SATB chorus, piano

SKU: BP.2278

Arranged by Dan Forrest. Sacred octavos. Easter, General Worship. Octavo. Beckenhorst Press #2278. Published by Beckenhorst Press (BP.2278).

Dramatic alleluias and an assertive rhythmic impetus interwoven with quotes of Beethoven's Hymn to Joy continually combine with Crown Him with Many Crowns (DIADEMATA), building to an overwhelming scene of worship of the risen Savior, perfect for Easter morning or general worship. Congregation may join in singing first and last stanzas, or all stanzas, for even greater impact.
Scored for SATB with piano (in choral score) and/or organ (separate part available), with optional brass sextet/percussion or full orchestra.

By Joel Raney. Text: John Parker. For SATB choir and Piano accompaniment. The Joel Raney Choral Series. Sacred, Christmas, Blues-Gospel-Spirituals, Jazz/SwingStyle, Rock'n'Roll. Octavo. 15 pages. Published by Hope Publishing Company.

By Smart, Henry T. Arranged by Larry Shackley. (SATB). Jazz/SwingStyle, Blues-Gospel-Spirituals and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

Vocal songbook for SATB choir. With vocal score. 80 pages. Published by Hal Leonard.

SATB (English Language Edition). Composed by Franz Joseph Haydn (1732-1809). Edited by Robert Shaw and Alice Parker. Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Lawson-Gould. Classical; Masterwork; Sacred. Book. 160 pages. Alfred Music #00-LG51595. Published by Alfred Music

Composed by Philip E. Silvey. Sws. Octavo. 20 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #CM9651. Published by Carl Fischer Music

Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. Alliance Music Publications #AMP 1072. Published by Alliance Music Publications

SATB/SATB/SATB choir

SKU: CA.966300

Pentecost sequence. Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Whitsun. Full score. 24 pages. Duration 6 minutes. Carus Verlag #CV 09.663/00. Published by Carus Verlag (CA.966300).

ISBN 9790007167684. Language: Latin.

Matsushita has conceived his setting of the Pentecost sequence entirely in the Renaissance polychoral tradition. He employs the full choir (within individual choirs divisi passages also occasionally occur) solely for magnificent sounding climaxes at conclusions, prior to these occurrences he repeatedly combines groups of voices or he allows individual choirs to sing, effectively, in alternation. This type of reduction is even carried over to quasi Gregorian passages sung by one voice in unison. The piece is tonal throughout, with occasional diatonic seasoning. The consistently homophonic setting is oriented towards the declamation of the Latin text. Melodically it is in the style of modal, Gregorian structures, without quoting the well-known sequence. A fast, rhythmically syncopated declamatory section introduces, the dramaturgically appropriate climax to the solemn conclusion, which, molto legato, returns once again with large upward swings to the text of the first strophe. Matsushita writes in a comfortable vocal range so that the work can be sung, at the same time, in both a relaxed and grandiose manner. For large choirs, even for oratorio choirs with only limited experience in a cappella singing, this piece is aptly suited for performance and the music is both grateful and brings much joy for singers.

Alto voice solo, tenor voice solo, bass voice solo, SSATB choir, orchestra (Soli, Mixed choir, Orch)

SKU: BA.BA10706-01

Composed by George Frideric Handel. Edited by Amanda Babington. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 13. Complete edition, Score, anthology. HWV 283, HWV 265. Baerenreiter Verlag #BA10706_01. Published by Baerenreiter Verlag (BA.BA10706-01).

ISBN 9790006550227. 33 x 26 cm inches. Text Language: English. Preface: Amanda Babington.

The Dettinger Te Deum was written to celebrate England's victory over the French at the Battle of Dettingen.
It is Handel's last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.
The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.
This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition.

* First Urtext edition
* Includes a Foreword (Eng/Ger).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding