(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir)
SKU:
HL.277282
SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282).
UPC:
840126915006. 6.75x10.5
inches.
Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo.
By Various. Edited by Mailander, Richard / Bonig, Winfried / Schuhenn, Reiner / ...(+)
By Various. Edited by
Mailander, Richard /
Bonig, Winfried /
Schuhenn, Reiner /
Kohlhaas, Emmanuela. This
edition: paperbound.
Sacred, Hymns,
Magnificat, Motets,
Psalms, German;
Occasions: Peace and
Justice, Praise and
thanks, Our Father; Use
during church year:
Advent, Easter and
Eastertide, Pentecost,
Christmas. Choral
collection. 216 pages
By Various. Edited by Hellmann, Diethard / Biller, Georg Christoph. This edition...(+)
By Various. Edited by
Hellmann, Diethard /
Biller, Georg Christoph.
This edition: paperbound.
Sacred, Hymn settings,
Motets; Choral
Collections, Mixed Choir;
Use during church year:
Advent, Christmas. Choral
collection. 64 pages
By Various. Edited by Hildebrandt, Herbert. This edition: paperbound. Sacred, Hy...(+)
By Various. Edited by
Hildebrandt, Herbert.
This edition: paperbound.
Sacred, Hymn settings,
Mass Sections, Motets,
Psalms, German; Choral
Collections, SAM Choir;
Occasions: Eucharist,
Communion, Praise and
thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Advent,
Special. Choral
collection. 116 pages
By Colin Mawby. Arranged by Colin Mawby. For Choir. Mixed voices (SATB). Sacred....(+)
By Colin Mawby. Arranged
by Colin Mawby. For
Choir. Mixed voices
(SATB). Sacred. Book.
Published by Kevin Mayhew
Publishers (U.K. Import).
Level: Multiple
Levels.
By Michael Praetorius (1571-1621). This edition: paperbound. Psalms, German; Cho...(+)
By Michael Praetorius
(1571-1621). This
edition: paperbound.
Psalms, German; Choral
Collection for SAM Choir;
Occasions: Praise and
thanks, Our Father; Use
during chuch year: Easter
and Eastertide,
Pentecost. Collection.
100 pages
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Composed by Leonhard
Lechner. Edited by Konrad
Ameln. This edition:
complete edition, urtext
edition. Linen. Leonhard
Lechner Works 7. Lieder
(Songs). Complete
edition, Singing Score,
anthology. Composed 1582.
Baerenreiter Verlag
#BA02937_00. Published by
Baerenreiter Verlag
(BA.BA02937).
ISBN
9790006427765. 27.6 x
19.8 cm inches.
24
Kompositionen. Urtext der
Lechner-Gesamtausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir SKU: ST.B934 Composed by Brian Wren. Hymns & Relgious Drama. ...(+)
Mixed choir
SKU:
ST.B934
Composed by
Brian Wren. Hymns &
Relgious Drama. Hymns
& Psalms 2009-2012. .
If ordering from USA,
Canada, Australia or New
Zealand please contact.
Collection. Stainer &
Bell Ltd. #B934.
Published by Stainer &
Bell Ltd. (ST.B934).
ISBN
9780852499344.
This
, the ninth of a series
of books begun in 1983,
contains Brian Wren's 36
most recent hymns (2009
to 2012). It is nicely
presented and laid out in
a user-friendly way. The
hymns are divided into
five thematic sections:
Jesus from Cradle to
Cross; Easter Hymns;
Church and Mission;
Praise; and Metrical
Psalms. This last
section, rooted in
(though not bound by) the
Old Testament, is often
influenced by Isaac Watts
and will be of more use
to some than others; it
concludes with a
tremendous rendering of
Psalm 8; a paean of
praise which all will
love, set to a stirring
tune.
Each
section is prefaced with
a single page
introduction listing the
contents and, in some
instances, giving an
interesting insight into
Brian Wren's theology and
thinking which provides
food for contemplation.
Each hymn is printed in
words format with all the
necessary information for
inclusion in an order of
worship. Every hymn is
also printed with full
score music for
accompaniment interlined
with the words. The book
is slightly larger than
A5, and there are various
useful indexes.
The tunes range from
ancient to modern, some
very familiar, including
Candler (better known as
Ye Banks and
Braes). A number are
of a metre where
alternative tunes are
available. Those tunes
which are new vary in
ease of use; some will be
readily picked up, others
would prove challenging
for occasional use in a
small congregation but
could be used as music
group items.
These are hymns which
need to be read as a
whole and require
thought. The words are
chosen with care and
notable as much for those
not used as those
included e.g.: 'Christ,
untameably alive,/
breathe your life upon us
- / Compass, Governor and
Guide, / with us and
beyond us,/ Sky and
Sunlight, / spreading
Vine./ Spring of Living
Water,/ Truth and Wisdom,
Way and Word,/ here, and
then hereafter.' These
hymns will be useful in
worship as either sung or
read pieces, and will
also prove an invaluable
resource for private
devotion.
SATB choir - Easy to Moderate SKU: WD.080689878121 Behold the Cross of...(+)
SATB choir - Easy to
Moderate
SKU:
WD.080689878121
Behold the Cross of
Christ. Composed by
Marty Parks. Arranged by
Marty Parks. Choral,
cantatas. Christmas.
Accompaniment CD (split).
Duration 40-45 minutes.
Word Music #080689878121.
Published by Word Music
(WD.080689878121).
UPC:
080689878121.
Jesus
made an astounding claim
in Luke 4. When He
proclaimed that He was
the fulfillment of
Isaiah's prophecy, it was
more than a resume of
credentials; it was a
mission statement. In
fact, it was a commitment
- to you and to me - that
there would be a place
where sinners can find
mercy; the afflicted can
find healing; the broken
can find compassion, and
the outcast can find
dignity. Behold the cross
of Christ...it is the
place where love and
mercy meet.
This
profound spiritual theme
is movingly captured by
veteran arranger Marty
Parks in Where Love &
Mercy Meet, the latest
offering from Simply Word
Easter. Combining popular
songs by Michael W.
Smith, Bill and Gloria
Gaither, and Darlene
Zschech and Reuben Morgan
with beloved classics,
this musical features
engaging worship
sequences with
easy-to-learn SATB choral
parts and arrangements
for one male and one
female solos (with
optional men/women
unison), making it ideal
for smaller choirs or
those with limited
rehearsal time. A
well-designed
accompaniment DVD is
available to enhance your
production, as well as an
optional small-cast
dramatic script by Kim
Messer that will bring
the themes of the musical
into a powerful
contemporary focus. This
Easter, invite your
congregation and
community to come to the
place where love and
mercy meet - the cross of
Jesus Christ.
SATB choir - Easy to Moderate SKU: WD.080689769726 Behold the Cross of...(+)
SATB choir - Easy to
Moderate
SKU:
WD.080689769726
Behold the Cross of
Christ. Composed by
Marty Parks. Arranged by
Marty Parks. Choral,
cantatas. Bulk CD
(10-pak). Duration 40-45
minutes. Word Music
#080689769726. Published
by Word Music
(WD.080689769726).
UPC:
080689769726.
Jesus
made an astounding claim
in Luke 4. When He
proclaimed that He was
the fulfillment of
Isaiah's prophecy, it was
more than a resume of
credentials; it was a
mission statement. In
fact, it was a commitment
- to you and to me - that
there would be a place
where sinners can find
mercy; the afflicted can
find healing; the broken
can find compassion, and
the outcast can find
dignity. Behold the cross
of Christ...it is the
place where love and
mercy meet.
This
profound spiritual theme
is movingly captured by
veteran arranger Marty
Parks in Where Love &
Mercy Meet, the latest
offering from Simply Word
Easter. Combining popular
songs by Michael W.
Smith, Bill and Gloria
Gaither, and Darlene
Zschech and Reuben Morgan
with beloved classics,
this musical features
engaging worship
sequences with
easy-to-learn SATB choral
parts and arrangements
for one male and one
female solos (with
optional men/women
unison), making it ideal
for smaller choirs or
those with limited
rehearsal time. A
well-designed
accompaniment DVD is
available to enhance your
production, as well as an
optional small-cast
dramatic script by Kim
Messer that will bring
the themes of the musical
into a powerful
contemporary focus. This
Easter, invite your
congregation and
community to come to the
place where love and
mercy meet - the cross of
Jesus Christ.
SATB choir - Easy to Moderate SKU: WD.080689479090 Behold the Cross of...(+)
SATB choir - Easy to
Moderate
SKU:
WD.080689479090
Behold the Cross of
Christ. Composed by
Marty Parks. Arranged by
Marty Parks. Choral,
cantatas. Accompaniment
video. Duration 40-45
minutes. Word Music
#080689479090. Published
by Word Music
(WD.080689479090).
UPC:
080689479090.
Jesus
made an astounding claim
in Luke 4. When He
proclaimed that He was
the fulfillment of
Isaiah's prophecy, it was
more than a resume of
credentials; it was a
mission statement. In
fact, it was a commitment
- to you and to me - that
there would be a place
where sinners can find
mercy; the afflicted can
find healing; the broken
can find compassion, and
the outcast can find
dignity. Behold the cross
of Christ...it is the
place where love and
mercy meet.
This
profound spiritual theme
is movingly captured by
veteran arranger Marty
Parks in Where Love &
Mercy Meet, the latest
offering from Simply Word
Easter. Combining popular
songs by Michael W.
Smith, Bill and Gloria
Gaither, and Darlene
Zschech and Reuben Morgan
with beloved classics,
this musical features
engaging worship
sequences with
easy-to-learn SATB choral
parts and arrangements
for one male and one
female solos (with
optional men/women
unison), making it ideal
for smaller choirs or
those with limited
rehearsal time. A
well-designed
accompaniment DVD is
available to enhance your
production, as well as an
optional small-cast
dramatic script by Kim
Messer that will bring
the themes of the musical
into a powerful
contemporary focus. This
Easter, invite your
congregation and
community to come to the
place where love and
mercy meet - the cross of
Jesus Christ.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/12. Published by
Carus Verlag
(CA.3113612).
ISBN
9790007208127. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/11. Published by
Carus Verlag
(CA.3113611).
ISBN
9790007208110. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
By City Alight. By Jonny Robinson, Michael Farren, and Rich Thompson. Arranged...(+)
By City Alight. By Jonny
Robinson, Michael Farren,
and Rich Thompson.
Arranged
by James Koerts.
Christian.
Octavo. Celebrating Grace
#810056. Published by
Celebrating Grace
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext. 1x
31.136/21 oboe 1, 1x
31.136/22 oboe 2, 1x
31.136/31 horn. Stuttgart
Urtext Edition: Bach
vocal. Harmony parts.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1723. BWV 136. Duration
22 minutes. Carus Verlag
#CV 31.136/09. Published
by Carus Verlag
(CA.3113609).
ISBN
9790007208103. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.