SATB choir, piano accompaniment - easy/moderate

SKU: WD.080689705021

Composed by Cliff Duren. Arranged by Cliff Duren. Choral, cantatas. 17 Songs in 10 Arrangements featuring Jesus Can Change Your Life, Alpha and Omega, The Blood Hasn't Ever Changes and 7 more. Christmas. Practice trax. Word Music #080689705021. Published by Word Music (WD.080689705021).

UPC: 080689705021.

Intro ducing Southern Sundays, the new Southern Gospel Choir Series, from WORD Music! There's nothing better than the rhythms and sounds of a great southern gospel song. Add the power of an energetic and spirited gospel choir to the inspiring lyrics and infectious makes-you-want-to-sing-al ong music, and you've got a proven, winning combination guaranteed to make your Southern Sunday choir sound their very best!

Arranged and orchestrated by Cliff Duren, the songs and arrangements in this new choral collection are specially designed and selected to bring you an appealing combination of hit songs and soon-to-be classics, along with some fresh, new songs that your choir can be among the very first to sing! Featuring 10 new Cliff Duren arrangements, Southern Sundays is anchored by three benchmark songs - Jesus Can Change Your Life, Alpha and Omega, and the gospel-influenced, The Blood Hasn't Ever Changed. Whether your choir repertoire is all-southern-all-the-time , or simply southern for special time.

SATB choir, piano accompaniment - easy/moderate

SKU: WD.080689505676

Composed by Cliff Duren. Arranged by Cliff Duren. Choral, cantatas. 17 Songs in 10 Arrangements featuring Jesus Can Change Your Life, Alpha and Omega, The Blood Hasn't Ever Changes and 7 more. Southern Gospel. Orchestration. Word Music #080689505676. Published by Word Music (WD.080689505676).

UPC: 080689505676.

Intro ducing Southern Sundays, the new Southern Gospel Choir Series, from WORD Music! There's nothing better than the rhythms and sounds of a great southern gospel song. Add the power of an energetic and spirited gospel choir to the inspiring lyrics and infectious makes-you-want-to-sing-al ong music, and you've got a proven, winning combination guaranteed to make your Southern Sunday choir sound their very best!

Arranged and orchestrated by Cliff Duren, the songs and arrangements in this new choral collection are specially designed and selected to bring you an appealing combination of hit songs and soon-to-be classics, along with some fresh, new songs that your choir can be among the very first to sing! Featuring 10 new Cliff Duren arrangements, Southern Sundays is anchored by three benchmark songs - Jesus Can Change Your Life, Alpha and Omega, and the gospel-influenced, The Blood Hasn't Ever Changed. Whether your choir repertoire is all-southern-all-the-time , or simply southern for special time.

SATB choir, piano accompaniment - easy/moderate

SKU: WD.080689801723

Composed by Cliff Duren. Arranged by Cliff Duren. Choral, cantatas. 17 Songs in 10 Arrangements featuring Jesus Can Change Your Life, Alpha and Omega, The Blood Hasn't Ever Changes and 7 more. Eastertide. Bulk CD (10-pak). Word Music #080689801723. Published by Word Music (WD.080689801723).

UPC: 080689801723.

Intro ducing Southern Sundays, the new Southern Gospel Choir Series, from WORD Music! There's nothing better than the rhythms and sounds of a great southern gospel song. Add the power of an energetic and spirited gospel choir to the inspiring lyrics and infectious makes-you-want-to-sing-al ong music, and you've got a proven, winning combination guaranteed to make your Southern Sunday choir sound their very best!

Arranged and orchestrated by Cliff Duren, the songs and arrangements in this new choral collection are specially designed and selected to bring you an appealing combination of hit songs and soon-to-be classics, along with some fresh, new songs that your choir can be among the very first to sing! Featuring 10 new Cliff Duren arrangements, Southern Sundays is anchored by three benchmark songs - Jesus Can Change Your Life, Alpha and Omega, and the gospel-influenced, The Blood Hasn't Ever Changed. Whether your choir repertoire is all-southern-all-the-time , or simply southern for special time.

By Thomas Grassi. For SATB choir (divisi), piano. Sacred Anthem, General, Pentecost, Transfiguration, Trinity Sunday. Octavo. Published by Lorenz Publishing Company

By Cindy Berry. For SATB Choir and Piano. Sacred Anthem: Easter, General, Lent, Palm Sunday. Octavo. 8 pages. Published by Lorenz Publishing Company

ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo

SKU: CA.3118257

First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Himmelskonig, Sei Willkommen G-Dur. Sacred vocal music, Cantatas, Lent and Passiontide. Study score. BWV 182. 60 pages. Duration 30 minutes. Carus Verlag #CV 31.182/57. Published by Carus Verlag (CA.3118257).

ISBN 9790007142872. Key: G major. Text language: German/English.

Ver sion in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo

SKU: CA.3118255

First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Himmelskonig, Sei Willkommen G-Dur. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. BWV 182. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.182/55. Published by Carus Verlag (CA.3118255).

ISBN 9790007209865. Key: G major. Text language: German/English.

Ver sion in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118219

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/19. Published by Carus Verlag (CA.3118219).

ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.

Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo - Level 3

SKU: CA.3118207

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: paperbound. BWV 182. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/07. Published by Carus Verlag (CA.3118207).

ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118213

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/13. Published by Carus Verlag (CA.3118213).

ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.

Composed by William Owen. Hinshaw Sacred. Sacred. Octavo. 10 pages. Hinshaw Music Inc. #HMC1968. Published by Hinshaw Music Inc.

SATB choir, assembly, keyboard accompaniment, violin - Early intermediate

SKU: GI.G-10450

Composed by Benjamin Brody. Eastertide, Easter Sunday. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #10450. Published by GIA Publications (GI.G-10450).

UPC: 785147045014. English. Text by David Bjorlin. Scripture: Isaiah 25:6–9, Isaiah 65:17–25, Matthew 28, Mark 16:1–13, Luke 24, John 20:1–18, Romans 6:3–11, Revelation 21:1–7.

This choral arrangement was written during the height of the COVID pandemic with virtual choirs in mind. The piece is wonderfully adaptable whether sung by a vocal quartet or a full choir, featuring unison lines that may be taken by a soloist and a violin part that could be played by any treble C instrument or even incorporated into the piano accompaniment.

This choral arrangement was written during the height of the COVID pandemic with virtual choirs in mind. The piece is wonderfully adaptable whether sung by a vocal quartet or a full choir, featuring unison lines that may be taken by a soloist and a violin part that could be played by any treble C instrument or even incorporated into the piano accompaniment.

Composed by Matthew Owens. For SATB choir and organ accompaniment. Mixed Voices. Sacred. Level B (easy). Octavo. 4 pages. Duration 2'. Published by Oxford University Press

SATB choir, piano reduction - Early intermediate

SKU: GI.G-8035

Composed by Jim Stanley. Lent 4 A, Lent 5 A, OT 24 C. Choral. Sacred. Octavo. 8 pages. GIA Publications #8035. Published by GIA Publications (GI.G-8035).

UPC: 785147803508. English. Text Source: Trinity Sunday Text by George Herbert.

Here is a somewhat challenging piece that will be worth the effort put into it. The setting is mostly homophonic, with several areas of heterophony to paint the text as it depicts a movement forward—whether from the purging of our past sins or the desire to “run, rest, rise with thee.”.