Choral (SATB)

SKU: HL.428247

A Beatles Super Medley. By The Beatles. By George Harrison, John Lennon, and Paul McCartney. Arranged by Mark A. Brymer. Pop Choral Series. Classic Rock, Medley, Novelty, Pop, Pop/Rock, Rock, Sixties. Octavo. 20 pages. Duration 240 seconds. Published by Hal Leonard (HL.428247).

UPC: 196288063384. 6.75x10.5x0.045 inches.

A Fab Four Medley with 18 classic songs in just four minutes!? As Brian Wilson once said, “There's no outdoing the Beatles.” Includes: All You Need Is Love, Blackbird, Come Together, Eight Days a Week, Eleanor Rigby, A Hard Day's Night, Here Comes the Sun, Hey Jude, I Want to Hold Your Hand, In My Life, Let It Me, Love Me Do, Penny Lane, Strawberry Fields Forever, We Can Work it Out, With a Little Help from My Friends and Hello, Goodbye.

Composed by Various. Edited by Dan Damon. For SATB choir, Unison choir. General. Hymn Collection. Published by Hope Publishing Company

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

Choral (SATB divisi)

SKU: HL.215263

For SATB Acappella Divisi. Composed by Marcel Chyrzynski. PWM. Classical, General Worship, Sacred. Octavo. 20 pages. Duration 360 seconds. Polskie Wydawnictwo Muzyczne #11687010. Published by Polskie Wydawnictwo Muzyczne (HL.215263).

8.25x11.5 inches.

I finished Psalm 23 Dominus regit me (The Lord Is My Shepherd), which inspired me musically, in 2013. This prayer of praise, being a radical act of trust in God, as Pope Benedict XVI once said, complements Credo in unum Deum. I was particularly moved by the personal tone of the Psalm author and by the landscape of life symbols that he painted. The psalmist, describing ancient nomads, compares God to a shepherd taking care of his flock. It is a hopeful metaphor of a journey in the future with kind and loving God as a guide - 'Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me.' By interpreting the text with music, I wanted to avoid emotional directness, and to present the 'trust' in a contemplative way, as if it were a kind of a prayer - meditation. -Marcel Chyrzynski, translated by Monika Rokicka.

By Various. Edited by Kreuels, Matthias / Ducker, Martin / Bretschneider, Wolfgang / Geismann, Wilm / Mailander, Richard. This edition: paperbound. Sacred, Unison hymns, Hymn settings, Litanies, Mass Sections, Motets, Psalms, German; Choral Collections, Mixed Choir; Occasions: Eucharist, Communion, Praise and thanks, Psalms; Use during church year: Ascension, Easter and Eastertide, Ascension. Choral collection. 216 pages

SATB Choir (Mixed choir)

SKU: BA.BA02936

Composed by Leonhard Lechner. Edited by Konrad Ameln. This edition: complete edition, urtext edition. Linen. Leonhard Lechner Works 6. Complete edition, Singing Score, anthology. Composed 1581. Baerenreiter Verlag #BA02936_00. Published by Baerenreiter Verlag (BA.BA02936).

ISBN 9790006427758. 27.6 x 19.8 cm inches.

27 Kompositionen. Urtext der Lechner-Gesamtausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Greg Gilpin. For 4-Part Choir (Speaking), Drums. Sheet Music. Published by Shawnee Press.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

(Incorporating Angels We Have Heard on High ). By Larry Shackley. For SATB choir and piano (with optional Solo, flute). Advent, Christmas, Sacred. Sacred Anthem

Mixed Choir

SKU: M7.DOHR-94100

Composed by Diocesan Conf. Sheet music. 80 pages. MDS (Music Distribution Services) #DOHR 94100. Published by MDS (Music Distribution Services) (M7.DOHR-94100).

ISBN 9790202001004. German.

((As Family We'll Go)). By Rend Collective. By Rend Collective. Arranged by Heather Sorenson. For Choral (SATB). PraiseSong Choral. Octavo. Published by PraiseSong

Composed by Johann Sebastian Bach (1685-1750). Arranged by Douglas E. Wagner. Shawnee Press. Concert. Octavo. 8 pages. Shawnee Press #A2221. Published by Shawnee Press

SATB choir

SKU: WD.080689862120

The Promise Of Easter. Composed by Allan Douglas, Deborah Craig-Claar, and Phillip Keveren. Arranged by Phillip Keveren. Choral, cantatas. Christmas. Accompaniment CD (split). Word Music #080689862120. Published by Word Music (WD.080689862120).

UPC: 080689862120.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includ es songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.

SATB choir

SKU: WD.080689752728

The Promise Of Easter. Composed by Allan Douglas, Deborah Craig-Claar, and Phillip Keveren. Arranged by Phillip Keveren. Choral, cantatas. Easter, Musical. Bulk CD (10-pak). Word Music #080689752728. Published by Word Music (WD.080689752728).

UPC: 080689752728.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includ es songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.

Mixed choir

SKU: FG.55011-857-7

Composed by Žibuoklė Martinaitytė. Classical, contemporary. Book. Fennica Gehrman #55011-857-7. Published by Fennica Gehrman (FG.55011-857-7).

Žibuoklė Martinaitytė tells about the background of Aletheia (2022) for mixed choir (SSSSAAAATTTTBBBB): Aletheia is variously translated from Greek as unconcealedness, revealing or unclosedness. It is uncovering of the Truth - the one we are afraid to face, the truth that can only be expressed directly through the pre-verbal communication. How do you find words for the horrors of the war, for all unimaginable global atrocities? How do you even allow yourself to feel it out? Solely through art, through music that offer a safe space and a formalized framework for processing these accumulated complex emotions and sharing them with others in a moment. This piece has no verbal text and it is based on various combinations of vowels and consonants, thus connecting us on a deeper level through the immediate emotional experience.

The war in Ukraine in spring of 2022 had an impact on all of us and shattered my deeply rooted Lithuanian identity. When the freedom is threatened and innocent people are dying, it is hard to make sense out of the reality. Yet there is poetry even in the worst nightmares. I was imagining that the only instrument people have even in situations of destruction, in the midst of the war, is their VOICE. It brought back memories of my youth when Singing revolution was taking place in the Baltic countries. Human voice was the only weapon that people used to express their determination for freedom and independence. Voice is our first and the very last instrument we have in our lifetime. Thinking in these terms brings almost a sacred dimension to the voice as an expression of the life itself - from the very first baby's scream until the last breath and whisper.

Duration c. 15'

The works of New York -based Lithuanian composer Žibuoklė Martinaitytė (b. 1973) have been lauded as breathtaking and profoundly moving. Her stimulating music bristles with energy and tension and revolves often around the subject of beauty, which she calls both a guiding principle and an aesthetic measure for sonic quality.

By Gloria Shain. Arranged by Camp Kirkland. For SATB choir with vocal solo. Christmas. Moderate. Octavo. Published by Lillenas Publishing Company

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass setting! Liturgy. Published by CanticaNOVA Publications (C5.3136-2).

SATB choir with vocal solo (flute 1&2, oboe, clarinet 1&2, bassoon, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, drums, rhythm, harp, violin 1&2, viola, cello, string bass) - Moderate

SKU: LP.765762204102

Composed by Gloria Shain. Arranged by Camp Kirkland. Anthems. Contemporary, Christmas and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762204102).

UPC: 765762204102.

This traditional Christmas classic is flawlessly arranged by Camp Kirkland into a gospel-styled masterpiece! With its instant familiarity and Kirkland's accessible arranging, this solo feature Christmas favorite will be a hit with choirs of all skill levels.

Composed by Ogden Nash and Eric Whitacre (1970-). Eric Whitacre Choral. Christmas Secular, Concert, Festival. Octavo. 64 pages. Published by Shadow Water Music

We'll Soon Be Done with Troubles and Trials by Marty Parks. For SATB choir. Anthems. Mountain-Top Choral Series. Southern Gospel and Sacred. Octavo. 12 pages. Duration 2 minutes, 51 seconds. Published by Lillenas Publishing Company

By Donald Moore. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Winter. Choral Octavo. 8 pages

By Faye Lopez. Arranged by Larry Carrier. Choral. For SATB choir, piano. Choral collection. Sacred, choral. Intermediate. Collection. Published by SoundForth . collection. Sacred, choral.

From A Consort of Choral Christmas Carols. By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For SATB. S. 359. Duration 2:30. Published by Theodore Presser Company.

SATB(B) a capella Choral; Mixed Choir; Soprano (SATBB)

SKU: HL.48025402

SATB(B) a capella with Solo Soprano. Composed by James Macmillan. Boosey & Hawkes Sacred Choral. Choral, Classical. Octavo. Boosey & Hawkes #M060141997. Published by Boosey & Hawkes (HL.48025402).

UPC: 196288201038.

Short motet commissioned by St DominicÂ’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be let loose on the world to fulfil their potential: 'Be who God meant you to be and you will set the world on fire'. But where another composer might have made this a fanfare MacMillan writes with the gentleness of sincerity. The music is very straightforward and in wanting a solo soprano line he outlines all the ways this can be achieved: soloist, group of sopranos, or all the sopranos if the altos can be split into two. The choir repeats the mantra text above throughout the motet, while the soprano solo line is given the prayer which follows. Only at the very end do they all join together in the words 'Jesus, love, Jesus, love' with a lovely E major ending.

Choral (SATB)

SKU: HL.1265650

Composed by Heather Sorenson. Shawnee Sacred. Octavo. Duration 310 seconds. Published by Shawnee Press (HL.1265650).

UPC: 196288159124. 6.75x10.5 inches. Galatians 3:26, John 1:12-13, Psalm 82:6.

One of the most treasured truths of Christian faith is found in this heartfelt anthem of devotion. The intimacy of our relationship with God is wonderfully presented, adorned with memorable melodic moments and expressive harmonies.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136114

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Single Part, Cello/Double Bass. KV Anh. 110. 2 pages. Duration 4 minutes. Carus Verlag #CV 51.361/14. Published by Carus Verlag (CA.5136114).

ISBN 9790007225025. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.