Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Organ. Sacred
vocal music, Mass
sections. Single Part,
Organ. BR-CPEB E 2 (Wq
219). 4 pages. Duration 4
minutes. Carus Verlag #CV
33.502/49. Published by
Carus Verlag
(CA.3350249).
ISBN
9790007212421. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Sacred vocal
music, Mass sections.
Vocal score. BR-CPEB E 2
(Wq 219). 8 pages.
Duration 4 minutes. Carus
Verlag #CV 33.502/03.
Published by Carus Verlag
(CA.3350203).
ISBN
9790007022211. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score available
separately - see item
CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Violin 2.
Sacred vocal music, Mass
sections. Single Part,
Violin 2. BR-CPEB E 2 (Wq
219). 4 pages. Duration 4
minutes. Carus Verlag #CV
33.502/12. Published by
Carus Verlag
(CA.3350212).
ISBN
9790007212391. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. This edition:
Paperbound. German title:
Sanctus in Es. Sacred
vocal music, Mass
sections. Full score.
BR-CPEB E 2 (Wq 219). 24
pages. Duration 4
minutes. Carus Verlag #CV
33.502/00. Published by
Carus Verlag
(CA.3350200).
ISBN
9790007015237. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Violin 1.
Sacred vocal music, Mass
sections. Single Part,
Violin 1. BR-CPEB E 2 (Wq
219). 2 pages. Duration 4
minutes. Carus Verlag #CV
33.502/11. Published by
Carus Verlag
(CA.3350211).
ISBN
9790007212384. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. 1x 33.502/21
oboe 1, 1x 33.502/22 oboe
2, 4x 33.502/31
trumpet/timpani. Harmony
parts. Sacred vocal
music, Mass sections. Set
of Orchestra Parts.
BR-CPEB E 2 (Wq 219). 12
pages. Duration 4
minutes. Carus Verlag #CV
33.502/09. Published by
Carus Verlag
(CA.3350209).
ISBN
9790007212377. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and parts
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher.
Violoncello/double bass.
Sacred vocal music, Mass
sections. Single Part,
Cello/Double Bass.
BR-CPEB E 2 (Wq 219). 2
pages. Duration 4
minutes. Carus Verlag #CV
33.502/14. Published by
Carus Verlag
(CA.3350214).
ISBN
9790007212414. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Complete
orchestral parts. Sacred
vocal music, Mass
sections. Set of
Orchestra Parts. BR-CPEB
E 2 (Wq 219). Duration 4
minutes. Carus Verlag #CV
33.502/19. Published by
Carus Verlag
(CA.3350219).
ISBN
9790007144470. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and parts
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Viola. Sacred
vocal music, Mass
sections. Single Part,
Viola. BR-CPEB E 2 (Wq
219). 2 pages. Duration 4
minutes. Carus Verlag #CV
33.502/13. Published by
Carus Verlag
(CA.3350213).
ISBN
9790007212407. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed
by Marten Jansson.
Stapled. Choral score. 14
pages. Baerenreiter
Verlag #BA08521_00.
Published by Baerenreiter
Verlag (BA.BA08521).
ISBN 9790006563203. 27
x 19 cm inches. Key:
E-flat minor. Text
Language:
Latin.
The
“Missa brevis in E
flat minor†for
mixed choir a cappella
has been composed in the
tradition of the short
Mass (without Credo) and
can be easily managed by
most choirs. Thanks to
its conciseness, it is
suitable for use in
church services, while
its delightful harmonic
layout and consciously
simple melodies (with
clear allusions to folk
music) also make it
perfect for concert
performance.
â€
œMy music is my own and
I have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings’ but also as
‘the happiest
classical music that we
have ever
heard‘. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.“
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of
Uppsala.
Please
find a recording of the
“Missa
brevis†performed
by the Ensemble Sonoro,
Neil Ferris (Conductor)
by clicking on
Multimedia.
Composed
by Johann Adolf Hasse.
Edited by Wolfram Hader.
This edition: Paperbound.
German title: Requiem in
Es. Sacred vocal music,
Requiem, Mourning, death.
Full score. Composed
1763/64. Duration 42
minutes. Carus Verlag #CV
97.004/00. Published by
Carus Verlag
(CA.9700400).
ISBN
9790007113155. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Violin 1. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Violin 1. Composed
1763/64. 24 pages.
Duration 42 minutes.
Carus Verlag #CV
97.004/11. Published by
Carus Verlag
(CA.9700411).
ISBN
9790007238810. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Viola. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Viola. Composed 1763/64.
20 pages. Duration 42
minutes. Carus Verlag #CV
97.004/13. Published by
Carus Verlag
(CA.9700413).
ISBN
9790007238834. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Sacred vocal music,
Requiem, Mourning, death.
Choral Score. Composed
1763/64. Duration 42
minutes. Carus Verlag #CV
97.004/05. Published by
Carus Verlag
(CA.9700405).
ISBN
9790007111489. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score
available separately -
see item CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Violin 2. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Violin 2. Composed
1763/64. 24 pages.
Duration 42 minutes.
Carus Verlag #CV
97.004/12. Published by
Carus Verlag
(CA.9700412).
ISBN
9790007238827. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Complete orchestral
parts. Sacred vocal
music, Requiem, Mourning,
death. Set of Orchestra
Parts. Composed 1763/64.
Duration 42 minutes.
Carus Verlag #CV
97.004/19. Published by
Carus Verlag
(CA.9700419).
ISBN
9790007133764. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
parts available
separately - see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Violoncello/double bass.
Sacred vocal music,
Requiem, Mourning, death.
Single Part, Cello/Double
Bass. Composed 1763/64.
20 pages. Duration 42
minutes. Carus Verlag #CV
97.004/14. Published by
Carus Verlag
(CA.9700414).
ISBN
9790007238841. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
1x 97.004/21 flute 1, 1x
97.004/22 flute 2, 1x
97.004/23 oboe 1, 1x
97.004/24 oboe 2, 1x
97.004/31 horn 1, 1x
97.004/32 horn 2. Harmony
parts. Sacred vocal
music, Requiem, Mourning,
death. Set of Orchestra
Parts. Composed 1763/64.
64 pages. Duration 42
minutes. Carus Verlag #CV
97.004/09. Published by
Carus Verlag
(CA.9700409).
ISBN
9790007238803. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
parts available
separately - see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Organ. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Organ. Composed 1763/64.
32 pages. Duration 42
minutes. Carus Verlag #CV
97.004/49. Published by
Carus Verlag
(CA.9700449).
ISBN
9790007238858. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
(Soprano, Alto, Tenor, Bass) SKU: BA.BA05576-91 Composed by Franz Schuber...(+)
(Soprano, Alto, Tenor,
Bass)
SKU:
BA.BA05576-91
Composed by Franz
Schubert. Edited by
Rudolf Faber. This
edition: urtext edition.
Stapled. Choral score.
Baerenreiter Verlag
#BA05576-91. Published by
Baerenreiter Verlag
(BA.BA05576-91).
ISBN
9790006575978. 27 x 19 cm
inches. Key: E-flat
major. Text Language:
Latin.
During the
last summer of his life,
Franz Schubert completed
the Mass in E-flat D 950.
The occasion for the
composition of this Missa
solemnis cannot be
clarified with certainty.
Schubert did not live to
see the premiere of his
sixth mass, which was
first performed
posthumously in 1829
under the baton of his
brother
Ferdinand.
Among
other things, the editor
has paid particular
attention to the
articulation. In order to
be able to present
Schubertâ??s
differentiated use of
accents in the edition, a
new symbol has been
introduced: an accent
which is flexible with
regard to its length,
thus making it possible
to precisely visualize
its compositionally
intended
duration.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mass in E-Flat Chorale SATB SATB [Vocal Score] Faber Music Limited
(Vocal Score). By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (178...(+)
(Vocal Score). By Carl
Maria von Weber
(1786-1826) and Carl
Maria von Weber
(1786-1826). Choir
Sacred. SATB choir.
Choral (Sacred); Choral
Worship Cantata; Larger
Works; Masterworks;
Score; Worship Resources.
Faber Edition.
Masterwork; Romantic;
Sacred. Published by
Faber Music
Composed
by Anton Diabelli. Sacred
vocal music, Masses,
Latin. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Op. 107. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/49. Published by
Carus Verlag
(CA.2300749).
ISBN
9790007241681. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
SATB Choir (Mixed choir (SATB)) SKU: BA.BA04892-91 Composed by Wolfgang A...(+)
SATB Choir (Mixed choir
(SATB))
SKU:
BA.BA04892-91
Composed by Wolfgang
Amadeus Mozart. Edited by
Hellmut Federhofer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. K.
243. 36 pages.
Baerenreiter Verlag
#BA04892_91. Published by
Baerenreiter Verlag
(BA.BA04892-91).
ISBN
9790006459605. 27 x 19 cm
inches. Key: E-flat
major.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Anton Diabelli (1781-1858). For Soli SATB, SATB Choir, Flute, 2 Clarinets, 2 ...(+)
By Anton Diabelli
(1781-1858). For Soli
SATB, SATB Choir, Flute,
2 Clarinets, 2 Horns, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ
[1 Flute, 2 Horns]. This
edition: Paperbound.
Es-Dur (E-flat major).
German title: Messe in Es
rev.2001. Part:
reduction for piano/organ
Masses, Latin
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Complete
orchestral parts. Sacred
vocal music, Tantum ergo.
Set of Orchestra Parts. D
962. Duration 4 minutes.
Carus Verlag #CV
70.052/19. Published by
Carus Verlag
(CA.7005219).
ISBN
9790007138516. Key: E
flat major. Language:
Latin.
Score and
parts available
separately - see item
CA.7005200.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Kyrie In
Es (Erganzung Stadler).
Sacred vocal music, Mass
sections. Set of
Orchestra Parts. Composed
1778/79. KV 322. Duration
4 minutes. Carus Verlag
#CV 51.322/19. Published
by Carus Verlag
(CA.5132219).
ISBN
9790007145736. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. Score and
parts available
separately - see item
CA.5132200.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Kyrie In Es
(Erganzung Stadler).
Sacred vocal music, Mass
sections. Choral Score.
Composed 1778/79. KV 322.
2 pages. Duration 4
minutes. Carus Verlag #CV
51.322/05. Published by
Carus Verlag
(CA.5132205).
ISBN
9790007128647. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. Score
available separately -
see item CA.5132200.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Kyrie In Es
(Erganzung Stadler).
Sacred vocal music, Mass
sections. Full score.
Composed 1778/79. KV 322.
24 pages. Duration 4
minutes. Carus Verlag #CV
51.322/00. Published by
Carus Verlag
(CA.5132200).
ISBN
9790007092146. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings.