Judith
Clurman Choral
Series. Composed by
David Ludwig. Edited by
Judith Clurman. Judith
Clurman Choral Series.
Patriotic. Octavo. 12
pages. Published by G.
Schirmer (HL.50498761).
ISBN 9781480340374.
UPC: 884088902278.
6.75x10.5
inches.
Written for
conductor Judith Clurman,
David Ludwig sets the
poem found on The Statue
of Liberty in a moving
and passionate style. The
sentiment of
“welcome”
that poet Lazarus –
herself an immigrant
– conveys is
sensitive and at the same
time powerful and David
has skillfully captured
this emotion. Beginning
in a somber, chant-like
unison, it opens to
harmony at the most
famous line “I lift
my lamp, beside the
Golden Door”
repeating this line in a
crescendo to the end. It
was performed at the 2013
Inauguration Prayer
Service at St. John's
Church in Washington,
D.C.
(The New Colossus). Composed by Thomas Fettke. Arranged by Thomas Grassi and Tho...(+)
(The New Colossus).
Composed by Thomas
Fettke. Arranged by
Thomas Grassi and Thomas
Fettke. For Choral
(SATB). Choral. 12 pages.
Published by Shawnee
Press
SSATB chorus and piano - Medium SKU: JK.00929 Composed by David Len Allen...(+)
SSATB chorus and piano -
Medium
SKU:
JK.00929
Composed by
David Len Allen. Choral
SATB, Difficulty Medium,
Piano Choir, Seasonal
Music Patriotic,
Patriotism. Christian,
Inspirational. Duration
3:00. Jackman Music
Corporation #00929.
Published by Jackman
Music Corporation
(JK.00929).
Patriotic
anthem for mixed chorus
(SSATB) and piano, with
text adapted from The New
Colossus, a poem by Emma
Lazarus graven on a
tablet within the
pedestal on which the
Statue of Liberty
stands. Composer:
David Len Allen
Lyricist: Text adapted
from The New Colossus by
Emma Lazarus
Difficulty: Medium
Performance time:
3:00.
Mixed choir SKU: FG.55011-568-2 Composed by Alex Freeman. Fennica Gehrman...(+)
Mixed choir
SKU:
FG.55011-568-2
Composed by Alex Freeman.
Fennica Gehrman
#55011-568-2. Published
by Fennica Gehrman
(FG.55011-568-2).
ISBN
9790550115682.
The
texts of Alex Freeman's
Calle sin nombre for
mixed choir (2019) are
drawn from quotations of
families seeking asylum
who are victims of the
policies of family
separation aggressively
and abruptly enacted by
the administration of
President Donald John
Trump. These desperate
words tread with bare
feet across shards of
fragmented lines from
Emma Lazarus's The New
Colossus (the iconic poem
enshrined at the base of
The Statue of Liberty). A
rehearsal reduction for
piano is included in the
publication. Alex Freeman
(b. 1972) grew up in
Raleigh, North Carolina.
Around the age of 13 he
became interested in
composing. In 1998 he
moved to New York to
begin his Doctoral
studies at the Juilliard
School, studying with
Christopher Rouse. The
focus of his doctoral
document led him to
Finland. The recipient of
a Fulbright Full
Fellowship, he moved to
Helsinki in 2001 to
research Sibelius's
sketches and study
composition with Eero
Hameenniemi at the
Sibelius Academy. Dr.
Freeman is currently
composing full-time and
lives with his wife and
children in Finland.
Mixed choir: SSATB SKU: BA.BA02859 Italienisches Madrigal Nr. 10. ...(+)
Mixed choir: SSATB
SKU: BA.BA02859
Italienisches Madrigal
Nr. 10. Composed by
Heinrich Schutz. Edited
by Hans Joachim Moser.
This edition: urtext
edition. Choral score.
SWV 10. Baerenreiter
Verlag #BA02859_00.
Published by Baerenreiter
Verlag (BA.BA02859).
ISBN 9790006426515. 27
x 19 cm inches. Text
Language: Italian,
German. Translation: Hans
Joachim
Moser.
Print on
demand (POD).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB divisi a cappella. Performed by The King's Singers. Arranged by The King's ...(+)
SATB divisi a cappella.
Performed by The King's
Singers. Arranged by The
King's Singers. (SATB div
a cappella). King
Singer's Choral. Book
only. Size 6.75x10.5
inches. 64 pages.
Published by Hal Leonard.
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
Sing unto the Lord Chorale SATB SATB A Cappella National Music Publishing
Composed by George Lynn. Edited by Gregory Gentry. National/Emerson Fred Boc...(+)
Composed by George Lynn.
Edited by Gregory Gentry.
National/Emerson Fred
Bock. A
Cappella, Anthem,
Concert,
General Worship, Sacred.
Octavo. 12 pages.
National
Music Publishers #NM1031.
Published by National
Music
Publishers