Cantata for the Feast of Annunciation Day. By Johann Sebastian Bach. Edited by Matthias Wendt. For Soprano solo, Tenor solo, Bass solo, Mixed Choir-SATB, 2 Violin, 2 Horn, 2 Oboe, Organ, Strings, Basso continuo. (SATB). This edition: Urtext Edition. Piano Reduction/Vocal Score. 37 pages. Published by Baerenreiter Verlag (German import).

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117409

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. 1x 31.174/21 violin/oboe 1, 1x 31.174/22 violin/oboe 2, 1x 31.174/23 taille, 2x 31.174/31 horns 1 and 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/09. Published by Carus Verlag (CA.3117409).

ISBN 9790007209636. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

STB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3722209

Cantata for the 4th Sunday after Epiphany. Composed by Gottfried August Homilius. Edited by Christoph Koop. 1x 37.222/21 oboe 1, 1x 37.222/22 oboe 2, 1x 37.222/31 horn 1, 1x 37.222/32 horn 2. Gottfried August Homilius - Selected Works. Harmony parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. HoWV II.40. Duration 12 minutes. Carus Verlag #CV 37.222/09. Published by Carus Verlag (CA.3722209).

ISBN 9790007214913. Text language: German.

As with many cantatas by Homilius Kommt, frohe Volker, herzu, for the 4th Sunday after Epiphany, is notable for its unusual formal structure, with two choral movements in a cantata of only three movements. The generally festive, thankful character of the work, without references to the Gospel for a particular Sunday, makes this cantata, characterized by its singable melodies, a work which can be used on many Sundays throughout the church year. Score and parts available separately - see item CA.3722200.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116909

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. 1x 31.169/21 oboe d'amore 1, 1x 31.169/22 oboe d'amore 2, 1x 31.169/23 English horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 169. Duration 17 minutes. Carus Verlag #CV 31.169/09. Published by Carus Verlag (CA.3116909).

ISBN 9790007209315. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and parts available separately - see item CA.3116900.

STB vocal soli, SATB choir, 2 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3101409

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.014/21 oboe 1, 1x 31.014/22 oboe 2, 1x 31.014/31 horn. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: War Gott nicht mit uns diese Zeit KV 3. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1735. BWV 14. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.014/09. Published by Carus Verlag (CA.3101409).

ISBN 9790007204716. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Score available separately - see item CA.3101400.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116911

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Whitsun. Single Part, Violin 1. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/11. Published by Carus Verlag (CA.3116911).

ISBN 9790007209322. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

STB vocal soli, SATB choir, 2 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3101411

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: War Gott nicht mit uns diese Zeit. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1735. BWV 14. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.014/11. Published by Carus Verlag (CA.3101411).

ISBN 9790007204723. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Score available separately - see item CA.3101400.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107911

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Violin 1. Composed circa 1725. BWV 79. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.079/11. Published by Carus Verlag (CA.3107911).

ISBN 9790007045258. Key: G major. Language: German/English.

Aft er the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117415

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violoncello solo 1-3. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Cello 1-3. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/15. Published by Carus Verlag (CA.3117415).

ISBN 9790007209681. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117414

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Viola solo 1-3. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Viola solo 1-3. Composed 1729. BWV 174. 16 pages. Duration 23 minutes. Carus Verlag #CV 31.174/14. Published by Carus Verlag (CA.3117414).

ISBN 9790007209674. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117411

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 1. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin Solo 1. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/11. Published by Carus Verlag (CA.3117411).

ISBN 9790007209643. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

Soli SB, SATB Choir, 2 Oboes, English Horn, 2 Violins, Viola, Basso continuo

SKU: CA.3105711

Cantata for the 2nd day of Christmas. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Christmas. Single Part, Violin 1. Composed 1725. BWV 57. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.057/11. Published by Carus Verlag (CA.3105711).

ISBN 9790007206567. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

The first performance of this cantata, which belongs to Bach's third annual cycle of cantatas, took place on the 2nd day of Christmas in 1725. With the exception of the closing chorale, with a text from 1711 by Georg Christian Lehms, the text of the cantata refers to St. Stephan, the first martyr of the New Testament and patron saint whose name day occurs on 26 December. In a dialog between the Soul (Soprano) and Jesus (bass) the struggle with sin is recounted respectively in two expressive arias arias. The entire orchestra is involved in the first movement as well as in in the closing chorale together with the choir. Score and part available separately - see item CA.3105700.

Soli SB, SATB Choir, 2 Oboes, English Horn, 2 Violins, Viola, Basso continuo

SKU: CA.3105709

Cantata for the 2nd day of Christmas. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. 1x 31.057/21 oboe 1, 1x 31.057/22 oboe 2, 1x 31.057/23 oboe. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1725. BWV 57. Duration 28 minutes. Carus Verlag #CV 31.057/09. Published by Carus Verlag (CA.3105709).

ISBN 9790007206550. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

The first performance of this cantata, which belongs to Bach's third annual cycle of cantatas, took place on the 2nd day of Christmas in 1725. With the exception of the closing chorale, with a text from 1711 by Georg Christian Lehms, the text of the cantata refers to St. Stephan, the first martyr of the New Testament and patron saint whose name day occurs on 26 December. In a dialog between the Soul (Soprano) and Jesus (bass) the struggle with sin is recounted respectively in two expressive arias arias. The entire orchestra is involved in the first movement as well as in in the closing chorale together with the choir. Score and parts available separately - see item CA.3105700.

STB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3722211

Cantata for the 4th Sunday after Epiphany. Composed by Gottfried August Homilius. Edited by Christoph Koop. Gottfried August Homilius - Selected Works. Violin 1. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. HoWV II.40. 12 pages. Duration 12 minutes. Carus Verlag #CV 37.222/11. Published by Carus Verlag (CA.3722211).

ISBN 9790007214920. Text language: German.

As with many cantatas by Homilius Kommt, frohe Volker, herzu, for the 4th Sunday after Epiphany, is notable for its unusual formal structure, with two choral movements in a cantata of only three movements. The generally festive, thankful character of the work, without references to the Gospel for a particular Sunday, makes this cantata, characterized by its singable melodies, a work which can be used on many Sundays throughout the church year. Score and part available separately - see item CA.3722200.

Soli SATB, SATB Choir, 3 Flutes, 2 Oboes, english horn, 2 Violins, Viola, Basso continuo

SKU: CA.3112209

Cantata for the Sunday after Christmas. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. Arranged by Paul Horn. This edition: urtext. 3x 31.122/21 3 flutes, 1x 31.122/22 oboe 1, 1x 31.122/23 oboe 2, 1x 31.122/24 English horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. Composed 1724. BWV 122. 24 pages. Duration 16 minutes. Carus Verlag #CV 31.122/09. Published by Carus Verlag (CA.3112209).

ISBN 9790007207403. Language: German/English.

Mor e than usual, in this chorale cantata the hymn is continuously present; it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach's vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year. Score and parts available separately - see item CA.3112200.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101609

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. 1x 31.016/21 oboe 1, 1x 31.016/22 oboe 2, 1x 31.016/31 horn. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1725. BWV 16. 14 pages. Duration 18 minutes. Carus Verlag #CV 31.016/09. Published by Carus Verlag (CA.3101609).

ISBN 9790007204761. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and parts available separately - see item CA.3101600.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106009

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.060/21 oboe d'amore 1, 1x 31.060/22 oboe d'amore 2, 1x 31.060/31 horn, 1x 31.060/32 trumpet. German title: O Ewigkeit, du Donnerwort 4. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.060/09. Published by Carus Verlag (CA.3106009).

ISBN 9790007043414. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104609

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. 1x 31.046/21 recorder 1, 1x 31.046/22 recorder 2, 1x 31.046/23 oboe 1, 1x 31.046/24 oboe 2, 1x 31.046/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1723. BWV 46. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.046/09. Published by Carus Verlag (CA.3104609).

ISBN 9790007042967. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and parts available separately - see item CA.3104600.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106011

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Violin 1. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/11. Published by Carus Verlag (CA.3106011).

ISBN 9790007043421. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

Orchestra STB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo, organ obligato - Grade 3

SKU: CA.3107309

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.073/21 oboe 1, 1x 31.073/22 oboe 2, 1x 31.073/31 horn, 1x 31.073/32 trumpet. German title: Herr, wie du willt 4. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1724. BWV 73. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.073/09. Published by Carus Verlag (CA.3107309).

ISBN 9790007044657. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and parts available separately - see item CA.3107300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3103411

Cantata for the 1st day of Pentecost. Composed by Johann Sebastian Bach. Edited by Paul Horn, Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun, Wedding. Single Part, Violin 1. Composed 1745. BWV 34. 12 pages. Duration 21 minutes. Carus Verlag #CV 31.034/11. Published by Carus Verlag (CA.3103411).

ISBN 9790007042608. Key: D major. Language: German/English.

The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score and part available separately - see item CA.3103400.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3103409

Cantata for the 1st day of Pentecost. Composed by Johann Sebastian Bach. Edited by Paul Horn, Felix Loy. This edition: urtext. 1x 31.034/21 flute 1, 1x 31.034/22 flute 2, 1x 31.034/23 oboe 1, 1x 31.034/24 oboe 2, 4x 31.034/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Wedding. Set of Orchestra Parts. Composed 1745. BWV 34. 20 pages. Duration 21 minutes. Carus Verlag #CV 31.034/09. Published by Carus Verlag (CA.3103409).

ISBN 9790007042592. Key: D major. Language: German/English.

The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score and parts available separately - see item CA.3103400.

Orchestra STB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo, organ obligato - Grade 3

SKU: CA.3107311

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Herr, wie du willt. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1724. BWV 73. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.073/11. Published by Carus Verlag (CA.3107311).

ISBN 9790007044664. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and part available separately - see item CA.3107300.

Solo SATB, SATB Choir, Fl, 3 Ob, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3113009

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. 1x 31.130/21 flute, 1x 31.130/22 oboe 1, 1x 31.130/23 oboe 2, 1x 31.130/24 oboe 3, 4x 31.130/31 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 130. Duration 14 minutes. Carus Verlag #CV 31.130/09. Published by Carus Verlag (CA.3113009).

ISBN 9790007207823. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and parts available separately - see item CA.3113000.

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. Octavo. Alliance Music Publications #AMP 1103. Published by Alliance Music Publications

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780109

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. 1x 27.801/21 flute 1, 1x 27.801/22 flute 2, 2x 27.801/23 fifara, 1x 27.801/31 cornett 1, 1x 27.801/32 cornett 2, 1x 27.801/33 cornett 3, 1x 27.801/34 trombone 1, 1x 27.801/35 trombone 2, 1x 27.801/36 bass trombone. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. SV 206. Duration 90 minutes. Carus Verlag #CV 27.801/09. Published by Carus Verlag (CA.2780109).

ISBN 9790007202682. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and parts available separately - see item CA.2780100.

STB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes, taille (english horn), 2 violins, 2 violas, basso continuo

SKU: CA.3101909

Cantata for Michaelmas. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.019/21 oboe 1, 1x 31.019/22 oboe 2, 1x 31.019/23 English horn, 4x 31.019/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. German title: Es erhub sich ein Streit 7. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1726. BWV 19. 48 pages. Duration 18 minutes. Carus Verlag #CV 31.019/09. Published by Carus Verlag (CA.3101909).

ISBN 9790007204914. Language: German/English.

Sco re available separately - see item CA.3101900.

AT vocal soloists, SATB choir, 2 oboes, trumpet (horn), 2 violins, viola, basso continuo

SKU: CA.3104811

Cantata for the 19th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich elender Mensch. Sacred vocal music, End of the church year. Single Part, Violin 1. Composed 1723. BWV 48. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.048/11. Published by Carus Verlag (CA.3104811).

ISBN 9790007206130. Language: German/English.

Sco re and part available separately - see item CA.3104800.

ATB vocal soli, SATB choir, 2 flutes, oboe I, oboe II (oboe d'amore), 2 violins, viola, basso continuo

SKU: CA.3104509

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Daniela Wissemann-Garbe. Arranged by Paul Horn. This edition: urtext. 1x 31.045/21 flute 1, 1x 31.045/22 flute 2, 1x 31.045/23 oboe 1, 1x 31.045/24 oboe 2. Stuttgart Urtext Edition: Bach vocal. German title: Es Ist Dir Gesagt, Mensch, Was Gut Ist. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1726. BWV 45. 24 pages. Duration 23 minutes. Carus Verlag #CV 31.045/09. Published by Carus Verlag (CA.3104509).

ISBN 9790007206017. Key: E major. Language: German/English.

Sco re available separately - see item CA.3104500.