pages. Duration 15 minutes. Carus Verlag #CV 31.055/12. Published by Carus Verlag (CA.3105512).

ISBN 9790007206451. Language: German/English.

Sco re and part available separately - see item CA.3105500.

Voice, SATB choir, orchestra (Voice, SATB Choir, Orchestra)

SKU: BA.BA05040-02

Composed by Johann Sebastian Bach. Edited by Werner Neumann. This edition: complete edition, urtext edition. Half-leather binding. New Bach Edition (Neue Bach-Ausgabe - NBA) Series I, Volume 39. Complete edition, Score, anthology. BWV 36, BWV 210A, BWV 212, BWV 30A. Baerenreiter Verlag #BA05040_02. Published by Baerenreiter Verlag (BA.BA05040-02).

ISBN 9790006545551. 34 x 27 cm inches. Language: German. Preface: Werner Neumann.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106969

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. BWV BWV 69a. Duration 25 minutes. Carus Verlag #CV 31.069/69. Published by Carus Verlag (CA.3106969).

ISBN 9790007206734. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and parts available separately - see item CA.3106900.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117419

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/19. Published by Carus Verlag (CA.3117419).

ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3113749

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Lobe den Herren, den machtigen. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1725. BWV 137. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.137/49. Published by Carus Verlag (CA.3113749).

ISBN 9790007049096. Key: C major. Language: German/English. Text: Neander, Joachim. Text: Joachim Neander.

Bach's chorale cantata Lobe den Herren, den machtigen Konig der Ehren BWV 137, has long been, thanks to its popular chorale text, one of the most frequently-performed works by the Kantor of St. Thomas's. Unlike the cantatas in the cycle of chorale cantatas, the text of the hymn is not only used in the opening and final chorales, but Bach uses it in all the movements. The new edition reflects the current state of research and presents this work in Carus's clear-to-read music setting. Score and part available separately - see item CA.3113700.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112712

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Violin 2. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/12. Published by Carus Verlag (CA.3112712).

ISBN 9790007048877. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106019

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. Duration 20 minutes. Carus Verlag #CV 31.060/19. Published by Carus Verlag (CA.3106019).

ISBN 9790007134044. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

(Cantata for the 22nd Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Felix Loy. Arranged by Paul Horn. For solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Ich armer Mensch, ich Sundenknecht. End of the church year. Vocal score. Language: German/English. Composed 1726. BWV 55. Duration 15 minutes. Published by Carus Verlag

(Cantata for the 22nd Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Felix Loy. Arranged by Paul Horn. For solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Ich armer Mensch, ich Sundenknecht. End of the church year. Full score. Language: German/English. Composed 1726. BWV 55. 24 pages. Duration 15 minutes. Published by Carus Verlag

ATB vocal soli, SATB choir, oboe 1/oboe d'amore, oboe II-III, bassoon 3, timpani, 2 violins solo, 2 violins, viola, basso continuo

SKU: CA.3119005

Cantata for New Year's Day. Composed by Johann Sebastian Bach. Edited by Kirsten Beisswenger. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, New year. Choral Score. Composed 1724. BWV 190. 12 pages. Duration 19 minutes. Carus Verlag #CV 31.190/05. Published by Carus Verlag (CA.3119005).

ISBN 9790007162009. Language: German/English.

The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts; it draws upon only thematic and motive material of the movements themselves, closely interwoven. Score available separately - see item CA.3119000.

Orchestra STB vocal soli, SATB choir, 3 recorders, 2 oboes, cornet, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.3102507

Cantata for the 14th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1723. BWV 25. 40 pages. Duration 16 minutes. Carus Verlag #CV 31.025/07. Published by Carus Verlag (CA.3102507).

ISBN 9790007092931. Language: German/English.

Thi s cantata for the 14th Sunday after Trinity was composed in August 1723 and is from Bach's first cycle of cantatas for Leipzig. It is distinguished by its unique opening chorus, which is a four-part choral fugue with independent instrumental parts in which Bach has interwoven a four-part chorale (Herzlich tut mich verlangen) played by the winds. This is an artistic combination which expands to as many as ten real parts. The second aria Offne meinen schlechten Liedern, is distinguished by an unusual instrumental coloring in which the soprano and the strings, supported by the oboes, are joined by 3 recorders. The edition is the product of a new evaluation of the source situation (see Bach-Jahrbuch 2006). Score available separately - see item CA.3102500.

Orchestra STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101807

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Holy Week. Study score. Composed 1715(?). BWV 18. 32 pages. Duration 21 minutes. Carus Verlag #CV 31.018/07. Published by Carus Verlag (CA.3101807).

ISBN 9790007165680. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score available separately - see item CA.3101800.

SATB/SATB choir, 2 oboes, oboe d'amore, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3105009

Chorus for St. Michael's Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. 1x 31.050/21 oboe 1, 1x 31.050/22 oboe 2, 1x 31.050/23 oboe d'amore, 4x 31.050/31 trumpet 1. Stuttgart Urtext Edition: Bach vocal. German title: Nun Ist Das Heil Und Die Kraft (U.Wolf). Sacred vocal music, Cantatas, Special days, Psalms. Set of Orchestra Parts. Composed circa 1740. BWV 50. 14 pages. Duration 5 minutes. Carus Verlag #CV 31.050/09. Published by Carus Verlag (CA.3105009).

ISBN 9790007043063. Key: D major. Language: German/English.

Com posed in the late period, around 1740 A lively discussion about the choral movement Nun ist das Heil und die Kraft has been carried on, in which not only all previous assumptions have been called into question - including Bach's authorship - but also show how little we know about the history of this magnificent movement. Even though there is little to refute the 1982 presumption that the work was handed down in the form of an arrangement, the question remains open concerning the identity of the arranger, as well as the alleged form of the original design. Therefore it seemed appropriate to forego any attempts at reconstruct-ion. Rather, for the present new edition the music has been critically examined and commented upon based on the surviving copy from Bach's circle. Score and parts available separately - see item CA.3105000.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104605

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Choral Score. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/05. Published by Carus Verlag (CA.3104605).

ISBN 9790007042950. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104603

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Vocal score. Composed 1723. BWV 46. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.046/03. Published by Carus Verlag (CA.3104603).

ISBN 9790007042943. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600.