Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100209

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 2x 31.002/21 2 oboes, 1x 31.002/31 trumpet, 1x 31.002/32 trombone 1, 1x 31.002/33 trombone 2, 1x 31.002/34 trombone 3, 1x 31.002/35 trombone 4. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein 7. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.002/09. Published by Carus Verlag (CA.3100209).

ISBN 9790007041335. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100213

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/13. Published by Carus Verlag (CA.3100213).

ISBN 9790007041366. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100205

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 2. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.002/05. Published by Carus Verlag (CA.3100205).

ISBN 9790007041311. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100214

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 2. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.002/14. Published by Carus Verlag (CA.3100214).

ISBN 9790007041373. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100219

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. Duration 20 minutes. Carus Verlag #CV 31.002/19. Published by Carus Verlag (CA.3100219).

ISBN 9790007135904. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.

Soli ATB, SATB Choir, 2 Ob, 4 Trb, Vl solo, 2 Vl, Va, Bc - Level 3

SKU: CA.3100249

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. Organ. Sacred vocal music, Cantatas. Single Part, Organ. Composed 1724. BWV 2. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.002/49. Published by Carus Verlag (CA.3100249).

ISBN 9790007204419. Key: D minor. Language: German/English. Text: Luther, Martin.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100212

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/12. Published by Carus Verlag (CA.3100212).

ISBN 9790007041359. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100211

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin solo + Vio. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/11. Published by Carus Verlag (CA.3100211).

ISBN 9790007041342. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111709

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. 1x 31.117/21 flute 1, 1x 31.117/22 flute 2, 1x 31.117/23 oboe 1, 1x 31.117/24 oboe 2. Harmony parts. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. Composed 1728/1731. BWV 117. 16 pages. Duration 26 minutes. Carus Verlag #CV 31.117/09. Published by Carus Verlag (CA.3111709).

ISBN 9790007048662. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and parts available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111749

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Organ. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Organ. Composed 1728/1731. BWV 117. 24 pages. Duration 26 minutes. Carus Verlag #CV 31.117/49. Published by Carus Verlag (CA.3111749).

ISBN 9790007048716. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111713

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Viola. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. Composed 1728/1731. BWV 117. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.117/13. Published by Carus Verlag (CA.3111713).

ISBN 9790007048693. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111711

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Violin 1. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. Composed 1728/1731. BWV 117. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.117/11. Published by Carus Verlag (CA.3111711).

ISBN 9790007048679. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111700

Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: Paperbound. German title: Sei Lob und Ehr dem hochsten Gut. Sacred vocal music, Cantatas, Praise and thanks. Full score. Composed 1728/1731. BWV 117. 52 pages. Duration 26 minutes. Carus Verlag #CV 31.117/00. Published by Carus Verlag (CA.3111700).

ISBN 9790007048631. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111712

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Violin 2. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. Composed 1728/1731. BWV 117. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.117/12. Published by Carus Verlag (CA.3111712).

ISBN 9790007048686. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111705

Sei Lob und Ehr dem hochsten Gut neu. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Sacred vocal music, Cantatas, Praise and thanks. Choral Score. Composed 1728/1731. BWV 117. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.117/05. Published by Carus Verlag (CA.3111705).

ISBN 9790007048655. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111719

Composed by Johann Sebastian Bach. Edited by Hans Grischkat. German title: Sei Lob und Ehr dem hochsten Gut. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. Composed 1728/1731. BWV 117. Duration 26 minutes. Carus Verlag #CV 31.117/19. Published by Carus Verlag (CA.3111719).

ISBN 9790007136666. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and parts available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111703

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: Paperbound. Sacred vocal music, Cantatas, Praise and thanks. Vocal score. Composed 1728/1731. BWV 117. 28 pages. Duration 26 minutes. Carus Verlag #CV 31.117/03. Published by Carus Verlag (CA.3111703).

ISBN 9790007048648. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111714

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Violoncello/double bass. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello/Double Bass. Composed 1728/1731. BWV 117. 16 pages. Duration 26 minutes. Carus Verlag #CV 31.117/14. Published by Carus Verlag (CA.3111714).

ISBN 9790007048709. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

SATB choir, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601411

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. Befiehl Dem Engel, Dass Er Komm 10. Sacred vocal music, Cantatas. Single Part, Violin 1. BuxWV 10. 4 pages. Duration 5 minutes. Carus Verlag #CV 36.014/11. Published by Carus Verlag (CA.3601411).

ISBN 9790007213664. Language: German.

Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work's charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Duben, refers to the accompanying violin parts in the words con due vel piu violini. This may indicate that each part should be played by several instrumentalists. Score and part available separately - see item CA.3601400.

SATB choir, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601414

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. Befiehl Dem Engel, Dass Er Komm 10. Sacred vocal music, Cantatas. Single Part, basso continuo. BuxWV 10. 4 pages. Duration 5 minutes. Carus Verlag #CV 36.014/14. Published by Carus Verlag (CA.3601414).

ISBN 9790007213695. Language: German.

Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work's charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Duben, refers to the accompanying violin parts in the words con due vel piu violini. This may indicate that each part should be played by several instrumentalists. Score and part available separately - see item CA.3601400.

SATB choir, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601405

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. Befiehl Dem Engel, Dass Er Komm 10. Sacred vocal music, Cantatas. Choral Score. BuxWV 10. Duration 5 minutes. Carus Verlag #CV 36.014/05. Published by Carus Verlag (CA.3601405).

ISBN 9790007112257. Language: German.

Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work's charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Duben, refers to the accompanying violin parts in the words con due vel piu violini. This may indicate that each part should be played by several instrumentalists. Score available separately - see item CA.3601400.

SATB choir, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601413

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. Befiehl Dem Engel, Dass Er Komm 10. Sacred vocal music, Cantatas. Single Part, Violone. BuxWV 10. 4 pages. Duration 5 minutes. Carus Verlag #CV 36.014/13. Published by Carus Verlag (CA.3601413).

ISBN 9790007213688. Language: German.

Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work's charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Duben, refers to the accompanying violin parts in the words con due vel piu violini. This may indicate that each part should be played by several instrumentalists. Score and part available separately - see item CA.3601400.

SATB choir, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601412

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. Befiehl Dem Engel, Dass Er Komm 10. Sacred vocal music, Cantatas. Single Part, Violin 2. BuxWV 10. 4 pages. Duration 5 minutes. Carus Verlag #CV 36.014/12. Published by Carus Verlag (CA.3601412).

ISBN 9790007213671. Language: German.

Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work's charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Duben, refers to the accompanying violin parts in the words con due vel piu violini. This may indicate that each part should be played by several instrumentalists. Score and part available separately - see item CA.3601400.

Composed by Claudio Monteverdi (1567-1643). Edited by Barbara Neumeier. Arranged by Paul Horn. For SATB/SATB choir, basso continuo. A minor. Sacred, mass sections, praise and thanks. Full score. Language: Latin. 28 pages. Published by Carus Verlag

SATB vocal soli, SATB choir, organ

SKU: CA.9126605

Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Missa In B (Sti Jacobi). Sacred vocal music, Masses, Latin. Choral Score. Composed 2011. 12 pages. Carus Verlag #CV 91.266/05. Published by Carus Verlag (CA.9126605).

ISBN 9790007095598. Language: Latin.

Johann Ernst Eberlin composed over 40 masses. From Salzburg they were widely disseminated in southern Germany, Austria, and Bohemia. Eberlin's Mass in B flat was skillfully arranged for every day use at the monastery in Seitensteeen; thus this a work which, due to its brevity and musical qualities, is ideally suited for the celebration of the Mass. A beautifully sounding continuo mass in a free, concertante style, marked by the joy of baroque music making. Score available separately - see item CA.9126600.

Sonatina for Mixed Chorus and Piano Concertante. By Dominick Argento. (SATB divisi). Boosey and Hawkes Large Choral. Size 7x10.5 inches. 58 pages. Published by Boosey & Hawkes.

By Franz Schubert. Edited by Paul, Bernhard. For Soli STB, SATB Choir, [2 Trumpets, Timpani], 2 Violins, Viola, Cello/Contrabass, Organ. D 167. Masses, Latin; Stuttgart Urtext editions. Score. Language: Latin. 88 pages. Duration 25 min. Published by Carus Verlag (German import).

SATB/SATB choir, basso continuo

SKU: CA.2708105

Composed by Claudio Monteverdi. Edited by Barbara Neumeier. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Gloria A 8. Sacred vocal music, Mass sections, Praise and thanks. Choral Score. SV 307. 24 pages. Carus Verlag #CV 27.081/05. Published by Carus Verlag (CA.2708105).

ISBN 9790007165352. Key: A minor. Language: Latin.

The Gloria for two four-part choirs arid continuo is one of the few among his works which were not published during Monteverdi's lifetime but which have nevertheless survived the centuries. This richly fashioned composition, in which concertante passages for various groups of voices alternate with tutti sections, already suggests the later cantata mass. An artistic effect to be especially valued is the repetition of the joyful coloratura music of the opening section set to the concluding in Gloria Dei Patris. Score available separately - see item CA.2708100.