SATB choir, piano - Intermediate

SKU: WD.080689578175

Choral collection. Sacred, Choral. Book. Word Music #080689578175. Published by Word Music (WD.080689578175).

UPC: 080689578175.

EM ERGENT, the latest release in the Integrity Music Choral Series from WORD MUSIC & CHURCH RESOURCES, features 9 emerging worship songs captured within 8 dynamic arrangements for Modern Worship Choirs.

Songs from the ministries of Gateway Worship, New Life Worship, Planetshakers, Covenant Worship, LIFE Worship UK, and All About Music. Each song is fresh, new, and showing strong signs of breaking through the noise to become part of the Worship Music playlist for churches everywhere. These are fast-rising songs on the CCLI charts, paving the way for their use in corporate worship settings in churches all around the world. What better way to introduce them to your church than through these modern worship choir settings that invite congregational participation! EMERGENT…8 new arrangements for Worship-Leading Choirs and their Congregations!

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

Choral (SATB a cappella)

SKU: HL.48025165

SATB a cappella Latin. Composed by Becky McGlade. Boosey & Hawkes Sacred Choral. General Worship, Latin, Mass, Sacred. Octavo. 12 pages. Duration 600 seconds. Boosey & Hawkes #M060137266. Published by Boosey & Hawkes (HL.48025165).

UPC: 196288105145.

A beautiful short setting of the ordinary of the Latin mass (Kyrie, Gloria, Sanctus & Benedictus, and Agnus Dei) by emerging Cornishcomposer Becky McGlade. The Kyrie finds beauty in its simplicity, which is later echoed in the Agnus Dei. The sumptuous parallel harmony and natural melodies create an atmosphere of penitent sorrow, so central to both texts. The Gloria offers something more joyous and upbeat, yet not straying from the cleverly constructed harmony and voice leading. The emotional climax comes with the Sanctus & Benedictus, which begins with the warm texture of the full choir, and through the gentle dissonances and soaring soprano line the composer conveys something of the holiness and glory of God. Ideal for choirs looking to expand their liturgical music repertoire with a manageable but impressive new mass setting. Also appropriate for concert use.

Choral (SATB a cappella)

SKU: HL.48024856

SATB a cappella. Composed by Rhiannon Randle. Boosey & Hawkes Sacred Choral. Classical. Octavo. 8 pages. Boosey & Hawkes #M060136658. Published by Boosey & Hawkes (HL.48024856).

ISBN 9781784545598. UPC: 840126910803. 7.5x10.25x0.03 inches.

From one of the UK's bright, emerging choral composers, Rhiannon Randle, is this sublime setting of the familiar Latin text. O nata lux is a personal reflection on the compelling and timeless choral atmosphere depicted by the famous Thomas Tallis setting of these words. Dedicated to the memory of Randle's late grandmother, the work balances a sense of intimate prayer and meditation with a spiritual declamation of the “light born of light.” To see hope and new life in despair and death - for in the darkness we have seena great light - chimes as much with the season of Advent as it does with personal loss. The lilting homophony of the opening is characterised by light tenuti, intended to provide a sense of gentle ebb and flow, almost as if to accentuate the natural emphases of speech. This then broadens into a polyphonic cascade, which hints at Bruckner as much as paying homage to Tallis's own setting. O nata lux is an exciting addition to the Contemporary Choral Series, suitable for intermediate to advanced choirs looking to support and program new music by outstanding young composers.

Songs for All Seasons. Edited by Ken Bible, Marty Parks. For SATB choir and piano/orchestra accompaniment. Adult Choral Collection for Christmas, Easter, Palm Sunday, Patriotic, Thanksgiving, Communion, Child Dedication, Missions & Evangelism, National Day of Prayer, Mother's Day, Father's Day, Stewardship & Commitment, National Emergency, Funerals & Memorial Services. Choral Selections to Highlight Special Days. Blend of inspirational, traditional, and soft contemporary styles. Stereo CD. Duration 58 minutes. Published by Lillenas Publishing Company.

By Keith Getty. For SATB choir and piano. Eastertide, General, Sacred. Sacred Anthem. Published by Exaltation Publications. (10/3689L)

SATB choir, keyboard accompaniment

SKU: GI.G-527

Level 2. Composed by John M. Feierabend. Choral. Conversational Solfege. Music Education. Octavo. GIA Publications #527. Published by GIA Publications (GI.G-527).

Text by Noel Goemanne.

Conversat ional Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5  John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut.

For SATB divisi choir, a cappella (with optional shaker, djembe, vocal percussion). Sacred Anthem. Octavo. Published by SoundForth

Composed by Kevin A. Memley. This edition: Saddle stitching. Sheet music. Pavane Choral. A Cappella, Concert. Octavo. Composed 1944. 1543. 8 pages. Duration 21'. Pavane Publishing #P1543. Published by Pavane Publishing

Composed by Michael John Trotta. 21st Century. Instrumental part. Duration 4 minutes, 30 seconds. Galaxy Music Corporation #1.3581. Published by Galaxy Music Corporation

Composed by Charlie Leftridge. Pavane Choral. Octavo. 12 pages. Pavane Publishing #P1568. Published by Pavane Publishing (HL.232790).

Arranged by Zachary Steele. E Crocker Emerging Composers. Christmas, Concert, Festival. Octavo. Published by Hal Leonard

By Matthew Emery. For Choral (SATB). Pavane Choral. 8 pages. Pavane Publishing #P1441. Published by Pavane Publishing

Choir Secular (SATB choir) - Grade 4

SKU: AP.48472

Composed by Brendan Graham and Rolf Løvland. Arranged by Kirby Shaw. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classic Pop; Graduation; Peace/Brotherhood; Secular. Choral Octavo. 12 pages. Alfred Music #00-48472. Published by Alfred Music (AP.48472).

UPC: 038081552958. English.

Every voice part shines in this remarkable a cappella treatment of Josh Groban's smash hit. Fully arranged, with fresh musical ideas emerging throughout, it builds from verse to verse with smooth transitions, logical voice leading, and natural phrasing. An angelic treble trio takes the final chorus to new heights! Fitting for concert, show, or pop groups, this dramatic selection is especially appropriate for end-of-year events. Highly recommended.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SATB chorus - early intermediate

SKU: XC.HRMG1947

Composed by Michael John Trotta. Michael John Trotta. Music Education. Octavo. 16 pages. Hampton Roads Music Group LLC #HRMG1947. Published by Hampton Roads Music Group LLC (XC.HRMG1947).

UPC: 785147103653. English.

I rise on, upward forever, gathering strength, gaining breath, from the spirit of life. A simple melody gradually unfolds over a gentle piano accompaniment, growing into a full, four-part texture expressing Margaret Fuller's uplifting text. Written with emerging ensembles in mind, the vocal ranges are conservative and the melodies are singable. Part-dominant MP3 practice tracks are available as multi-user bundles (includes all parts for the selected arrangement and allows file sharing within the choir) as well as single-user versions (licensed to the purchaser only, file sharing is prohibited). The accompaniment MP3 download includes both a fully produced version and a piano-only version.  .

Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 pages. Duration 2 minutes, 50 seconds. BriLee Music #BL1155. Published by BriLee Music

Composed by Terry Wilson. Arranged by Stan Pethel. Epiphany House. Anthem, Christmas, Sacred. Octavo. 12 pages. Epiphany House Publishing #EH1035. Published by Epiphany House Publishing (HL.119018).

(Symphony of my city). Composed by Ron Kean. This edition: Paperback/Soft Cover. Sheet music. Pavane Choral. Irish, Concert, Poetry. Octavo. Composed 1971. 1551. 16 pages. Duration 32'. Pavane Publishing #P1551. Published by Pavane Publishing