SATB choir SKU: CA.411110 Composed by Dimitri Stepanowitsch Bortniansky. ...(+)
SATB choir
SKU:
CA.411110
Composed by
Dimitri Stepanowitsch
Bortniansky. Separate
edition with choral
collection. Sacred
concertos, Sacred vocal
music, Praise and thanks,
Psalms. Full score. 12
pages. Duration 6
minutes. Carus Verlag #CV
04.111/10. Published by
Carus Verlag (CA.411110).
ISBN 9790007170851.
Key: B flat major. Text
language: Church
Slavonic.
SATB choir SKU: CA.411260 Composed by Dimitri Stepanowitsch Bortniansky. ...(+)
SATB choir
SKU:
CA.411260
Composed by
Dimitri Stepanowitsch
Bortniansky. Separate
edition with choral
collection. Sacred
concertos, Sacred vocal
music, Praise and thanks,
Psalms. Full score. 12
pages. Duration 7
minutes. Carus Verlag #CV
04.112/60. Published by
Carus Verlag (CA.411260).
ISBN 9790007171148.
Key: D major. Language:
Church
Slavonic.
SATB choir SKU: CA.411175 Composed by Dimitri Stepanowitsch Bortniansky. ...(+)
SATB choir
SKU:
CA.411175
Composed by
Dimitri Stepanowitsch
Bortniansky. Separate
edition with choral
collection. Sacred
concertos, Sacred vocal
music, Peace and justice,
Psalms. Full score. 12
pages. Duration 6
minutes. Carus Verlag #CV
04.111/75. Published by
Carus Verlag (CA.411175).
ISBN 9790007170981.
Key: F major. Text
language: Church
Slavonic.
Composed by
Andreas Hammerschmidt.
German title: Schmucket
das Fest mit Maien.
Sacred concertos, Sacred
vocal music, Psalms,
German, Whitsun. Single
Part, Violin 2. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 05.077/12.
Published by Carus Verlag
(CA.507712).
ISBN
9790007007607. Key: A
major. Language:
German.
Composed by
Andreas Hammerschmidt.
German title: Schmucket
das Fest mit Maien.
Sacred concertos, Sacred
vocal music, Psalms,
German, Whitsun. Full
score. Duration 2
minutes. Carus Verlag #CV
05.077/00. Published by
Carus Verlag (CA.507700).
ISBN 9790007007577.
Key: A major. Language:
German.
Composed by
Andreas Hammerschmidt.
German title: Schmucket
das Fest mit Maien.
Sacred concertos, Sacred
vocal music, Psalms,
German, Whitsun. Single
Part, basso continuo. 2
pages. Duration 2
minutes. Carus Verlag #CV
05.077/15. Published by
Carus Verlag (CA.507715).
ISBN 9790007007638.
Key: A major. Language:
German.
Composed by
Andreas Hammerschmidt.
German title: Schmucket
das Fest mit Maien.
Sacred concertos, Sacred
vocal music, Psalms,
German, Whitsun. Single
Part, Viola 2. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 05.077/14.
Published by Carus Verlag
(CA.507714).
ISBN
9790007007621. Key: A
major. Language:
German.
Composed by
Andreas Hammerschmidt.
German title: Schmucket
das Fest mit Maien.
Sacred concertos, Sacred
vocal music, Psalms,
German, Whitsun. Single
Part, Viola 1. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 05.077/13.
Published by Carus Verlag
(CA.507713).
ISBN
9790007007614. Key: A
major. Language:
German.
Composed by
Andreas Hammerschmidt.
German title: Schmucket
das Fest mit Maien.
Sacred concertos, Sacred
vocal music, Psalms,
German, Whitsun. Single
Part, Violin 1. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 05.077/11.
Published by Carus Verlag
(CA.507711).
ISBN
9790007007591. Key: A
major. Language:
German.
Composed by
Andreas Hammerschmidt.
German title: Schmucket
das Fest mit Maien.
Sacred concertos, Sacred
vocal music, Psalms,
German, Whitsun. Set of
Orchestra Parts. Duration
2 minutes. Carus Verlag
#CV 05.077/19. Published
by Carus Verlag
(CA.507719).
ISBN
9790007134877. Key: A
major. Language:
German.
Score and
parts available
separately - see item
CA.507700.
Choral SATB choir SKU: CF.CM9606 Composed by Paul Salerni. Fold. Performa...(+)
Choral SATB choir
SKU:
CF.CM9606
Composed by
Paul Salerni. Fold.
Performance. 8 pages.
Duration 3 minutes, 17
seconds. Carl Fischer
Music #CM9606. Published
by Carl Fischer Music
(CF.CM9606).
ISBN
9781491154281. UPC:
680160912780. 6.875 x
10.5 inches. Key: C
major. English. Charles
A. Coffin
(1844-1926).
Be
thlehem Carol was
the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedrals music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem
Carol was the result
of a commission in 2000
from the Cathedral Church
of the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedralas music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for athe cave of
Bethlehema and athe child
of poverty.a)A But most
of all, I wanted to
capture the sense of joy
and peace brought by the
arrival of the Christ
Child. Bethlehem
Carol was the result
of a commission in 2000
from the Cathedral Church
of the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral's music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem Carol
was the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral's music
director, Russell
Jackson; he had very much
liked the Italian Fable
cum Violin Concerto (The
Big Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem Carol
was the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral’s music
director, Russell
Jackson; he had very much
liked the Italian Fable
cum Violin Concerto (The
Big Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for “the cave
of Bethlehem†and
“the child of
poverty.â€) But
most of all, I wanted to
capture the sense of joy
and peace brought by the
arrival of the Christ
Child.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Whitsun.
Single Part, Viola.
Composed 1726. BWV 169. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.169/13. Published by
Carus Verlag
(CA.3116913).
ISBN
9790007209346. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext. 1x
31.169/21 oboe d'amore 1,
1x 31.169/22 oboe d'amore
2, 1x 31.169/23 English
horn. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Whitsun. Set
of Orchestra Parts.
Composed 1726. BWV 169.
Duration 17 minutes.
Carus Verlag #CV
31.169/09. Published by
Carus Verlag
(CA.3116909).
ISBN
9790007209315. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
parts available
separately - see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Whitsun. Single Part,
Violin 2. Composed 1726.
BWV 169. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.169/12. Published by
Carus Verlag
(CA.3116912).
ISBN
9790007209339. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Whitsun. Single Part,
Violin 1. Composed 1726.
BWV 169. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.169/11. Published by
Carus Verlag
(CA.3116911).
ISBN
9790007209322. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Whitsun. Single
Part, basso continuo.
Composed 1726. BWV 169.
12 pages. Duration 17
minutes. Carus Verlag #CV
31.169/14. Published by
Carus Verlag
(CA.3116914).
ISBN
9790007209353. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Whitsun. Choral
Score. Composed 1726. BWV
169. 2 pages. Duration 17
minutes. Carus Verlag #CV
31.169/05. Published by
Carus Verlag
(CA.3116905).
ISBN
9790007170752. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score
available separately -
see item CA.3116900.
Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Whitsun.
Single Part, Organ.
Composed 1726. BWV 169.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.169/49. Published by
Carus Verlag
(CA.3116949).
ISBN
9790007209377. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score and
part available separately
- see item
CA.3116900.
SATB Orchestra SKU: HL.14012063 Composed by George Dyson. Music Sales Ame...(+)
SATB Orchestra
SKU:
HL.14012063
Composed
by George Dyson. Music
Sales America. Classical.
Part. 204 pages. Music
Sales #NOV953139.
Published by Music Sales
(HL.14012063).
9.0x11.75x0.939
inches.
Dyso
n's sumptuous choral
epic of 1938, subtitled
'A Cycle of Poems',
charts man's journey
through life and the
afterlife, using a
collage of English poems.
Quo
Vadis is a work
that, in its aim, design
and achievement, reaches
for visionary heights.
Right from the start,
Dyson's harmonic
language and skilful
orchestration are
completely at the service
of his beautiful and
carefully crafted
libretto. The composer
fervently believed in the
English choral movement's
need for practical,
tuneful and lively music.
Quo
Vadis, with its
colourful orchestration
and fine melodies,
demonstrates the
effectiveness of this
aestheticapproach.
Arranged for SATB Chorus
and Orchestra, this
major, yet often
overlooked piece lasts
about 90 minutes in 9
movements.
Sir
George Dyson was a
well-known English
musician and composer of
the 20th century. His
compositions include a
symphony in G major, a
violin concerto, and a
number of other works,
many of them for choir.
Apart from his musical
career,Dyson was
involved with the
military during WWI - his
handbook on
grenade-fighting
techniques became the
standard Army text for
many years.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1726.
BWV 32. 4 pages. Duration
24 minutes. Carus Verlag
#CV 31.032/12. Published
by Carus Verlag
(CA.3103212).
ISBN
9790007042516. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1726. BWV
32. 4 pages. Duration 24
minutes. Carus Verlag #CV
31.032/13. Published by
Carus Verlag
(CA.3103213).
ISBN
9790007042523. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu, mein
Verlangen. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1726. BWV 32. 2
pages. Duration 24
minutes. Carus Verlag #CV
31.032/05. Published by
Carus Verlag
(CA.3103205).
ISBN
9790007042493. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score
available separately -
see item CA.3103200.
Composed by Antonio
Vivaldi. This edition:
urtext. Stuttgart Urtext
Edition: Vivaldi-Archiv.
German title: Dixit.
Sacred, Cantatas, Motets;
Stuttgart Urtext
editions; Occasions:
Daily hours; Use during
church year: Epiphany.
Single Part, Choir 2:
Basso cont. RV 594. 12
pages. Duration 25
minutes. Carus Verlag #CV
40.007/18. Published by
Carus Verlag
(CA.4000718).
ISBN
9790007057671. Language:
Latin/English.
Dixi
t Dominus (Ps 109), a
psalm setting for double
choir, is one of
Vivaldi's most
significant sacred works.
In it, he takes up the
old Venetian polychoral
tradition, combining its
compositional techniques
with those of the
instrumental concerto,
the cantata and the
opera. The broadly
conceived cycle of
movements, consisting of
eight psalm verses and
the doxology, is
characterized by an
expansive arch of
tonalities connecting the
two framing outer
movements in D major
(these are also
thematically related):
Dixit Dominus and Gloria
Patri. The contrasting
and varied inner
movements are perfect
examples of Vivaldi's
skill in vividly
portraying linguistic
figures in music. Score
and part available
separately - see item
CA.4000700.
Composed by Antonio
Vivaldi. This edition:
urtext. Stuttgart Urtext
Edition: Vivaldi-Archiv.
German title: Dixit.
Sacred, Cantatas, Motets;
Stuttgart Urtext
editions; Occasions:
Daily hours; Use during
church year: Epiphany.
Single Part, Choir 1:
Viola. RV 594. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
40.007/13. Published by
Carus Verlag
(CA.4000713).
ISBN
9790007057626. Language:
Latin/English.
Dixi
t Dominus (Ps 109), a
psalm setting for double
choir, is one of
Vivaldi's most
significant sacred works.
In it, he takes up the
old Venetian polychoral
tradition, combining its
compositional techniques
with those of the
instrumental concerto,
the cantata and the
opera. The broadly
conceived cycle of
movements, consisting of
eight psalm verses and
the doxology, is
characterized by an
expansive arch of
tonalities connecting the
two framing outer
movements in D major
(these are also
thematically related):
Dixit Dominus and Gloria
Patri. The contrasting
and varied inner
movements are perfect
examples of Vivaldi's
skill in vividly
portraying linguistic
figures in music. Score
and part available
separately - see item
CA.4000700.