Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. J. S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den groß en Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den ubrigen oratorischen Werken hat Bach / Musique religieuse / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Nach Dem 2. Menuett Aus Bachs Partita In B, Bwv 825. Par BACH JOHANN SEBASTIAN / CORNELIUS PETER. based on the 2nd Minuet from Bach's Partita in B flat Major, BWV 825/ Répertoire / Choeur SATB

Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig)./ Répertoire / Chœur Mixte et Piano

Passio secundum Joannem. Traditionelle Fassung (1739/1749). Par BACH JOHANN SEBASTIAN. Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. J. S. Bach's Johannespassion BWV 245 for SATB and Piano. Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns./ Répertoire / Choeur Mixte et Instrument Divers

Cantata for Trinity Sunday. Par BACH JOHANN SEBASTIAN. Es ist ein trotzig und verzagt Ding BWV 176 Cantata for Trinity Sunday This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed by Bach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne von Ziegler. It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo. - Urtext of the New Bach Edition - Performance material (BA10176), choral score (BA10176-91) & study score format 22. 5 x 16. 5cm (TP1176) available for sale/ Répertoire / Partition de Poche

Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach 's St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas's Church, Leipzig, in a version of which the copy made by Bach 's son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version, which may probably be dated 1736, and on which the present edition is based. - Study score format 22. 5 x 16. 5cm - Urtext ofthe New Bach Edition - Full score, performance material (BA5038), vocal score (BA5038-90) and study score (TP196) available for sale / Musique religieuse / Répertoire / Solistes (T (Evangelist), B (Jesus), SATB), 2 Choe

Kantate Zum 1. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. J. S. Bach's Brich Dem Hungrigen Dein Brot for SATB. / Musique religieuse / Répertoire / Solistes SAB, Choeur SATB, 2 Flûtes à Bec F1, 2 Ha

Aus: Herz Und Mund Und Tat Und Leben. Par BACH JOHANN SEBASTIAN. J. S. Bach's Jesus Bleibet meine Freude BWV 147 for SATB. / Musique religieuse / Date parution : 1987-08-01/ Répertoire / Choeur SATB (2 Violons, Alto et Violoncelle ou Con

Klavierauszug -Revised edition. Par BACH JOHANN SEBASTIAN. The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724, 1725, around 1730 and during the last years of Bach 's life. They often contain two or more readings for the same passage, or even different movements that on different occasions occupied the same place in the work. Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information. - Full score, performance material (BA5037), vocal score (BA5037-90) and study score (TP197) available for sale. / Niveau : 4 / Répertoire / Solistes (T (Evangelist), B (Jesus), SATB), Choeur

Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56 Cantata for the 19th Sunday after Trinity Bach ’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy, it was probably first performed on 27 October 1726, the nineteenth Sunday after Trinity. Urtext of the New Bach Edition Performance material (BA10056), vocal score (BA10056-90) & study score format 22. 5 x 16cm (TP1056) available for sale/ Répertoire / Basse, Choeur Mixte (SATB) et Orchestre

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Komm, Jesu, komm qui a été écrite pour2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5134 . / 2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) Ad Lib / Partition

Kantate Für Den Bußgottesdienst (?). Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Hofmann, Klaus (Arr.) - Lunn, Jean (Trad.) - BWV 150/ Répertoire / Solistes SATB, Choeur SATB, Basson, Instruments à

Heute triumphiert. Par BACH JOHANN SEBASTIAN / HAENDEL GEORG FRIEDRICH. Ostern und nachösterliche Freudenzeit -/ Répertoire / SATB et Orgue

Par BACH JOHANN SEBASTIAN. Latin / Classique / Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

The so-called Köthener Trauermusik (Cöthen funeral music) was performed at the memorial service for Prince Leopold of Anhalt-Cöthen on 24 March 1729. The history of reconstruction begins in the second half of the nineteenth century. In 1873 Wilhelm Rust, co-editor of the first Complete Bach Edition and subsequently Thomaskantor, established the fundamental relationship between the Köthener Trauermusik on the one hand and the St. Matthew Passion and Trauerode BWV 198 on the other.In the service of concert practice, it is the intention of this attempted reconstruction to enrich the repertoire of church music for Passiontide and the period around the Sunday before Advent, on which the dead are commemorated. It is also hoped that it will contribute to the understanding of Bach's 'Great Passion?, whose sister work the Köthener Trauermusik is. / Chant and Piano