(from Spirit Suite ). By Mark Hayes. For SATB choir, solo voice, piano (with op...(+)
(from Spirit Suite ). By
Mark Hayes. For SATB
choir, solo voice, piano
(with optional
orchestration
(instrumental
accompaniment)). Prima
Cantate Series. General,
Spiritual, Sacred.
Octavo. Published by
Roger Dean Publishing
Choral (SATB) SKU: HL.1424322 Arranged by Linda Twine. Gentry Publication...(+)
Choral (SATB)
SKU:
HL.1424322
Arranged
by Linda Twine. Gentry
Publications. Octavo.
Gentry Publications
#JG2727. Published by
Gentry Publications
(HL.1424322).
UPC:
196288200550.
One
of the most enduring
American spirituals gets
a brilliant rendition in
Broadway icon Linda
Twine's new setting of
“Didn't My Lord Deliver
Daniel” for mixed
voices with a rocking
piano accompaniment.
Blues nuances and
stylized vocals that are
easy to master and
exciting to sing
characterize this dynamic
arrangement of this
traditional spiritual.
The varied
call-and-response
sections help to create
and maintain the
excitement. An excellent
choice for choirs of all
levels. Add this piece to
your repertoire list
now.
SATB choir, divisi - Early intermediate SKU: GI.WW1756 Wade in the Wat...(+)
SATB choir, divisi -
Early intermediate
SKU: GI.WW1756
Wade in the Water, I
Wanna Die Easy, Didn't My
Lord Deliver Daniel.
Composed by Traditional
Spirituals/arr. Daniel
Jackson. Arranged by
Daniel Jackson. Concert,
School. Walton Choral.
Classical. 16 pages.
Walton Music #WW1756.
Published by Walton Music
(GI.WW1756).
UPC:
785147018469. English.
Text Source: Traditional
Spriituals. Traditional
Spirituals.
Trouble
the Water combines three
well-loved spirituals:
Wade in the Water, I
Wanna Die Easy, and
Didn't My Lord Deliver
Daniel to create an
incredibly effective and
dynamic work. All of the
divisi comes from melodic
material, and is simple
to put together. A quick
and fun learn for many
different levels.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115600
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1729. BWV 156.
28 pages. Duration 17
minutes. Carus Verlag #CV
31.156/00. Published by
Carus Verlag
(CA.3115600).
ISBN
9790007186777. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115603
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
Composed 1729. BWV 156.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.156/03. Published by
Carus Verlag
(CA.3115603).
ISBN
9790007186784. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115605
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1729. BWV 156. 2
pages. Duration 17
minutes. Carus Verlag #CV
31.156/05. Published by
Carus Verlag
(CA.3115605).
ISBN
9790007186791. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115649
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Organ. Composed 1729. BWV
156. 12 pages. Duration
17 minutes. Carus Verlag
#CV 31.156/49. Published
by Carus Verlag
(CA.3115649).
ISBN
9790007208820. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 1.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/11. Published by
Carus Verlag
(CA.3115611).
ISBN
9790007208776. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
basso continuo. Composed
1729. BWV 156. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.156/14. Published by
Carus Verlag
(CA.3115614).
ISBN
9790007208806. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Oboe. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Oboe. Composed 1729. BWV
156. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.156/21. Published by
Carus Verlag
(CA.3115621).
Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 2.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/12. Published by
Carus Verlag
(CA.3115612).
ISBN
9790007208783. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1729. BWV
156. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.156/13. Published by
Carus Verlag
(CA.3115613).
ISBN
9790007208790. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
SATB choir, a cappella (SATB) - easy SKU: OU.9780193870277 Composed by Na...(+)
SATB choir, a cappella
(SATB) - easy
SKU:
OU.9780193870277
Composed by Nancy
Wertsch. Mixed Voices.
Spirituals, Leaflet.
Vocal score. 8 pages.
Duration 2.5'. Oxford
University Press
#9780193870277. Published
by Oxford University
Press (OU.9780193870277).
ISBN
9780193870277.
For
SATB unaccompanied Right
from the first bar, this
upbeat, refreshing
arrangement of the
African-American
spiritual will catch the
attention of the
performer and audience.
Culminating in six-part
harmony with dramatic
pauses, this memorable
work makes for the
perfect encore.
SATB chorus a capella (SATB) - Grade 2+ SKU: ZB.ZE-1208 Composed by Jeff ...(+)
SATB chorus a capella
(SATB) - Grade 2+
SKU:
ZB.ZE-1208
Composed
by Jeff Guillen. Arranged
by Jeff Guillen. This
edition: Vocal score.
Gospel Music, Sacred
music, Vocal music.
Gospel Off Prints.
Arrangement for mixed
voices. Spiritual.
Octavo. With standard.
Zebe Publishing #ZE 1208.
Published by Zebe
Publishing (ZB.ZE-1208).
Affordable
single print from THE
ULTIMATE GOSPEL CHOIR
BOOK 1 for mixed choir
(SATB).
Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal ...(+)
Arranged by Moses Hogan.
For SATB choir and piano
accompaniment (for
rehearsal only) (SATB).
Hal Leonard Choral
Collection. Choral and
Gospel. Songbook. Vocal
score notation. 240
pages. Published by Hal
Leonard
Arranged by Larry Shackley. For Choir. (SATB). Faithfulness, Spiritual, Blues-G...(+)
Arranged by Larry
Shackley. For Choir.
(SATB). Faithfulness,
Spiritual,
Blues-Gospel-Spirituals
and Sacred. Print Music
Single (SATB). Published
by Hope Publishing
Company.
Moses Hogan Arrangements of Traditional Spirituals. Arranged by Moses Hogan/Ed. ...(+)
Moses Hogan Arrangements
of Traditional
Spirituals. Arranged by
Moses Hogan/Ed. John
Purifoy. (SATB).
Brookfield Choral Series.
Sacred. Size 6.8x10.5
inches. 32 pages.
Published by Brookfield
Press.
(The Passion, the Question, the Call). By Pepper Choplin. For SATB choir (with o...(+)
(The Passion, the
Question, the Call). By
Pepper Choplin. For SATB
choir (with optional
orchestration). Cantatas.
Holy Week, Eastertide.
SATB Score with
Performance CD. Published
by Lorenz Publishing
Company
Upon This Rock Chorale SATB SATB, Piano Lorenz Publishing Company
(The Passion, the Question, the Call). By Pepper Choplin. For SATB choir, piano ...(+)
(The Passion, the
Question, the Call). By
Pepper Choplin. For SATB
choir, piano (with
optional orchestration).
Cantatas. Holy Week,
Eastertide, Sacred.
Published by Lorenz
Publishing Company
