SATB choir, a cappella (SATB)

SKU: OU.9780193866669

Composed by Rebecca Clarke. Secular Choral - Mixed Voices. Vocal score. 12 pages. Duration 3'. Oxford University Press #9780193866669. Published by Oxford University Press (OU.9780193866669).

ISBN 9780193866669. 10 x 7 inches.

For unaccompanied SATB to words by Shelley. Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally beautiful setting of this familiar text.

By Rebecca Clarke (1886-1979). For SATB choir, a cappella. Mixed Voices. Secular, Choral Leaflet. Vocal score. Duration 2'. Published by Oxford University Press

Composed by Rebecca Clarke (1886-1979). For SATB choir, a cappella. Mixed Voices. Secular, Choral Leaflet. Vocal score. 8 pages. Duration 2.5'. Published by Oxford University Press

By Rebecca Clarke (1886-1979). For SATB choir, a cappella. Mixed Voices. Secular, Choral Leaflet. Vocal score. Duration 2.5'. Published by Oxford University Press . Vocal Score. Secular, Choral Leaflet.

SATB choir, a cappella

SKU: OU.9780193866638

Composed by Rebecca Clarke. Vocal score. 16 pages. Duration 5.3'. Oxford University Press #9780193866638. Published by Oxford University Press (OU.9780193866638).

ISBN 9780193866638. 10 x 7 inches.

For unaccompanied SATB This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes the restless hunger driving the poem. This is a beautiful piece, and very gratifying to sing.

SATB choir, a cappella

SKU: OU.9780193866652

Composed by Rebecca Clarke. Vocal score. 8 pages. Duration 2.5'. Oxford University Press #9780193866652. Published by Oxford University Press (OU.9780193866652).

ISBN 9780193866652. 10 x 7 inches.

For unaccompanied SATB to words by from 'Twelfth Night' by William Shakespeare. Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A short, fairly easy piece that establishes a compelling mood, it is suitable for school and adult choirs.