Offertorium.
Tenor-Arie mit Chor.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Offertorium
Intende Voci Fur Tenor.
Sacred vocal music.
Single Part, Double Bass.
Composed 1828. D 963. 4
pages. Duration 10
minutes. Carus Verlag #CV
70.046/15. Published by
Carus Verlag
(CA.7004615).
ISBN
9790007227937. Key: B
flat major. Language:
Latin.
In contrast
to his earlier short
church works, some of
which rely stylistically
on baroque and classical
models, in this work
Schubert has discovered
his own personal and
romantically coloured
church music idiom.
Elements of this new
church style include
iteration which creates
atmosphere, the subtle
introduction of wind
instrument, and sounds
which die away to
nothing, an effect which
Schubert also employed in
the Mass in E flat. Score
and part available
separately - see item
CA.7004600.
Offertorium.
Tenor-Arie mit Chor.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Offertorium
Intende Voci Fur Tenor.
Sacred vocal music. Set
of Orchestra Parts.
Composed 1828. D 963.
Duration 10 minutes.
Carus Verlag #CV
70.046/19. Published by
Carus Verlag
(CA.7004619).
ISBN
9790007138509. Key: B
flat major. Language:
Latin.
In contrast
to his earlier short
church works, some of
which rely stylistically
on baroque and classical
models, in this work
Schubert has discovered
his own personal and
romantically coloured
church music idiom.
Elements of this new
church style include
iteration which creates
atmosphere, the subtle
introduction of wind
instrument, and sounds
which die away to
nothing, an effect which
Schubert also employed in
the Mass in E flat. Score
and parts available
separately - see item
CA.7004600.
Offertorium.
Tenor-Arie mit Chor.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Offertorium
Intende Voci Fur Tenor.
Sacred vocal music.
Choral Score. Composed
1828. D 963. 8 pages.
Duration 10 minutes.
Carus Verlag #CV
70.046/05. Published by
Carus Verlag
(CA.7004605).
ISBN
9790007107666. Key: B
flat major. Language:
Latin.
In contrast
to his earlier short
church works, some of
which rely stylistically
on baroque and classical
models, in this work
Schubert has discovered
his own personal and
romantically coloured
church music idiom.
Elements of this new
church style include
iteration which creates
atmosphere, the subtle
introduction of wind
instrument, and sounds
which die away to
nothing, an effect which
Schubert also employed in
the Mass in E flat. Score
available separately -
see item CA.7004600.
Offertorium.
Tenor-Arie mit Chor.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext. 1x
70.046/21 oboe, 1x
70.046/22 clarinet 1, 1x
70.046/23 clarinet 2, 1x
70.046/24 bassoon 1, 1x
70.046/25 bassoon 2, 1x
70.046/31 horn 1, 1x
70.046/32 horn 2, 1x
70.046/33 trombone 1, 1x
70.046/34 trombone 2, 1x
70.046/35 trombone 3.
Stuttgart Urtext Edition:
Schubert. Offertorium
Intende Voci Fur Tenor.
Sacred vocal music. Set
of Orchestra Parts.
Composed 1828. D 963. 20
pages. Duration 10
minutes. Carus Verlag #CV
70.046/09. Published by
Carus Verlag
(CA.7004609).
ISBN
9790007227883. Key: B
flat major. Language:
Latin.
In contrast
to his earlier short
church works, some of
which rely stylistically
on baroque and classical
models, in this work
Schubert has discovered
his own personal and
romantically coloured
church music idiom.
Elements of this new
church style include
iteration which creates
atmosphere, the subtle
introduction of wind
instrument, and sounds
which die away to
nothing, an effect which
Schubert also employed in
the Mass in E flat. Score
and parts available
separately - see item
CA.7004600.
SATB choir, piano SKU: LO.15-3988H Composed by Douglas E. Wagner. Choral....(+)
SATB choir, piano
SKU:
LO.15-3988H
Composed
by Douglas E. Wagner.
Choral. Concert. Octavo.
Heritage Music Press
#15/3988H. Published by
Heritage Music Press
(LO.15-3988H).
ISBN
9780787778484.
Roma
ntic era composer Robert
Schumann's love song,
Widmung (Dedication) has
been arranged for SATB
choirs with the original
German text by Friedrich
RuÌ?ckert. Arranger,
Douglas E. Wagner has
written English lyrics as
a performance option.
This sentimental work is
beautifully set for
choirs with an expressive
optional cello
accompaniment. Mature
choirs will love the
musicality and elegant
nature of this work.
Composed
by Heinrich von
Herzogenberg. Children's
choir. Sacred vocal
music, Oratorios,
Christmas. Choral Score.
Op. 90. 4 pages. Carus
Verlag #CV 40.196/06.
Published by Carus Verlag
(CA.4019606).
ISBN
9790007181482. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score available
separately - see item
CA.4019600.
Composed
by Heinrich von
Herzogenberg. Complete
orchestral parts. Sacred
vocal music, Oratorios,
Christmas. Set of
Orchestra Parts. Op. 90.
Carus Verlag #CV
40.196/19. Published by
Carus Verlag
(CA.4019619).
ISBN
9790007133146. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score and parts available
separately - see item
CA.4019600.
Composed
by Heinrich von
Herzogenberg.
Congregation. Sacred
vocal music, Oratorios,
Christmas. Single Part,
Gemeinde. Op. 90. 4
pages. Carus Verlag #CV
40.196/08. Published by
Carus Verlag
(CA.4019608).
ISBN
9790007076221. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score and part available
separately - see item
CA.4019600.
Composed
by Heinrich von
Herzogenberg. Sacred
vocal music, Oratorios,
Christmas. Choral Score.
Op. 90. 40 pages. Carus
Verlag #CV 40.196/05.
Published by Carus Verlag
(CA.4019605).
ISBN
9790007064877. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score available
separately - see item
CA.4019600.
Romantic drama in four
acts. Composed by
Franz Schubert. Edited by
Christine Martin and
Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition II, 9. Complete
edition, Score. D 797.
Duration 50 minutes.
Baerenreiter Verlag
#BA05570_01. Published by
Baerenreiter Verlag
(BA.BA05570-01).
ISBN
9790006497386. 33 x 26 cm
inches. Language: German.
Preface: Christine
Martin. Text: Helmina von
Chezy.
On 20
December 1823 Helmina von
Chezy'sRosamundereceived
its premiere performance
at Vienna's Theater an
der Wien.
Unfortunately the
Viennese version of this
drama with ghosts,
pirates, attempted
poisonings and other
horrifying ingredients
has not survived - unlike
Schubert's popular
incidental music which
also includes choruses
and dances. This music
was already highly
praised by contemporary
critics, with special
acknowledgment given
tothe genius of this
much-loved master. As
evidence of its
popularity, the overture
and theHunters' Chorushad
to be encored at the
premiere.
Now
Barenreiter is issuing
one of Schubert's
best-known compositions
in a complete vocal score
with piano
reduction.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding