Composed by David Bednall. Sacred choral - mixed voices. Vocal score. 12 pages. Duration 4'. Oxford University Press #9780193524279. Published by Oxford University Press

Composed by David Bednall. Sacred choral - mixed voices. New Horizons. Sacred. Vocal score. 12 pages. Duration 5.5'. Oxford University Press #9780193524286. Published by Oxford University Press

By Eric William Barnum, Edna St. Vincent Millay. (SATB divisi). This edition: WW1394. Walton Choral. 12 pages. Published by Walton Music.

Composed by David Bednall. Secular Choral - Mixed Voices. Vocal score. 8 pages. Duration 2.5'. Oxford University Press #9780193524439. Published by Oxford University Press

By David Bednall. Choir Sacred. For with Organ (SATB choir). Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Published by Faber Music

Composed by David Bednall. Secular Choral - Mixed Voices. Vocal score. 12 pages. Duration 4'. Oxford University Press #9780193532779. Published by Oxford University Press

Composed by David Bednall. Vocal score. Duration 6'. Oxford University Press #9780193534919. Published by Oxford University Press

Composed by David Bednall. Secular Choral - Mixed Voices. Vocal score. 20 pages. Duration 8.5'. Oxford University Press #9780193524262. Published by Oxford University Press

Composed by David Bednall. Sacred choral - mixed voices. Vocal score. 8 pages. Duration 2'. Oxford University Press #9780193524293. Published by Oxford University Press

SATB choir, cantor, assembly, keyboard accompaniment, woodwinds, timpani, brass quartet, guitar

SKU: GI.G-018040

Composed by Steven R. Janco. Sacred. Full score. With guitar chord names. GIA Publications #018040. Published by GIA Publications (GI.G-018040).

What has made this Mass rise to the top in popularity in parishes across the English-speaking world? Its adaptability. From parishes with keyboard and/or guitar and cantor to cathedrals with a large SATB choir and multiple instruments (organ, brass quartet, timpani, handbells), Mass of Wisdom has proven itself as a “Mass for the masses.” Its step-wise melodic patterns make it easy to learn without sounding musically trite in any way. Music directors agree that the through-composed Gloria is one of the most finely crafted of all the new musical settings of the prayer. That fine crafting extends to all components of this Mass, especially the acclamations sung during the Eucharistic Prayer. The multi-layered Hosannas in the Sanctus will delight the members of the choir as well as the singing assembly. This is a Mass setting that simply soars. It is a perfect setting for Ordinary Time, but music directors tell us that the Christmas and Easter seasons are made more glorious and joyful when this setting is sung, especially when the additional instrumentation is added. Dioceses and parishes that employed Mass of Wisdom as the first setting during the implementation of the new translation have found themselves returning to it time and time again. It truly has become part of the “Catholic musical DNA” across the United States and beyond.

Choral SATB choir, piano

SKU: PR.312418760

Composed by Eric Ewazen. -. Performance Score. With Standard notation. 12 pages. Duration 3:30. Theodore Presser Company #312-41876. Published by Theodore Presser Company (PR.312418760).

ISBN 9781491111062. UPC: 680160666096. Octavo inches. English. Text: Edna St. Vincent Millay. Edna St. Vincent Millay.

In 1990, Ewazen wrote his Three Lyrics of Edna St. Vincent Millay for soprano Jody Dall'Armi with piano accompaniment. About ten years later, Ewazen created a version for trumpet and piano, and also for trumpet and marimba. Answering a commission by Cantabile Chamber Chorale in celebration of their 20th anniversary season, Ewazen set the first poem, God's World, for mixed chorus and piano. The text celebrates the wonder and beauty of our world, but with an understanding of the fleeting temporal passing inherent in each view. Ewazen's lush melodic lines are crafted to match.

SATB choir, a cappella (SATB) - easy

SKU: OU.9780193514249

Composed by David Bednall. Sacred choral - mixed voices. Vocal score. 4 pages. Duration 3'. Oxford University Press #9780193514249. Published by Oxford University Press (OU.9780193514249).

ISBN 9780193514249. 10 x 7 inches.

For SATB unaccompanied In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminescent, featuring trademarks of Bednall's style such as changing metre, rich harmonies, and expressive melismas.

SATB double choir, a cappella (SATB) - Moderately Difficult

SKU: OU.9780193413450

Composed by David Bednall. Secular Choral - Mixed Voices. New Horizons. Vocal score. 16 pages. Duration 5'. Oxford University Press #9780193413450. Published by Oxford University Press (OU.9780193413450).

ISBN 9780193413450. 10 x 7 inches.

for SATB double choir unaccompanied
A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the warm richness of the closing pages, where the choir divides into eight parts. This work is part of the New Horizons series and a piano reduction is included for rehearsal purposes.

About Oxford New Horizons

N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

SATB choir, divisi, a cappella (SATB) - Moderately Difficult

SKU: OU.9780193524316

Composed by David Bednall. Sacred choral - mixed voices. Vocal score. 12 pages. Duration 4'. Oxford University Press #9780193524316. Published by Oxford University Press (OU.9780193524316).

ISBN 9780193524316. 10 x 7 inches.

For SATB (with divisions) unaccompanied This partner antiphon to Bednall's Alma Redemptoris Mater is fast and joyful. This pair of antiphons compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). The central section employs a soprano solo, and the divisi in the vocal parts creates a rich texture.

SATB choir, a cappella (SATB) - Easy to Moderately Difficult

SKU: OU.9780193524323

Composed by David Bednall. Sacred choral - mixed voices. Vocal score. 12 pages. Duration 4.5'. Oxford University Press #9780193524323. Published by Oxford University Press (OU.9780193524323).

ISBN 9780193524323. 10 x 7 inches.

For SATB unaccompanied This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn, this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet movement and changing metre create ebb and flow, and harmonic and melodic interest bring a sense of peaceful expectancy.

Mixed choir

SKU: FG.55011-866-9

Composed by Alex Freeman. Arranged by Edna St. Vincent Millay. Contemporary. Book. Fennica Gehrman #55011-866-9. Published by Fennica Gehrman (FG.55011-866-9).

Alex Freeman's (b. 1972) Northern April for mixed choir (SSAATTBarB) to text by Edna St. Vincent Millay (1892-1950) is commissioned by Tampereen Sävel festival.

(Midnatt rader). Composed by Vilhelm Sefve. Arranged by Anders Jalkeus. For SSATB choir. Language: Swedish. 12 pages. Published by Gehrmans Musikforlag

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

By Alice Parker. Text: Edna St. Vincent Millay. For SATB choir and Piano. (Mixed Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

SATB choir, divisi, piano reduction - Intermediate

SKU: GI.G-8215

Composed by Colin Britt. Evoking Sound. Music Education. Octavo. 8 pages. GIA Publications #8215. Published by GIA Publications (GI.G-8215).

UPC: 785147821502. English. Text by Edna St. Vincent Millay.

By Alice Parker. Text: Edna St. Vincent Millay. For SATB Choir, Piano 4-hands. (Mixed Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

By Vodnansky/Kaptein. For SATB/SATB choir, a cappella. Choral octavo. Published by Alliance Music Publications. (AMP 0488)

SATB choir, a cappella (SATB) - Easy to Moderately Difficult

SKU: OU.9780193514270

Composed by David Bednall. Sacred choral - mixed voices. New Horizons. Vocal score. 8 pages. Duration 2.5'. Oxford University Press #9780193514270. Published by Oxford University Press (OU.9780193514270).

ISBN 9780193514270. 10 x 7 inches.

For SATB unaccompanied Like as the Hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion.

About Oxford New Horizons

N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

By Edna Lewis, music by George Goehring. Arranged by Jay Althouse. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Choral Octavo. 12 pages

Movement V from The Lost Birds. Composed by Christopher Tin. BH Secular Choral. Concert, Poetry. Octavo. 16 pages. Duration 255 seconds. Hal Leonard #M051486038. Published by Hal Leonard

SATB choir, a cappella

SKU: OU.9780193543881

Composed by Sarah Dacey. Voice Junction. Vocal score. 8 pages. Duration 3'. Oxford University Press #9780193543881. Published by Oxford University Press (OU.9780193543881).

ISBN 9780193543881. 10 x 7 inches.

For SATB unaccompanied Settings words from part of a letter by Edna St Vincent Millay to her lover Arthur Davison Ficke, this is a gentle, charming piece that celebrates our freedom to love.

Composed by David Bednall. Vocal score. 8 pages. Duration 2'. Published by Oxford University Press (OU.9780193513167).

SATB Choir, organ - Level 2

SKU: CA.304460

Composed by Jan Kampanus Vodnansky. Separate edition with choral collection. Sacred vocal music, Advent, Christmas, Praise and thanks. Full score. Duration 5 minutes. Carus Verlag #CV 03.044/60. Published by Carus Verlag (CA.304460).

ISBN 9790007174262. Key: A major. Text language: German. Text: Spee von Langenfeld, Friedrich. Text by Friedrich von Spee.