By David Meece. Arranged by Lloyd Larson. (SATB). Ring and Sing, Contemporary and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

Vocal solos, choir, orchestra (Alto Voice Solo, 17speaker, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp, 3trombone, timpani, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA05570-01

Romantic drama in four acts. Composed by Franz Schubert. Edited by Christine Martin and Walther Durr. This edition: complete edition, urtext edition. Linen. New Schubert Edition II, 9. Complete edition, Score. D 797. Duration 50 minutes. Baerenreiter Verlag #BA05570_01. Published by Baerenreiter Verlag (BA.BA05570-01).

ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.

On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien.
Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere.

Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB choir, assembly, organ accompaniment, C instrument, flute, oboe, clarinet in B-flat, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone, bass trombone, violin 1, violin 2, viola, cello, bass, timpani, harp - Early intermediate

SKU: GI.G-9573

Revised Order of Mass 2010. Composed by Jan Michael Joncas. Mass. Sacred. Octavo. 40 pages. GIA Publications #9573. Published by GIA Publications (GI.G-9573).

UPC: 785147957300. English, French, Latin, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

In honor of the 200th anniversary of St. Rose Philippine Duschene’s arrival in New Orleans, Michael Joncas was commissioned to write a new mass setting by the Religious of the Sacred Heart. This edition is scored for SATB voices and features instrumental parts for complete symphony orchestra. Parts may be used according to the players available in your circumstance.  The mass includes optional phrases in French and Potawatomi honoring the American saint’s heritage and ministry. The mass may be sung in unison, reserving the choral and instrumental parts for holy days. While some contemporary musical settings of the “Glory to God” seem burdensome and even awkward, Joncas’s melody is absolutely delightful. The singable through-composed Gloria boasts a magnificent and manageable modulation that contributes to the triumphant nature of the piece. John Kyler Pray Tell: Worship, Wit, & Wisdom Read the full review here.

SATB choir

SKU: CA.965400

Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Praise and thanks. Full score. Composed 2014. 8 pages. Duration 4 minutes. Carus Verlag #CV 09.654/00. Published by Carus Verlag (CA.965400).

ISBN 9790007164898. Language: Latin.

Reflecting the psalm text, the composer Matsushita constantly finds new ways of expressing the praise of God. In the swinging rhythm of the 6/8 meter, with its dotted rhythms full of brio and binary pulse in counterpoint, with flashing dissonances through the almost oriental use of chromatic intervals, with sharply juxtaposed bitonal chords, and with the consonant-rich text, rapidly sung, the composer achieves an impressive, virtuoso showpiece which accomplished choirs can use to show off the full range of their abilities. Along the way Matsushita never writes unnecessarily complicated music, but music which is always based on his own practical experience as a choral director. In a rondo-like form he finds a parallel for the repetitions of unceasing praise. Matsushita sets the text syllabically throughout, but uses its tonal colors to give character to the individual sections. For example, the fanfare-like opening motif alternates with a crescendo section, which draws its energy from the contrast between declamatory vocal parts over a pedal point in diminished and augmented leaps of a third, fourth and fifth. Voice range: S: c' - b'' / A: asdeg - e'' / T: cdeg - gis' / B: F- e'.