Neu entdeckte Choral-
und Liedsätze aus der
Bach-Sammlung des Chr.Fr.
Penzel (1780).
Erstausgabe. 32 Sätze
in Klaviernotation mit
oder ohne Singstime(n),
mit unterlegtem Text,
Folgestrophen
beigegeben. Edited by
Wolfgang Wiemer. Stapled.
Performance score,
anthology. Baerenreiter
Verlag #BA06839_00.
Published by Baerenreiter
Verlag (BA.BA06839).
ISBN 9790006483211. 27
x 19.1 cm
inches.
Neu
entdeckte Choral- und
Liedsatze aus der
Bach-Sammlung des Chr.Fr.
Penzel (1780).
Erstausgabe. 32 Satze in
Klaviernotation mit oder
ohne Singstime(n), mit
unterlegtem Text,
Folgestrophen
beigegeben.
By Johann Sebastian Bach. Edited by Walter E. Buszin. For Choir. (SATB). Choral...(+)
By Johann Sebastian Bach.
Edited by Walter E.
Buszin. For Choir.
(SATB). Choral
Collection. Masterwork.
Book. 96 pages. Published
by Alfred Publishing.
Mixed choir (SATB) - easy SKU: HL.49026638 Composed by Johann Sebastian B...(+)
Mixed choir (SATB) - easy
SKU: HL.49026638
Composed by Johann
Sebastian Bach. Sheet
music. Schott
Chorblattreihe (Choral
Music). Choral Score. 2
pages. Schott Music #CHBL
373. Published by Schott
Music (HL.49026638).
SATB Choir and Organ SKU: HL.14016491 By Walter Emery. By Johann Sebastia...(+)
SATB Choir and Organ
SKU: HL.14016491
By Walter Emery. By
Johann Sebastian Bach.
Edited by Walter Emery.
Music Sales America.
Classical. Choral Score.
Music Sales #NOV401243.
Published by Music Sales
(HL.14016491).
O Teach
Us So To Count Our
Days, a figured
Chorale from Cantata 186
by J.S. Bach. Words by J.
Montgomery and B. Hall
Kennedy. Organ
arrangement by Walter
Emery.
(Jesus, Thou My Wearied Spirit). By Johann Sebastian Bach. Arranged by J.M. Stei...(+)
(Jesus, Thou My Wearied
Spirit). By Johann
Sebastian Bach. Arranged
by J.M. Stein, Ifor
Jones. (SATB). Choral
Large Works. Size
6.8x10.5 inches. 48
pages. Published by G.
Schirmer, Inc.
From A Consort of Choral Christmas Carols. By PDQ Bach. Arranged by Peter Schick...(+)
From A Consort of Choral
Christmas Carols. By PDQ
Bach. Arranged by Peter
Schickele. Text by Peter
Schickele. For SATB. S.
359. Duration 2:30.
Published by Theodore
Presser Company.
Composed by J.S. Bach and Tom Fettke. Arranged by Marty Parks. Anthems. Adult Ch...(+)
Composed by J.S. Bach and
Tom Fettke. Arranged by
Marty Parks. Anthems.
Adult Choral Anthem for
Worship. Classical and
Sacred. Octavo. Published
by Lillenas Publishing
Company
(after the copy from J. S. Bach). Composed by George Frideric Handel (1685-1759)...(+)
(after the copy from J.
S. Bach). Composed by
George Frideric Handel
(1685-1759). Edited by
Andreas Traub. For STB
vocal soli, solo vocal
quintet, SATB choir, 2
oboes, taille (english
horn), 2 violins, viola,
basso continuo. This
edition: Paperbound.
Stuttgart Urtext Edition.
Score available
separately - see item
CA.5504800. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Study score. Language:
German. HWV 48. Duration
150 minutes. Published by
Carus Verlag
By Johann Sebastian Bach ; Neil Jenkins (Editor). For SATB Choir, Piano Accompan...(+)
By Johann Sebastian Bach
; Neil Jenkins (Editor).
For SATB Choir, Piano
Accompaniment. Baroque,
Sacred, Choral. Sheet
Music. 248 pages.
Published by Novello and
Co Ltd.
Come and Sing to the Lord Chorale SATB SATB, Clavier [Octavo] - Intermédiaire MorningStar Music Publishers
By Hal H. Hopson, J.S. Bach. Arranged by Hal H. Hopson. For organ or piano (SATB...(+)
By Hal H. Hopson, J.S.
Bach. Arranged by Hal H.
Hopson. For organ or
piano (SATB choir).
Choral. Music,
Praise/Thanksgiving,
General. Moderately Easy.
Octavo. 11 pages.
Published by MorningStar
Music Publishers
SATB Choir and Piano SKU: HL.14016392 Composed by Johann Sebastian Bach. ...(+)
SATB Choir and Piano
SKU: HL.14016392
Composed by Johann
Sebastian Bach. Music
Sales America. Sacred.
Book [Softcover]. 204
pages. Music Sales
#NOV070038. Published by
Music Sales
(HL.14016392).
ISBN
9780853603115.
9.0x11.75x0.581
inches.
Old Novello
Edition, edited by Edward
Elgar and Ivor
Atkins.
Sanctus No. Iii Chorale SATB SATB [Octavo] Hinshaw Music Inc.
By Johann Sebastian Bach. Edited by David Stocker. Arranged by David Stocker. Te...(+)
By Johann Sebastian Bach.
Edited by David Stocker.
Arranged by David
Stocker. Text: Ancient
Liturgical Text. For SATB
Choir. (Accompaniment:
Keyboard). Sacred,
Concert. Level: Medium
Adult. 12 pages. Duration
2 min, 14 sec. Published
by Hinshaw Music Inc.
Ave Maria Chorale SATB - Intermédiaire Alfred Publishing
Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Russell L. Rob...(+)
Composed by Johann
Sebastian Bach and
Charles Gounod. Arranged
by Russell L. Robinson.
Choir Sacred. SATB choir.
Choral Octavo;
Masterworks. Choral
Designs. Baroque;
Masterwork Arrangement;
Sacred. 12 pages.
Published by Alfred Music
(Mixed Choir) SKU: HL.14072763 Composed by Johann Sebastian Bach. Arrange...(+)
(Mixed Choir)
SKU:
HL.14072763
Composed
by Johann Sebastian Bach.
Arranged by Wallingford
Riegger. Choral. General
Merchandise. Duration 240
seconds. Music Sales
#SP10150. Published by
Music Sales
(HL.14072763).
Composed by Johan Sebastian Bach. Edited by Neil Jenkins. Music Sales America. M...(+)
Composed by Johan
Sebastian Bach. Edited by
Neil Jenkins. Music Sales
America. Masterworks,
Sacred, Classical. 64
pages. Novello and Co
Ltd. #NOV079024.
Published by Novello and
Co Ltd.
Vierstimmige
Gesange. Composed by
LANG. Edited by Hans
Lang. Sheet music.
Edition Schott.
Classical. 1201 pages.
Schott Music #ED 4051.
Published by Schott Music
(HL.49004607).
SATB and Piano Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045962...(+)
SATB and Piano Choral;
Piano Accompaniment (SATB
with Piano)
SKU:
HL.49045962
Classics Newly
Arranged: 8 Classical
Themes SATB and
Piano. Edited by
Manfred Sievritts. Choral
Collection. Classical.
Softcover. 48 pages.
Schott Music #ED20506.
Published by Schott Music
(HL.49045962).
Famous catchy
tunes of classical
instrumental music have
been rearranged for
four-part mixed choir in
the pop, swing, rock and
Latinstyles. This express
transfer from the
'serious' world of the
original versions into
the 'more modern' genres
makes us smile - not
least due to the
not-so-serious texts.
Bach, Mozart, Vivaldi,
Haydn, even Beethoven:
Would they have smiled
too? You bet! Content
text: The Quattro
Stagioni-Song (Antonio
Vivaldi: Violinkonzert
op. 8) Siciliano Bossa
Nova (J. S. Bach:
Siziliano aus der
Flotensonate BWV 1031)
Our Little Nightmusic (W.
A. Mozart: Eine kleine
Nachtmusik KV 525) The
Alla Turca (W. A. Mozart:
Alla Turca, 3. Satz aus
der Klaviersonate KV 331)
Fate of Beethoven (L. van
Beethoven: 5. Symphonie
op. 67) Elisa's
Dedication (L. van
Beethoven: Fur Elise)
John the Bastian (J.S.
Bach) Kettledrum Song (J.
Haydn).
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo)
SKU:
CA.3550311
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Basso
continuo. Sacred vocal
music, Masses, Latin.
Single Part, basso
continuo. 4 pages. Carus
Verlag #CV 35.503/11.
Published by Carus Verlag
(CA.3550311).
ISBN
9790007213473. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300.
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo)
SKU:
CA.3550348
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. 8 pages. Carus
Verlag #CV 35.503/48.
Published by Carus Verlag
(CA.3550348).
ISBN
9790007213497. Language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300.
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo)
SKU:
CA.3550349
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. 8 pages. Carus
Verlag #CV 35.503/49.
Published by Carus Verlag
(CA.3550349).
ISBN
9790007213503. Language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300.
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo)
SKU:
CA.3550319
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Carus Verlag #CV
35.503/19. Published by
Carus Verlag
(CA.3550319).
ISBN
9790007213480. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
parts available
separately - see item
CA.3550300.
SATB choir, basso continuo SKU: CA.2708800 Composed by Johann Christoph A...(+)
SATB choir, basso
continuo
SKU:
CA.2708800
Composed
by Johann Christoph
Altnickol. Edited by Uwe
Wolf. Arranged by
Angelika Tasler. This
edition: urtext.
Stuttgart Urtext Edition.
Sacred vocal music, Mass
sections. Full score. 8
pages. Duration 2
minutes. Carus Verlag #CV
27.088/00. Published by
Carus Verlag
(CA.2708800).
ISBN
9790007165987. Key: F
major. Text language:
Latin.
Ultimately,
he is a pupil for whom I
need not feel
embarrassed, wrote J. S.
Bach, summarizing the
qualities of his
son-in-law to be, J. C:
Altnickol. Altnickol's
two settings of the
Sanctus, based on a
Gregorian cantus firmus,
are among his few works
which have survived.
While in the second of
these compositions he
chose to write a
polyphonic choral
setting, in the first
Sanctus he allows all
four voices of the choir
to sing unisono,
accompanied by a
polyphonically treated
string ensemble. In both
compositions, however, he
proves himself to be a
contrapuntalist fully
worthy of Bach's
appraisal.
SATB choir, basso continuo SKU: CA.2708805 Composed by Johann Christoph A...(+)
SATB choir, basso
continuo
SKU:
CA.2708805
Composed
by Johann Christoph
Altnickol. Edited by Uwe
Wolf. Arranged by
Angelika Tasler. This
edition: urtext.
Stuttgart Urtext Edition.
Sacred vocal music, Mass
sections. Choral Score. 4
pages. Duration 2
minutes. Carus Verlag #CV
27.088/05. Published by
Carus Verlag
(CA.2708805).
ISBN
9790007200213. Key: F
major. Text language:
Latin.
Ultimately,
he is a pupil for whom I
need not feel
embarrassed, wrote J. S.
Bach, summarizing the
qualities of his
son-in-law to be, J. C:
Altnickol. Altnickol's
two settings of the
Sanctus, based on a
Gregorian cantus firmus,
are among his few works
which have survived.
While in the second of
these compositions he
chose to write a
polyphonic choral
setting, in the first
Sanctus he allows all
four voices of the choir
to sing unisono,
accompanied by a
polyphonically treated
string ensemble. In both
compositions, however, he
proves himself to be a
contrapuntalist fully
worthy of Bach's
appraisal. Score
available separately -
see item CA.2708800.
SATB choir - Moderate SKU: LP.765762156807 Composed by J.S. Bach & Tom Fe...(+)
SATB choir - Moderate
SKU:
LP.765762156807
Composed by J.S. Bach &
Tom Fettke. Arranged by
Marty Parks. Anthems.
Classical and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.765762156807).
UPC:
765762156807.
This
classic hymn text is
introduced in this
setting by what is
possibly J.S. Bach's most
beautiful melody.
Beginning simply and
ending powerfully
Beautiful Savior remains
accessible and basically
2-part choral writing
throughout.