Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49019927
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 12
pages. Schott Music
#ED21773-01. Published by
Schott Music
(HL.49019927).
ISBN
9790001196956.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044071
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover. 8
pages. Schott Music
#ED21773-11. Published by
Schott Music
(HL.49044071).
ISBN
9790001199063.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
(Je Ne Fus Jamais Si Aise). Composed by Linda Spevacek. For SATB choir (a cappel...(+)
(Je Ne Fus Jamais Si
Aise). Composed by Linda
Spevacek. For SATB choir
(a cappella) (with
optional recorder,
continuo (cello, digital
keyboard), hand drum,
tambourine, finger
cymbals). Christmas,
Concert. Octavo. Text
language: French.
Published by Heritage
Music Press
Composed by Michael Haydn (1737-1806). Edited by Martin Banner. For SATB c...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Martin Banner. For SATB
choir and keyboard.
Octavo.
19 pages. Published by
Alliance Music
Publications
Composed by Michael Haydn (1737-1806). Edited by Martin Banner. For SATB choir, ...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Martin Banner. For SATB
choir, 2 horns in G, 2
violins, cello, double
bass and continuo. Full
score and instrumental
parts. Published by
Alliance Music
Publications
Cantata for the Sunday
of Estomihi. Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat,
Felix Loy. Stuttgart
Urtext Edition: Bach
vocal. German title: Herr
Jesu Christ. Sacred vocal
music, Cantatas, Special
days, Lent and
Passiontide, Holy Week,
Mourning, death. Single
Part, Cello/Double Bass.
Composed 1725. BWV 127. 8
pages. Duration 21
minutes. Carus Verlag #CV
31.127/14. Published by
Carus Verlag
(CA.3112714).
ISBN
9790007048891. Key: F
major. Language:
German/English. Text:
Eber, Paul. Text: Paul
Eber.
Cantata BWV
127 belongs to the cycle
of chorale cantatas which
Bach performed in 1724/25
in Leipzig. It bears
close links to the St
John Passion, which was
performed on Good Friday
1725 in its second
version. In formal terms
and in the interpretation
of the text and its
orchestration, it is one
of the most astonishing
vocal works by Bach. The
opening chorus, with its
multi-layered
construction, is nothing
less than a preliminary
version for the chorale
fantasia O Mensch bewein
dein Sunde gross. The
aria Die Seele ruht in
Jesu Handen is
distinguished by its
exquisite scoring: a solo
oboe and the soprano form
a duet, whilst the
background comprises
delicate chords on
recorders and continuo,
intended to symbolize
funeral bells. A solo
trumpet gives the
following movement
particular brilliance.
The words Ich breche mit
starker und helfender
Hand unmistakably
anticipate the chorus
Sind Blitze, sind Donner
in Wolken verschwunden
from the St Matthew
Passion. New revised
edition. Score and part
available separately -
see item CA.3112700.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. 2
violoncellos. Sacred
vocal music, End of the
church year. Single Part,
2 Cellos. Composed 1715.
BWV 163. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.163/15. Published by
Carus Verlag
(CA.3116315).
ISBN
9790007208998. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Cello/Double
Bass. Composed 1715(?).
BWV 18. 8 pages. Duration
21 minutes. Carus Verlag
#CV 31.018/15. Published
by Carus Verlag
(CA.3101815).
ISBN
9790007204884. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Zum
Osterfest Christ lag in
Todes Banden.
Composed by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Missa
Brevis Uber Christ Lag In
Todes. Sacred vocal
music, Missa brevis in
Latin, Easter and
Eastertide. Choral Score.
Composed 1720. TVWV 9:3.
12 pages. Duration 10
minutes. Carus Verlag #CV
39.098/05. Published by
Carus Verlag
(CA.3909805).
ISBN
9790007162122. Language:
Latin.
Telemann's
Missa brevis on the
Easter chorale Christ lag
in Todes Banden is one of
his eleven surviving
Latin Missae breves based
on church hymns. The
motet-like composition
calls for a mixed choir
accompanied by a basso
continuo, reinforced by
colla-parte instruments.
However, the mass can
also be performed solely
with an organ
accompaniment. Score
available separately -
see item CA.3909800.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, End of the church
year. Single Part, basso
continuo. Composed 1715.
BWV 163. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.163/14. Published by
Carus Verlag
(CA.3116314).
ISBN
9790007208981. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Chorus
for St. Michael's
Day. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nun Ist Das Heil Und Die
Kraft (U.Wolf). Sacred
vocal music, Cantatas,
Special days, Psalms.
Single Part, Cello/Double
Bass. Composed circa
1740. BWV 50. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 31.050/14.
Published by Carus Verlag
(CA.3105014).
ISBN
9790007043100. Key: D
major. Language:
German/English.
Com
posed in the late period,
around 1740 A lively
discussion about the
choral movement Nun ist
das Heil und die Kraft
has been carried on, in
which not only all
previous assumptions have
been called into question
- including Bach's
authorship - but also
show how little we know
about the history of this
magnificent movement.
Even though there is
little to refute the 1982
presumption that the work
was handed down in the
form of an arrangement,
the question remains open
concerning the identity
of the arranger, as well
as the alleged form of
the original design.
Therefore it seemed
appropriate to forego any
attempts at
reconstruct-ion. Rather,
for the present new
edition the music has
been critically examined
and commented upon based
on the surviving copy
from Bach's circle. Score
and part available
separately - see item
CA.3105000.
Composed by Baldassare
Galuppi. Cathedral.
Choral, Evensong,
Festival, General. Sheet
music. Paraclete Press
#9325. Published by
Paraclete Press
(PL.9325).
This
exuberant Magnificat
setting is written
entirely in the 'old
church' polyphonic style
or 'stile antico', based
upon and unified by a
Gregorian chant theme. In
keeping with the long
standing tradition of the
Venetian school, the work
is accompanied by a
traditional Baroque mixed
consort of strings,
trumpets, and continuo.
The strings and continuo
double the chorus parts
while the trumpet adds an
air of brilliance as it
soars above the sopranos.
The Gloria Patri
concludes the work in a
majestic triple
fugue.
Chorus for St.
Michael's Day.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Nun Ist Das Heil
Und Die Kraft (Kubik).
Sacred vocal music,
Cantatas, Special days.
Single Part, Cello/Double
Bass. Composed circa
1740. BWV 50. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 31.050/64.
Published by Carus Verlag
(CA.3105064).
ISBN
9790007206291. Key: D
major. Language:
German/English.
Com
posed in the late period,
around 1740 A lively
discussion about the
choral movement Nun ist
das Heil und die Kraft
has been carried on, in
which not only all
previous assumptions have
been called into
question-including Bach's
authorship-but also show
how little we know about
the history of this
magnificent movement.
Even though there is
little to refute the 1982
presumption that the work
was handed down in the
form of an arrangement,
the question remains open
concerning the identity
of the arranger, as well
as the alleged form of
the original design.
Therefore it seemed
appropriate to forego any
attempts at
reconstruction. Rather,
for the present new
edition the music has
been critically examined
and commented upon based
on the surviving copy
from Bach's
circle.
(zum Osterfest Christ lag in Todes Banden ). Composed by Georg Philipp Telemann...(+)
(zum Osterfest Christ
lag in Todes Banden ).
Composed by Georg Philipp
Telemann (1681-1767).
Edited by Klaus Hofmann.
For SATB choir, basso
continuo, [2 oboes, 2
violins, viola, cello,
violins/double bass,
bassoon]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Missa brevis uber
Christ lag in Todes.
Missa brevis in Latin,
Easter and Eastertide.
Full score. Language:
Latin. Composed 1720.
TVWV 9:3. Duration 10
minutes. Published by
Carus Verlag
Christmas cantata.
Composed by Johann
Wendelin Glaser. Edited
by Eberhard Hofmann. This
edition: urtext.
Stuttgart Urtext Edition.
Basso continuo. Sacred
vocal music, Cantatas,
Christmas. Single Part,
basso continuo. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 10.018/11.
Published by Carus Verlag
(CA.1001811).
ISBN
9790007189129. Text
language:
German.
Johann
Wendelin Glaser was born
in 1731 in Ostheim vor
der Rhon, Bavaria. In
1751 he became music
director in Wertheim, a
position he held until
his death in 1783. The
300 cantatas by this
exceptionally productive
composer were long
unknown, and were only
rediscovered by chance in
1910. The Christmas
cantata Daran ist
erschienen die Liebe
Gottes comprises five
movements, beginning with
an opening chorus,
followed by alternate
arias and recitatives. A
simple four-part chorale
concludes the work. The
cantata is
easy-to-perform for
choral singers and also
because of its small
instrumental scoring for
just two flutes (or other
melody instruments) and
basso continuo. Score and
part available separately
- see item
CA.1001800.
Composed by George
Frideric Handel. Edited
by Wolfgang Gersthofer.
This edition: urtext.
Stuttgart Urtext Edition:
Handel. Dixit Dominus
(Psalm 109). Innovative
practice aids, Sacred
vocal music, Psalms,
Latin. Set of Orchestra
Parts. Composed 1707. HWV
232. Duration 45 minutes.
Carus Verlag #CV
55.232/19. Published by
Carus Verlag
(CA.5523219).
ISBN
9790007097233. Language:
Latin.
Dixit
Dominus is not only
Handel's first important
church work, but it also
exceeds the scope and
design of both of his
other Latin psalm
settings. Although the
exact time and occasion
for the first performance
is not clear, today the
universality of this work
make it ideal for use in
festive worship services
or in concerts. With
Dixit Dominus Handel's
complete Latin psalm
settings are now
available from
Carus-Verlag in critical
editions. Score and parts
available separately -
see item CA.5523200.
Musikalisches
Drama. Composed by
Georg Philipp Telemann.
Edited by Ulf Grapenthin
and Wolfgang Hirschmann.
This edition: Edition of
selected works, Urtext
edition. Linen. Telemann
Musical Works. Volume 50.
Hamburg 1726. Edition of
selected works, Score.
Composed 1726. VWV 21.
Baerenreiter Verlag
#BA07799_00. Published by
Baerenreiter Verlag
(BA.BA07799).
ISBN
9790006498109. 33 x 26 cm
inches. Language: German.
Preface: Wolfgang
Hirschmann.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by George
Frideric Handel. Edited
by Wolfgang Gersthofer.
This edition: urtext.
Stuttgart Urtext Edition:
Handel. Dixit Dominus
(Psalm 109). Innovative
practice aids, Sacred
vocal music, Psalms,
Latin. Choral Score.
Composed 1707. HWV 232.
Duration 45 minutes.
Carus Verlag #CV
55.232/05. Published by
Carus Verlag
(CA.5523205).
ISBN
9790007128876. Language:
Latin.
Dixit
Dominus is not only
Handel's first important
church work, but it also
exceeds the scope and
design of both of his
other Latin psalm
settings. Although the
exact time and occasion
for the first performance
is not clear, today the
universality of this work
make it ideal for use in
festive worship services
or in concerts. With
Dixit Dominus Handel's
complete Latin psalm
settings are now
available from
Carus-Verlag in critical
editions. Score available
separately - see item
CA.5523200.
By J. P. Sweelinck. Arranged by John Rutter. For SSATB choir, a cappella/with en...(+)
By J. P. Sweelinck.
Arranged by John Rutter.
For SSATB choir, a
cappella/with ensemble
(Instrument 1 in C or Bb,
Instrument 2 in C or Bb,
Instrument 3 shown in
alto and tenor clef, and
for Horn in F, Instrument
4 shown in tenor and bass
clef), Instrument 5 in
bass clef, continuo bass
(for cello and optional
double bass), organ
continuo). This edition:
OCCO33. Mixed Voices.
Oxford Choral Classics
Octavos. Christmas Choral
Leaflet. Vocal score. 12
pages. Duration 3'
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/14. Published by
Carus Verlag
(CA.3100214).
ISBN
9790007041373. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044087
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. 12 pages.
Schott Music #ED21773-10.
Published by Schott Music
(HL.49044087).
ISBN
9790001196963.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044056
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 32
pages. Schott Music
#ED21773. Published by
Schott Music
(HL.49044056).
ISBN
9790001196208.
9.0x12.0x0.123 inches.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, End of the
church year. Set of
Orchestra Parts. Composed
1715. BWV 163. Duration
18 minutes. Carus Verlag
#CV 31.163/19. Published
by Carus Verlag
(CA.3116319).
ISBN
9790007141219. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and parts
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, End of the
church year. Single Part,
Organ. Composed 1715. BWV
163. 12 pages. Duration
18 minutes. Carus Verlag
#CV 31.163/49. Published
by Carus Verlag
(CA.3116349).
ISBN
9790007209001. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music, End
of the church year.
Single Part, Violin 2.
Composed 1715. BWV 163. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.163/12. Published by
Carus Verlag
(CA.3116312).
ISBN
9790007208967. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music, End
of the church year.
Single Part, Violin 1.
Composed 1715. BWV 163. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.163/11. Published by
Carus Verlag
(CA.3116311).
ISBN
9790007208950. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, End of the
church year. Single Part,
Viola. Composed 1715. BWV
163. 2 pages. Duration 18
minutes. Carus Verlag #CV
31.163/13. Published by
Carus Verlag
(CA.3116313).
ISBN
9790007208974. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Composed by Michael Haydn (1737-1806). Edited by Martin Banner. Octavo. Allian...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Martin
Banner. Octavo. Alliance
Music Publications #AMP
1103.
Published by Alliance
Music
Publications