Magnificat in D Chorale SATB [Set de Parties séparées] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arran...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Magnificat in D
(Leisinger). Magnificats,
Christmas. Complete
orchestral parts. BWV
243. Published by Carus
Verlag (CA.3124319).
Choral (SATB) SKU: HL.35032522 Composed by Thomas Fettke. Shawnee Sacred....(+)
Choral (SATB)
SKU:
HL.35032522
Composed
by Thomas Fettke. Shawnee
Sacred. Easter, General
Worship, Holy Week,
Sacred. Octavo. Duration
260 seconds. Published by
Shawnee Press
(HL.35032522).
UPC:
888680895433.
6.75x10.5x0.023 inches.
Ken Bible/Tom Fettke.
Acts 1:11, Isaiah 35:10,
John 3:14-21, Mark
14:65.
Time-honored
words are supported and
expanded upon by a new
text creating a loving
portrait of Christ for
Holy Week. Incorporating
the hymn “Man of
Sorrows, What a
Name,†the music is
uncluttered and
restrained, allowing the
words to speak and
minister. Each verse
receives special musical
consideration with
varying harmonic
textures, key and mode
changes, and
accompaniment treatment
so that the words
communicate and
penetrate. For churches
of any size looking for
an expressive choral
moment!
SATB choir - Level 2 SKU: CA.307830 Magnificat - Antiphon in der oster...(+)
SATB choir - Level 2
SKU: CA.307830
Magnificat - Antiphon
in der osterlichen
Busszeit. Composed by
Michael Hoppe. Separate
edition with choral
collection. Sacred vocal
music, Magnificats, Lent
and Passiontide. Full
score. Composed 2002.
Duration 1 minute. Carus
Verlag #CV 03.078/30.
Published by Carus Verlag
(CA.307830).
For SATB Chorus,
ChildrenÂ’s Chorus
(opt.) & Orchestra.
Composed by John Thomas
Dodson. Vocal/Choral,
Sacred Choral, Orchestra.
Christmas,
Children’s Chorus.
Choral Octavo. Subito
Music Corporation
#18070021. Published by
Subito Music Corporation
(SU.18070021).
Single-movement
setting of the
traditional Greensleeves.
Can be performed without
the Children's Chorus by
replacing their parts
(cued) with Sopranos and
Altos from the
chorus.Also Available:
Study Score (Cat.
#18070020)SATB Chorus,
Children’s Chorus
(opt.) & Orchestra
Duration: 5’30
Composed: 2021 Published
by: John Thomas Dodson
Minimum order quantity: 8
copies. To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. Performance
materials available on
rental:.
For SATB Chorus,
ChildrenÂ’s Chorus
(opt.) & Orchestra.
Composed by John Thomas
Dodson. Vocal/Choral,
Sacred Choral, Orchestra.
Christmas,
Children’s Chorus.
Study Score. Subito Music
Corporation #18070020.
Published by Subito Music
Corporation
(SU.18070020).
Single-movement
setting of the
traditional Greensleeves.
Can be performed without
the Children's Chorus by
replacing their parts
(cued) with Sopranos and
Altos from the
chorus.Also Available:
Vocal Score (Cat.
#18070021)SATB Chorus,
Children’s Chorus
(opt.) & Orchestra
Duration: 5’30
Composed: 2021 Published
by: John Thomas Dodson
Performance materials
available on rental:.
Choir (SATB choir) SKU: AP.47735 Composed by Ted Hutchinson. Arranged by ...(+)
Choir (SATB choir)
SKU: AP.47735
Composed by Ted
Hutchinson. Arranged by
Thomas Fettke.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Sacred. Choral
Octavo. 16 pages. Alfred
Music #00-47735.
Published by Alfred Music
(AP.47735).
UPC:
038081544281.
English.
Made
popular by American Idol
star David Archuleta and
the Mormon Tabernacle
Choir on their Glad
Christmas Tidings album,
this original carol tells
the Christmas story from
the perspective of two
animals in the stable.
And the night skies rang
as the angels sang, when
love came down to the
earth. Appropriate for
both school and
church.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Opera Vocal Soloists, SATB Chorus, Orchestra SKU: PR.411411640 An Oper...(+)
Opera Vocal Soloists,
SATB Chorus, Orchestra
SKU: PR.411411640
An Opera in Two
Acts. Composed by
Ricky Ian Gordon. Vocal
score. Duration 2
minutes, 30 seconds.
Theodore Presser Company
#411-41164. Published by
Theodore Presser Company
(PR.411411640).
ISBN
9781491137642. UPC:
680160691098. The Garden
of the Finzi-Continis
novel by Giorgio
Bassani.
Based on
Bassani’s 1962 novel,
THE GARDEN OF THE
FINZI-CONTINIS dramatizes
the true story of a
prosperous Jewish
family’s disruptions
and consequences from
state-mandated
antisemitism in Italy
during World War II.
Gordon describes the
opera as “romantic,
sun-drenched, and
cataclysmic, all at the
same time.” This
dramatically topical and
personal grand opera
premiered at New York
City Opera and National
Yiddish Theatre
Folksbiene to rave
reviews in 2022. Chris
Ruel wrote in OperaWire,
“I have chosen Ricky
Ian Gordon and Michael
Korie’s THE GARDEN OF
THE FINZI-CONTINIS as my
favorite opera of
2022.”. At one
point, in 2008, I was
walking down 72nd Street,
and I passed the video
store, (this is when
there were video stores)
and I thought to myself,
I wonder if Kevin (my
partner) has ever seen
The Garden of the
Finzi-Continis? which was
always one of my favorite
movies. My reaction when
we watched it that night
was unlike any other time
I had seen it. I was
wrenched, sobbing,
inconsolable. My heart
felt like the autumn
leaves we see blowing
through the garden at the
end of the movie. It
seemed immediately that
this had to be my next
opera. I called Michael
Korie, and we both bought
the Bassani novel and
read it. We settled on
it. It felt clear that we
both had a collective
story to tell through
it.Because this opera is
so close to both of our
hearts, it is dedicated
to our fathers.It is not
only that The Garden of
the Finzi-Continis is a
Holocaust story that
makes it so resonant for
me, though obviously this
is no small matter, but
the tragedy of people
trying to live their
lives, or actually living
them, their petty
disappointments, their
heartbreaks, against the
backdrop of total
catastrophe… that makes
it so moving. They cannot
possibly imagine what
will befall them, but we
know… and this makes
their every move
fascinating and
devastating… like
watching moths under a
glass. It is romantic,
sun-drenched and
cataclysmic, all at the
same time.This is why I
had to write it.
When the Poor Ones Chorale SATB SATB, Piano - Intermédiaire MorningStar Music Publishers
Composed by David M. Cherwien. Bestseller. Catholic Year A Ordinary4; Catholic Y...(+)
Composed by David M.
Cherwien. Bestseller.
Catholic Year A
Ordinary4; Catholic Year
A Ordinary5; Year A
Epiphany4; Catholic Year
C Ordinary25; Catholic
Year C Ordinary26;
Catholic Year C Easter3;
Catholic Year C
Ordinary3; Year C
Easter3; Year C
Epiphany3; Year C
Pentecost15;Year C
Pentecost8; Cat. Lent,
Advent, 21st Century,
Healing, Trust/Guidance,
Justice/Peace/Social
Concerns. Octavo.
MorningStar Music
Publishers #50-5425.
Published by MorningStar
Music Publishers
Choral (SATB) SKU: HL.1428118 Arranged by Cedric Dent. Gentry Publication...(+)
Choral (SATB)
SKU:
HL.1428118
Arranged
by Cedric Dent. Gentry
Publications. Octavo.
Gentry Publications
#JG2698. Published by
Gentry Publications
(HL.1428118).
UPC:
196288202240.
“My
Lord! What a Morning”
follows the tradition of
spirituals by opening
with a soulful chorus
expressing deep
sentiment. The verse that
ensues not only
introduces musical
diversity but also serves
as the narrative
foundation, providing
context for the emotional
chorus that follows. This
structure creates a
compelling ABA format:
while the A section
vividly describes the
falling stars, the B
section poignantly
alludes to the impending
second coming of the Son
of God as the catalyst
behind this celestial
event. This piece
captures the stark
contrast of the B section
through staggered vocal
entrances, a brisker
tempo, and a crescendo
culminating in a
hauntingly profound chord
on the word
“underground” in bar
22. This is predominantly
an SAB arrangement,
occasionally diverging
with nuanced vocal splits
in the lowest voice part.
The juxtaposition of
these elements ensures an
evocative and captivating
performance, painting a
vivid musical picture of
this spiritual
masterpiece.
SATB choir, piano SKU: LO.15-4070H Composed by Michael Malthaner. Choral....(+)
SATB choir, piano
SKU:
LO.15-4070H
Composed
by Michael Malthaner.
Choral. Christmas,
Concert, Secular
Christmas. Octavo.
Heritage Music Press
#15/4070H. Published by
Heritage Music Press
(LO.15-4070H).
ISBN
9780787779733.
It's
about time that someone
asked the question What
Were You Thinking?
regarding the gifts in
The Twelve Days of
Christmas. This humorous
commentary on the
impracticality of
twenty-three birds, eight
cows, fifty people, and a
tree will have your
audiences erupting with
laughter. The
conversational approach
to this piece allows for
opportunities to stage
your choir accordingly to
help express the
back-and-forth dialogue
and intensification of
the argument before
arriving at a happy
conclusion.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
1x 31.117/21 flute 1, 1x
31.117/22 flute 2, 1x
31.117/23 oboe 1, 1x
31.117/24 oboe 2. Harmony
parts. Sacred vocal
music, Cantatas, Praise
and thanks. Set of
Orchestra Parts. Composed
1728/1731. BWV 117. 16
pages. Duration 26
minutes. Carus Verlag #CV
31.117/09. Published by
Carus Verlag
(CA.3111709).
ISBN
9790007048662. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Organ. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Organ. Composed
1728/1731. BWV 117. 24
pages. Duration 26
minutes. Carus Verlag #CV
31.117/49. Published by
Carus Verlag
(CA.3111749).
ISBN
9790007048716. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Viola. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Viola. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/13. Published by
Carus Verlag
(CA.3111713).
ISBN
9790007048693. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 1. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 1. Composed
1728/1731. BWV 117. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.117/11. Published by
Carus Verlag
(CA.3111711).
ISBN
9790007048679. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Full score.
Composed 1728/1731. BWV
117. 52 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/00. Published
by Carus Verlag
(CA.3111700).
ISBN
9790007048631. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 2. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 2. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/12. Published by
Carus Verlag
(CA.3111712).
ISBN
9790007048686. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten Gut
neu. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Sacred vocal music,
Cantatas, Praise and
thanks. Choral Score.
Composed 1728/1731. BWV
117. 4 pages. Duration 26
minutes. Carus Verlag #CV
31.117/05. Published by
Carus Verlag
(CA.3111705).
ISBN
9790007048655. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Set of Orchestra
Parts. Composed
1728/1731. BWV 117.
Duration 26 minutes.
Carus Verlag #CV
31.117/19. Published by
Carus Verlag
(CA.3111719).
ISBN
9790007136666. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
Sacred vocal music,
Cantatas, Praise and
thanks. Vocal score.
Composed 1728/1731. BWV
117. 28 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/03. Published
by Carus Verlag
(CA.3111703).
ISBN
9790007048648. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Cello/Double Bass.
Composed 1728/1731. BWV
117. 16 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/14. Published
by Carus Verlag
(CA.3111714).
ISBN
9790007048709. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
SATB choir SKU: LP.765762190801 A Worship Event Lifting Up the Name of...(+)
SATB choir
SKU:
LP.765762190801
A
Worship Event Lifting Up
the Name of Jesus.
Arranged by Gary Rhodes &
Tim Cates. Musical.
Sacred. DVD/CD Preview
Pack. Published by
Lillenas Publishing
Company
(LP.765762190801).
ISBN 9780834179202.
UPC:
765762190801.
Your
Great Name is a new and
exciting musical that is
perfect for Easter or for
any powerful service of
praise anytime in the
church year! Created and
arranged by Gary Rhodes
and orchestrated by Tim
Cates this collection by
some of the most popular
artists and songwriters
is truly an event! From
quiet and worshipful
moments to lively and
exuberant celebrations
this musical worship
experience lifts high the
name of Jesus. You will
love the arrangements of
some of today's most
popular worship songs
like Jesus Saves Your
Great Name Always and Oh
the Blood and will be
swept away by new
arrangement of classic
favorites like Because He
Lives and O the Deep Deep
Love of Jesus..
Edited by Bob Dingley, arranged by Harry T. Burleigh. Octavo for SATB choir (A C...(+)
Edited by Bob Dingley,
arranged by Harry T.
Burleigh. Octavo for SATB
choir (A Cappella). With
piano rehearsal part.
Negro Spiritual. Series:
Educational choral octavo
(SATB). 8 pages.
Published by Franco
Columbo, Inc.
Choir Sacred (SATB choir) SKU: AP.45657 Performance Music Ensemble; Singl...(+)
Choir Sacred (SATB choir)
SKU: AP.45657
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Sacred. Choral Octavo. 8
pages. Alfred Music
#00-45657. Published by
Alfred Music (AP.45657).
UPC: 038081513966.
English. Victor C.
Johnson.
A delicate
piano introduction leads
the listener to an
elegant setting of
Christina Rossetti's
inquisitive poem.
Well-conceived voice
leading makes the fully
realized choral harmony
beautifully singable, and
each voice part gets a
turn with the celestial
melody. Text painting,
lyrical lines, warm
suspensions, emotional
range---it's all here,
ready to amaze audiences
and adjudicators.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
SATB Choir (Mixed choir) SKU: BA.BA04198 Posthumously handed down Magn...(+)
SATB Choir (Mixed choir)
SKU: BA.BA04198
Posthumously handed
down Magnificat
compositions, works of
doubtful authenticity,
models, registers.
Composed by Orlande De
Lassus. Edited by James
Erb. This edition:
complete edition, urtext
edition. Linen. Orlando
di Lasso, Complete Works
(Samtliche Werke - Neue
Reihe), Volume 17.
Complete edition,
anthology. Baerenreiter
Verlag #BA04198_00.
Published by Baerenreiter
Verlag (BA.BA04198).
ISBN 9790006444779.
27.5 x 19.5 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding